Rip Van Winkle is an idler who would rather starve for a penny than work for a pound, and his wife is constantly nagging him. In search of peace, Rip heads off to the woods one day with his faithful dog, Wolf. High up in the Catskill Mountains, Rip meets an unusual group of little men. He drinks their strong beverage and falls into a deep sleep. When he awakens, he finds that twenty years have passed – the world has changed and so has he. With vibrant paintings by Leonard Everett Fisher, Eric A. Kimmel’s adaptation of Washington Irving’s classic “Rip Van Winkle” introduces a Rip who reforms as a result of his experience. Rip Van Winkle's Return is a 2008 Bank Street - Best Children's Book of the Year.
Here, along with the complete text of this classic story are 30 Rackham illustrations rendered for coloring. Children can make their first thrilling acquaintance with the story as they color. Students and admirers of Irving and Rackham will enjoy the elfish portrayals of henpecked Rip and shrewish Dame Van Winkle.
The New York Times bestseller! “A warm and loving reflection that, like good bourbon, will stand the test of time.” —Eric Asimov, The New York Times “Bourbon is for sharing, and so is Pappyland.”—The Wall Street Journal The story of how Julian Van Winkle III, the caretaker of the most coveted cult Kentucky Bourbon whiskey in the world, fought to protect his family's heritage and preserve the taste of his forebears, in a world where authenticity, like his product, is in very short supply. Following his father’s death decades ago, Julian Van Winkle stepped in to try to save the bourbon business his grandfather had founded on the mission statement: “We make fine bourbon—at a profit if we can, at a loss if we must, but always fine bourbon.” With the company in its wilderness years, Julian committed to safeguarding his namesake’s legacy or going down with the ship. Then he discovered that hundreds of barrels from the family distillery had survived their sale to a multinational conglomerate. The whiskey that Julian produced after recovering those barrels would immediately be hailed as the greatest in the world—and soon would be the hardest to find. Once they had been used up, a fresh challenge began: preserving the taste of Pappy in a new age. Wright Thompson was invited to ride along as Julian undertook the task. From the Van Winkle family, Wright learned not only about great bourbon but about complicated legacies and the rewards of honoring your people and your craft—lessons that he couldn’t help but apply to his own work and life. May we all be lucky enough to find some of ourselves, as Wright Thompson did, in Pappyland.
"Masterfully researched and beautifully written, One Week in America is . . . an important piece of history full of larger-than-life characters and unlikely heroes." —Jonathan Eig, author of Ali: A Life The major players in this story are names that just about every American has heard of: Ralph Ellison, Martin Luther King Jr., Norman Mailer, Lyndon B. Johnson, Joseph Heller, Kurt Vonnegut, William F. Buckley Jr. For one chaotic week in 1968, college students, talented authors, and presidential candidates grappled with major events. The result was one of the most historic literary festivals of the twentieth century One Week in America is a day-by-day narrative of the 1968 Notre Dame Sophomore Literary Festival and the national events that grabbed the spotlight that April week. On one particular week, sixties politics and literature came together on campus.
