The Crimson Twilight fleet descends on an unsuspecting universe. Major RONALD NOVAK, his new team, and the crew of the Fugitive are the only ones aware of the coming attack. But are already too late to send a warning to the outer systems. The galactic reign of the Empire is on the verge of collapse. A surprise attack at a scale unlike anyone has ever witnessed is about to be unleashed. Caught up in a universe he doesn’t belong in, the fate of his new home thrust unfairly onto his shoulders. Can Ronald find his place in this new dimension, or will he perish in this universal conflict?
In this “well-crafted, atmospheric” war novel set in ancient Rome, an officer battles under Constantine while in the midst of personal turmoil.(Ben Kane, author of Fields of Blood) The Roman Empire is on the brink of civil war. Only Maxentius, tyrant of Rome, stands between the emperor Constantine and supreme power in the west. Aurelius Castus is now a tribune in Constantine's army. But great honor brings new challenges: Castus is tormented by suspicions that his young wife has been unfaithful. And as Constantine becomes increasingly devoted to Christianity, he is forced to ask himself whether he is backing the wrong man. The coming war will decide the fate of empire. But Castus's own battle will carry him much further. “Hugely enjoyable. The author winds up tension into an explosion of fast-paced events.” —Conn Iggulden, author of Stormbird ”A thumping good read . . . thoroughly enjoyable.” —Ben Kane, author of Lionheart “This is up there with Harry Sidebottom and Ben Kane.” —M.C. Scott, author of Into the Fire
Cover -- Contents -- List of Illustrations -- Introduction. A Forgotten Empress -- 1 The "Most Noble" Princess: 379-395 -- 2 Orphan Princess in Stilicho's Shadow: 395-408 -- 3 Held Hostage by the Goths: 408-412 -- 4 Queen of the Visigoths: 411-416 -- 5 Wife and Mother in Ravenna: 416-424 -- 6 Empress of the Romans: 424-437 -- 7 The Empress Mother and Her Children: 438-455 -- Epilogue. The Fall of the Western Empire: 455-476 -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z.
This is a study of the artistic and political context that led to the production of a truly exceptional Byzantine illustrated manuscript. Paris, Bibliothèque Nationale de France, codex grec 54 is one of the most ambitious and complex manuscripts produced during the Byzantine era. This thirteenth-century Greek and Latin Gospel book features full-page evangelist portraits, an extensive narrative cycle, and unique polychromatic texts. However, it has never been the subject of a comprehensive study and the circumstances of its commission are unknown. In this book Kathleen Maxwell addresses the following questions: what circumstances led to the creation of Paris 54? Who commissioned it and for what purpose? How was a deluxe manuscript such as this produced? Why was it left unfinished? How does it relate to other Byzantine illustrated Gospel books? Paris 54's innovations are a testament to the extraordinary circumstances of its commission. Maxwell's multi-disciplinary approach includes codicological and paleographical evidence together with New Testament textual criticism, artistic and historical analysis. She concludes that Paris 54 was never intended to copy any other manuscript. Rather, it was designed to eclipse its contemporaries and to physically embody a new relationship between Constantinople and the Latin West, as envisioned by its patron. Analysis of Paris 54's texts and miniature cycle indicates that it was created at the behest of a Byzantine emperor as a gift to a pope, in conjunction with imperial efforts to unify the Latin and Orthodox churches. As such, Paris 54 is a unique witness to early Palaeologan attempts to achieve church union with Rome.
H.V. Morton's evocative account of his days in 1950s Rome—the fabled era of La Dolce Vita—remains an indispensable guide to what makes the Eternal City eternal. In his characteristic anecdotal style, Morton leads the reader on a well-informed and delightful journey around the city, from the Fontana di Trevi and the Colosseum to the Vatican Gardens loud with exquisite birdsong. He also takes time to consider such eternal topics as the idiosyncrasies of Italian drivers as well as the ominous possibilities behind an unusual absence of pigeons in the Piazza di San Pietro. As TourismWorld.com commented recently: "H.V. Morton.. . .wrote of Rome with style, involvement, and passion. His book In Search of Rome is perhaps the definitive guide book on the Eternal City."
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This stimulating new book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periodsof internal transformation within the Roman Empire: the phenomenon known as the 'Second Sophistic' (c. ad 100300)two centuries of self-conscious and enthusiastic hellenism, and the era of late antiquity (c. ad 250450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues, and masonry are explored in relation to such issues as power, death, society, acculturation, and religion. By examining questions of reception, viewing, and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylisticchange, Jas Elsner presents a fresh and challenging account of an extraordinarily rich cultural crucible in which many fundamental developments of later European art had their origins. 'a highly individual work . . . wonderful visual and comparative analysis . . . I can think of no other general book on Roman art that deals so elegantly and informatively with the theme of visuality and visual desire.' Professor Natalie Boymel Kampen, Barnard College, New York 'exciting and original . . . a vibrant impression of creative energy and innovation held in constant tension by the persistence of more traditional motifs and techniques. Elsner constantly surprises and intrigues the reader by approaching familiar material in new ways.' Professor Averil Cameron,Keble College, Oxford
