Robert Cantwell and the Literary Left

Robert Cantwell and the Literary Left

Author: T. V. Reed

Publisher: University of Washington Press

Published: 2014-06-01

Total Pages: 254

ISBN-13: 0295805048

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Robert Cantwell and the Literary Left is the first full critical study of novelist and critic Robert Cantwell, a Northwest-born writer with a strong sense of social justice who found himself at the center of the radical literary and cultural politics of 1930s New York. Regarded by F. Scott Fitzgerald and Ernest Hemingway as one of the finest young fiction writers to emerge from this era, Cantwell is best known for his superb novel, The Land of Plenty, set in western Washington. His literary legacy, however, was largely lost during the Red Scare of the McCarthy era, when he retreated to conservatism. Through meticulous research, an engaging writing style, and a deep commitment to the history of American social movements, T. V. Reed uncovers the story of a writer who brought his Pacific Northwest brand of justice to bear on the project of “reworking” American literature to include ordinary working people in its narratives. In tracing the flourishing of the American literary Left as it unfolded in New York, Reed reveals a rich progressive culture that can inform our own time.


Regionalists on the Left

Regionalists on the Left

Author: Michael C. Steiner

Publisher: University of Oklahoma Press

Published: 2015-02-02

Total Pages: 534

ISBN-13: 0806148950

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“Nothing is more anathema to a serious radical than regionalism,” Berkeley English professor Henry Nash Smith asserted in 1980. Although regionalism in the American West has often been characterized as an inherently conservative, backward-looking force, regionalist impulses have in fact taken various forms throughout U.S. history. The essays collected in Regionalists on the Left uncover the tradition of left-leaning western regionalism during the 1930s and 1940s. Editor Michael C. Steiner has assembled a group of distinguished scholars who explore the lives and works of sixteen progressive western intellectuals, authors, and artists, ranging from nationally prominent figures such as John Steinbeck and Carey McWilliams to equally influential, though less well known, figures such as Angie Debo and Américo Paredes. Although they never constituted a unified movement complete with manifestos or specific goals, the thinkers and leaders examined in this volume raised voices of protest against racial, environmental, and working-class injustices during the Depression era that reverberate in the twenty-first century. Sharing a deep affection for their native and adopted places within the West, these individuals felt a strong sense of avoidable and remediable wrong done to the land and the people who lived upon it, motivating them to seek the root causes of social problems and demand change. Regionalists on the Left shows also that this radical regionalism in the West often took urban, working-class, and multicultural forms. Other books have dealt with western regionalism in general, but this volume is unique in its focus on left-leaning regionalists, including such lesser-known writers as B. A. Botkin, Carlos Bulosan, Sanora Babb, and Joe Jones. Tracing the relationship between politics and place across the West, Regionalists on the Left highlights a significant but neglected strain of western thought and expression.


Modernism and the Practice of Proletarian Literature

Modernism and the Practice of Proletarian Literature

Author: Simon Cooper

Publisher: Springer Nature

Published: 2019-12-20

Total Pages: 338

ISBN-13: 3030351955

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This book tests critical reassessments of US radical writing of the 1930s against recent developments in theories of modernism and the avant-garde. Multidisciplinary in approach, it considers poetry, fiction, classical music, commercial art, jazz, and popular contests (such as dance marathons and bingo). Relating close readings to social and economic contexts over the period 1856–1952, it centers in on a key author or text in each chapter, providing an unfolding, chronological narrative, while at the same time offering nuanced updates on existing debates. Part One focuses on the roots of the 1930s proletarian movement in poetry and music of the nineteenth and early twentieth centuries. Part Two analyzes the output of proletarian novelists, considered alongside contemporaneous works by established modernist authors as well as more mainstream, popular titles.


Writers on the Left

Writers on the Left

Author: Daniel Aaron

Publisher: Columbia University Press

Published: 1992

Total Pages: 532

ISBN-13: 9780231080392

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Writers on the Left chronicles the involvement of American writers with the progressive and radical movement from its bohemian origins in 1912 to its disillusionment and demise in the early 1940s. Aaron creates a perceptive and often poignant portrait of writers such as Max Eastman and Floyd Dell, who tried to wed the seemingly conflicting impulses behind the need for uninhibited artistic expression and to abolish the inequalities of class and race.


