Discover a world of prehistoric adventure with Robert Irwin in the first four exciting stories in the series, now in a bind-up After stumbling upon a dinosaur fossil that can transport him back in time to the age of dinosaurs, Robert Irwin has the chance to experience firsthand what it was like to live with dinosaurs. From outback Queensland, to prehistoric Asia, join Robert and his family on four exhilarating dino escapades! The collection includes The Discovery, Ambush at Cisco Swamp, Armoured Defence, and The Dinosaur Feather.
Discover a world of prehistoric adventure and dinosaurs with Robert Irwin! After finding a fossil on a dig in outback Queensland, Robert accidentally discovers a way to travel back in time, uncovering information about an unusual dinosaur stampede that took place in Australia 95 million years ago.
A beautifully illustrated, accessible volume about one of the Getty Center’s best-loved sites. Among the most beloved sites at the Getty Center, the Central Garden has aroused intense interest from the moment artist Robert Irwin was awarded the commission. First published in 2002, Robert Irwin Getty Garden is comprised of a series of discussions between noted author Lawrence Weschler and Irwin, providing a lively account of what Irwin has playfully termed “a sculpture in the form of a garden aspiring to be art.” The text revolves around four garden walks: extended conversations in which the artist explains the critical choices he made—from plant materials to steel—in the creation of a living work of art that has helped to redefine what a modern garden can and should be. This updated edition features new photography of the Central Garden in a smaller, more accessible format.
In this beautifully-produced book, illustrations of various Western editions of The Arabian Nights from the eighteenth to the twentieth century are analysed. With artists including the famous (Dulac, Doré, Brangwyn), and the less wellknown (Coster or Letchford), Irwin's study teaches much about the visual discovery of the Near East in modern times.
Although many of its stories originated centuries ago in the Middle East, the Arabian Nights is regarded as a classic of world literature by virtue of the seminal French and English translations produced in the eighteenth and nineteenth centuries. Supporting the suspicion that the story collection is more Parisian than Persian, some of its most famous tales, including the stories of Aladdin and Ali Baba, appear nowhere in the original sources. Yet as befits a world where magic lamps may conceal a jinni and fabulous treasures lie just beyond secret doors, the truth of the Arabian Nights is richer than standard criticism suggests. “Marvellous Thieves, which draws on hitherto neglected sources, is a brilliant, fluent and original work of literary scholarship.” —Robert Irwin, Literary Review “This fine book...cogently probes an influential period in the knotted and at times sordid history of the Arabian Nights, serving as a fine example to those unraveling this promiscuous and forever malleable set of stories.” —Charles Shafaieh, Wall Street Journal “Intelligent and engrossing...The great merit of Horta’s book is that its interest always lies in the story of the story, in mapping out the complex network of the translators, editors and travellers behind the Arabian Nights, in ways that enrich our sense of this remarkable text.” —Shahidha Bari, Times Higher Education
Which dinosaur was the fastest runner of all time? Robert is taking part in an athletics carnival. After an exhausting training session, he starts thinking about the biggest, fastest and strongest creatures in the dinosaur kingdom. With his best friend Riley, the two friends travel back in time to check out the gold medal champions of prehistoric times.
The only work to date to collect data gathered during the American and Soviet missions in an accessible and complete reference of current scientific and technical information about the Moon.
"Robert Irwin, perhaps the most influential of the California artists, moved from his beginnings in abstract expressionism through successive shifts in style and sensibility, into a new aesthetic territory altogether, one where philosophical concepts of perception and the world interact. Weschler has charted the journey with exceptional clarity and cogency. He has also, in the process, provided what seems to me the best running history of postwar West Coast art that I have yet seen."—Calvin Tomkins
