Wanted: Dead or Alive! (Or smashed into little bits and delivered in boxes.) The Steampunk Pirates get a taste of their own medicine when their ship is raided by a sea monster that’s greedy for gold. But when the rusty robots race to get their treasure back, they sail straight into a trap… Can they dodge the creature's twisting tentacles or will they be next on the monster’s menu? This hilarious series from Gareth P. Jones, author of Ninja Meerkats, is sure to delight young readers with its madcap humour and larger-than-life robot pirate crew. Perfect for fans of Jonny Duddle’s The Ghostly Galleon and the Space Pirates books who looking for more swashbuckling action!
Wanted: Dead or Alive! (Or smashed into little bits and delivered in boxes.) The Steampunk Pirates get a taste of their own medicine when the Leaky Battery is raided by a sea monster that's greedy for gold. But when the rusty robots race to get their treasure back, they sail straight into a trap ... Can they dodge the creature's twisting tentacles or will they be squished to smithereens? ... This hilarious series from Gareth P. Jones, author of Ninja Meerkats, is sure to delight young readers with its madcap humour and larger-than-life robot pirate crew. Perfect for fans of Jonny Duddle's The Ghostly Galleon and the Space Pirates books who looking for more swashbuckling action!
Rise, Ye Sea Slugs! is a book of many faces. First, it is a book of translated haiku and contains over 900 of these short Japanese poems in the original (smoothly inserted in the main body),with phonetic and literal renditions, as well as the authors English translations and explanations. All but a dozen or two of the haiku are translated for the first time. There is an index of poets, poems and a bibliography. Second, it is a book of sea slug haiku, for all of the poems are about holothurians, which scientists prefer to call sea cucumbers. (The word cucumber is long for haiku and metaphorically unsuitable for many poems, so poetic license was taken.) With this book, the namako, as the sea cucumber is called in Japanese, becomes the most translated single subject in haiku, surpassing the harvest moon, the snow, the cuckoo, butterflies and even cherry blossoms. Third, it is a book of original haiku. While the authors original intent was to include only genuine old haiku (dating back to the 17th century), modern haiku were added and, eventually, Keigu (Gills haiku name) composed about a hundred of his own to help fill out gaps in the metaphorical museum. For many if not most modern haiku taken from the web, it is also their first time in print! Fourth, it is a book of metaphor. How may we arrange hundreds of poems on a single theme? Gill divides them into 21 main metaphors, including the Cold Sea Slug, the Mystic Sea Slug, the Helpless Sea Slug, the Slippery Sea Slug, the Silent Sea Slug, and the Melancholy Sea Slug, giving each a chapter, within which the metaphors may be further subdivided, and adds a 100 pages of Sundry Sea Slugs (scores of varieties including Monster, Spam, Flying, Urban Myth, and Exploding). Fifth, it is a book on haiku. E ditors usually select only the best haiku, but, Gill includes good and bad haiku by everyone from the 17th century haiku master to the anonymous haiku rejected in some internet contest. This is not to say all poems found were included, but that the standard was along more taxonomic or encyclopedic lines: poems that filled in a metaphorical or sub-metaphorical gap were always welcome. Also, Gill shows there is more than one type of good haiku. These are new ways to approach haiku. Sixth, it is a book on translation. There are approximately 2 translations per haiku, and some boast a dozen. These arearranged in mixed single, double and triple-column clusters which make each reading seem a different aspect of a singular, almost crystalline whole. The authors aim is to demonstrate that multiple reading (such as found in Hofstadters Le Ton Beau de Marot) is not only a fun game but a bona fide method of translating, especially useful for translating poetry between exotic tongues. Seventh, it is a book of nature writing, natural history or metaphysics (in the Emersonian sense). Gill tried to compile relevant or interesting (not necessarily both) historical -- this includes the sea slug in literature, English or Japanese, and in folklore -- and scientific facts to read haiku in their light or, conversely, bringor wring out science from haiku. Unlike most nature writers, Gill admits to doing no fieldwork, but sluggishly staying put and relying upon reportsfrom more mobile souls. Eighth, it is a book about food symbolism. The sea cucumber is noticed by Japanese because they eat it; the eating itselfinvolves physical difficulties (slipperiness and hardness) and pleasures from overcoming them. It is also identified with a state of mind, where you are what you eat takes on psychological dimensions not found in the food literature of the West. Ninth, it is a book about Japanese culture. Gill does not set out to explain