The Power of Political Art

The Power of Political Art

Author: Robert Shulman

Publisher: UNC Press Books

Published: 2000

Total Pages: 358

ISBN-13: 9780807848531

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During the 1930s, radical young writers, artists, and critics associated with the Communist Party animated a cultural dialogue that was one of the most stimulating in American history. With the dawning of the Cold War, however, much of their work fell out


Left in the West

Left in the West

Author: Gioia Woods

Publisher: University of Nevada Press

Published: 2018-12-17

Total Pages: 383

ISBN-13: 1943859949

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In this edited collection, Gioia Woods and her contributors bring together histories, biographies, close readings, and theories about the literary and cultural Left in the American West—as it is distinct from the more often-theorized literary left in major eastern metropolitan centers. Left in the West expands our understanding of what constitutes the literary left in the U.S. by including writers, artists, and movements not typically considered within the traditional context of the literary left. In doing so, it provides a new understanding of the region’s place among global and political ideologies. From the early 19th century to the present, a remarkably complex and varied body of literary and cultural production has emerged out of progressive social movements. While the literary left in the West shared many interests with other regional expressions—labor, class, anti-fascism, and anti-imperialism, the influence of Manifest Destiny—the distinct history of settler colonialism in western territories caused western leftists to develop concerns unique to the region. Chapters in the volume provide an impressive range of analysis, covering artists and movements from suffragist writers to bohemian Californian photographers, from civil rights activists to popular folk musicians, from Latinx memoirists to Native American experimental writers, to name just a few. The unique consideration of the West as a socio-political region establishes a framework for political critique that moves beyond class consequences, anti-fascism, and civil liberties, and into distinct Western concerns such as Native American sovereignty, environmental exploitation, and the legacies of settler colonialism. What emerges is a deeper understanding of the region and its unique people, places, and concerns.


Writing From the Left

Writing From the Left

Author: Alan M. Wald

Publisher: Verso

Published: 1994-11-17

Total Pages: 260

ISBN-13: 9781859840016

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In this collection of essays, the author combines a series of assessments of "classic" and "lost" texts in the US Marxist literary tradition, and analyzes developments in Marxist scholarship by Robin Kelley, Michael Lowy, James Murphy, Paula Rabinowitz and Alexander Saxton.


If Beale Street Could Talk (Movie Tie-In)

If Beale Street Could Talk (Movie Tie-In)

Author: James Baldwin

Publisher: Vintage

Published: 2018-10-30

Total Pages: 210

ISBN-13: 0525566120

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A stunning love story about a young Black woman whose life is torn apart when her lover is wrongly accused of a crime—"a moving, painful story, so vividly human and so obviously based on reality that it strikes us as timeless" (The New York Times Book Review). "One of the best books Baldwin has ever written—perhaps the best of all." —The Philadelphia Inquirer Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin’s story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions—affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche.


To Make My Bread

To Make My Bread

Author: Grace Lumpkin

Publisher: University of Illinois Press

Published: 1995

Total Pages: 428

ISBN-13: 9780252065019

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A story of the industrialization of the South, To Make My Bread revolves around a family of Appalachian mountaineers - small farmers, hunters, and moonshiners - driven by economic conditions to the milltown and transformed into millhands, strikers, and rebels against the established order. Recognized as one of the major works on the Gastonia textile strike, Grace Lumpkin's novel is important for anyone interested in cultural or feminist history as it deals with early generations of women radicals committed to addressing the difficult connections of class and race. Suzanne Sowinska's introduction looks at Lumpkin's volatile career and this book's critical reception.


Lineages of the Literary Left

Lineages of the Literary Left

Author: Howard Brick

Publisher: Michigan Publishing Services

Published: 2015

Total Pages: 0

ISBN-13: 9781607853459

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This volume collects recent scholarship on intellectual, literary, and cultural movements and figures associated with left-wing politics beginning in the early twentieth century and continuing into our own time, largely in the United States but elsewhere in the world as well. These essays honor the contribution of Alan M. Wald's pathbreaking research, which for almost half a century has demonstrated that attention to the complex lived experiences of writers on the Left provides a new context for viewing major achievements as well as instructive minor ones in US fiction, poetry, drama, and criticism. His many books and articles, which are listed in the accompanying bibliography, have illuminated the creative lives of figures such as James T. Farrell, Willard Motley, Muriel Rukeyser, Philip Rahv, Richard Wright, Ann Petry, Kenneth Fearing, and Arthur Miller. Wald has delved into a consideration of Sidney Hook and pragmatism, developed a theory of Popular Front culture, and dissected the complexities of the anti-Stalinist Left. His investigations have opened the archives of Irving Howe, Sol Funaroff, Alfred Hayes, Paule Marshall, Sherry Mangan, Samuel Sillen, Rebecca Pitts, and other unduly neglected writers such as Jo Sinclair, Carlos Bulosan, John O. Killens, and Joy Davidman, among the many more across the Left who people Wald's magisterial studies in modern American culture. Collectively, the thinkers and actors intimately linked with social struggle who are analyzed in these diverse essays can be understood to form intertwined lineages of the Literary Left. Moreover, the critics and historians comprising this tribute attest to the varied lineages threading together myriad scholarly traditions as well. Throughout we stress the concluding "s," indicating the plural and multiple tendencies, fields, and methods expanding the Literary Left