"River of Memory honors a place and time now gone from view. It restores an unfettered Columbia through more than ninety historical photographs that capture the river as it once appeared. This visual record is complemented with the words of early explorers, surveyors, and naturalists who wrote about specific places along the river and with new works by contemporary American and Canadian writers and poets."--Jacket.
River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation. Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.
'A travelogue and memoir to rank alongside anything by Chatwin or Thubron' Jim Crace 'A most absorbing and rewarding book' Michael Palin In 1956, Sudan gained independence from Britain. On the brink of a promising future, it instead descended into civil war and conflict. When the 1989 coup brought a hard-line Islamist regime to power, Jamal Mahjoub's family were among those who fled. Almost twenty years later, he returned. Rediscovering the city in which his formative years were spent, Mahjoub encounters people and places he left behind. The capital contains the key to understanding Sudan's divided, contradictory nature and while exploring Khartoum's present – its changing identity and shifting moods; its wealthy elite and neglected poor – Mahjoub also delves into the country's troubled history. His search for answers evolves into a thoughtful meditation on the meaning of identity, both personal and national. A Line in the River combines lyrical and evocative memoir with a nuanced exploration of a country's complex history, politics and religion. The result is both captivating and revelatory.
From the bestselling author of The Man Who Mistook His Wife for a Hat, a collection of essays that displays Oliver Sacks's passionate engagement with the most compelling ideas of human endeavor: evolution, creativity, memory, time, consciousness, and experience. "Curious, avid and thrillingly fluent." —The New York Times Book Review In the pieces that comprise The River of Consciousness, Dr. Sacks takes on evolution, botany, chemistry, medicine, neuroscience, and the arts, and calls upon his great scientific and creative heroes--above all, Darwin, Freud, and William James. For Sacks, these thinkers were constant companions from an early age. The questions they explored--the meaning of evolution, the roots of creativity, and the nature of consciousness--lie at the heart of science and of this book. The River of Consciousness demonstrates Sacks's unparalleled ability to make unexpected connections, his sheer joy in knowledge, and his unceasing, timeless endeavor to understand what makes us human.
"A woman born without legs spends her days swimming with manatees. Two artists, separated by centuries, guide each other's hands. And a child of the Florida frontier sits on the graves of her siblings to think about race relations and the habits of caterpillars. These are some of the women who live along the banks of a river where water billows from caverns of silent lakes. None of them are famous. None have children. Instead, their stories exist in a mosaic of time and shadowed history, and the things of the river -- clay and water, trees and bone -- carry their memories forward."--Cover page 4.
Running through the heart of Colombia is a river emblematic of the fascination and tragedy of South America, the Magdalena. Considered by some to be the most dangerous place in the world, travellers along the river - for centuries the only route into the vast South American interior - were at the mercy of tropical disease, dangerous animals and precarious barges. A third of the victims of 'la violencia', Colombia's period of civil conflict which began in the 1950s, ended up in its waters. Townships alongside it have experienced some of the worst massacres in South American history. In 2011, Michael Jacobs travelled its whole length to the river's source high up in Andean moorlands controlled by guerrillas. In spellbinding prose, he charts the dangers he negotiated - including a terrifying three day encounter with the FARC - while uncovering the river's history of pioneering explorations, environmental decline and political violence. As Jacobs delves into the history of destruction and decay along the river, he also makes a deeply personal exploration into memory and its loss: not far from the river's banks lies a group of townships with the highest incidence of early onset Alzheimer's in the world. Jacobs reflects on the lives of his father, and his mother - sufferers respectively from Alzheimer's and dementia - as he travels upstream towards what comes to seem like a heartland of mystery, magic and darkness.
The unexpected and moving story of an American journalist who works to uncover her family’s long-buried Jewish ancestry in Spain. Raised a Catholic in California, New York Times journalist Doreen Carvajal is shocked when she discovers that her background may actually be connected to conversos from Inquisition-era Spain: Jews who were forced to renounce their faith and convert to Christianity or face torture and death. With vivid childhood memories of Sunday sermons, catechism, and the rosary, Carvajal travels to the centuries-old Andalucian town of Arcos de la Frontera, to investigate her lineage and recover her family’s original religious heritage. In Arcos, Carvajal comes to realize that fear remains a legacy of the Inquisition along with the cryptic messages left by its victims. Back at her childhood home in California, she uncovers papers documenting a family of Carvajals who were burned at the stake in the 16th-century territory of Mexico. Could the author’s family history be linked to the hidden history of Arcos? And could the unfortunate Carvajals have been her ancestors? As she strives to find proof that her family had been forced to convert to Christianity six hundred years ago, Carvajal comes to understand that the past flows like a river through time—and that while the truth might be submerged, it is never truly lost.