Japan, and the sea slug itself is silent;but the collection of poems and their explanations, which include analysis by poets who responded to the author's questions as well has historical sources, take us all around the culture, from ancient myths to contemporary dreams. Tenth, it is a book about sea cucumbers. While most species of sea cucumbers are not mentioned and the coverage of the Japanese sea cucumber is sketchy from the scientific point of view, Gill does introduce this animal graced to live with no brain thanks to the smart materials comprising it and blessed for sucking in dirty sediment and pooping it out clean. Eleventh, it is a book about ambiguity. Gill admits there is much that cannot be translated, much he cannot know and much to be improved in future editions, for which purpose he advises readers to see the on-line Glosses and Errata in English and Japanese. His policy is to confide in, rather than slip by the reader unnoticed, in the manner of the invisible modern translator and allow the reader to makechoices or choose to allow multiple possibilities to exist by not chosing.Twelfth, the book is the first of dozens of spin-offs from a twenty-book haiku saijiki (poetic almanac) called In Praise of Olde Haiku (IPOOH, for short) Gill hopes to finish within the decade. Thirteenth. The book is a novelty item. It has a different (often witty) header (caption) on top of each page and copious notes that are rarely academic and oftehumorous.
Wanted: Dead or Alive! (Or smashed into little bits and delivered in boxes.) The Steampunk Pirates jump at the chance to earn a handsome reward in return for doing some snooping. But when they find themselves sandwiched between the Dread Captain Inky beard and a spider on the attack, it's time to beat a retreat. Can they escape without a scrape or have the robotic rebels ticked their last? This hilarious new series from Gareth P. Jones, author of Ninja Meerkats, is sure to delight young readers with its madcap humour and larger-than-life robot pirate crew.
Wanted: Dead or Alive! (Or smashed into little bits and delivered in boxes.) The Steampunk Pirates are lured back to England by the promise of gold. But when their inventor Mr Richmond Swift appears on the scene, sparks begin to fly! There’s a new group of robots in town, and the atmosphere’s electric. Have the Steampunk Pirates finally met their match? This hilarious new series from Gareth P. Jones, author of Ninja Meerkats, is sure to delight young readers with its madcap humour and larger-than-life robot pirate crew. Perfect for fans of Jonny Duddle’s The Ghostly Galleon and the Space Pirates books, looking for more swashbuckling action!
Winner of the Booker Prize—a tale of the strange obsessions that haunt a playwright as he composes his memoirs Charles Arrowby, leading light of England's theatrical set, retires from glittering London to an isolated home by the sea. He plans to write a memoir about his great love affair with Clement Makin, his mentor, both professionally and personally, and amuse himself with Lizzie, an actress he has strung along for many years. None of his plans work out, and his memoir evolves into a riveting chronicle of the strange events and unexpected visitors-some real, some spectral-that disrupt his world and shake his oversized ego to its very core. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A heartwarming debut novel about the unlikely friendship between two outcasts of different generations who, in struggling to move on from the past, discover love, healing, and family in a charming New England lakeside community. Achingly tender, yet filled with laughter, The Lake House brings to life the wide range of human emotions and the difficult journey from heartbreak to healing. VICTORIA ROSE. Fifty years before, a group of teenage friends promised each other never to leave their idyllic lakeside town. But the call of Hollywood and a bigger life was too strong for Victoria . . . and she alone broke that pledge. Now she has come home, intent on making peace with her demons, even if her former friends shut her out. Haunted by tragedy, she longs to find solace with her childhood sweetheart, but even this tender man may be unable to forgive and forget. HEATHER BREGMAN. At twenty-eight, after years as a globe-trotting columnist, she’s abandoned her controlling fiancé and their glamorous city life to build one on her own terms. Lulled by a Victorian house and a gorgeous locale, she’s determined to make the little community her home. But the residents, fearful of change and outsiders, will stop at nothing to sabotage her dreams of lakeside tranquility. As Victoria and Heather become unlikely friends, their mutual struggle to find acceptance—with their neighbors and in their own hearts—explores the chance events that shape a community and offer the opportunity to start again.
More than simply a vital collection development tool, this book can help librarians help young adults grow into the kind of independent readers and thinkers who will flourish at college.
