"This is the first book-length study of H. R. H.'s African fiction. It revised the image of Rider Haggard (1836-1925) as a mere writer of adventure stories, a brassy propagandist for British imperialism. Professor Monsman places Haggard's imaginative works both in the context of colonial fiction writing and in the framework of subsequent postcolonial debates about history and its representation."--BOOK JACKET.
"Heart of the World" by H. Rider Haggard. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
In Rider Haggard and the Imperial Occult, Simon Magus explores the occult world of H. Rider Haggard through an analysis of his literary engagement with ancient Egypt, Romanticism and Theosophy.
Some of the most compelling and enduring creative work of the late Victorian and Edwardian Era came from committed imperialists and conservatives. Their continuing popularity owes a great deal to the way their guiding ideas resonated with modernism in the arts and psychology. The analogy they perceived between the imperial business of subjugating savage subjects and the civilised ego's struggle to subdue the unruly savage within generated some of their best artistic endeavours. In a series of thematically linked chapters Imperium of the soul explores the work of writers Rudyard Kipling, Joseph Conrad, Rider Haggard and John Buchan along with the composer Edward Elgar and the architect Herbert Baker. It culminates with an analysis of their mutual infatuation with T. E. Lawrence - Lawrence of Arabia - who represented all their dreams for the future British Empire but whose ultimate paralysis of creative imagination exposed the fatal flaw in their psycho-political project. This transdisciplinary study will interest not only scholars of imperialism and the history of ideas but general readers fascinated by bygone ideas of exotic adventure and colonial rule.
Imperial Boredom offers a radical reconsideration of the British Empire during its heyday in the nineteenth century. Challenging the long-established view that the empire was about adventure and excitement, with heroic men and intrepid women eagerly spreading commerce and civilization around the globe, this thoroughly researched, engagingly written, and lavishly illustrated account suggests instead that boredom was central to the experience of empire. Combining individual stories of pain and perseverance with broader analysis, Professor Auerbach considers what it was actually like to sail to Australia, to serve as a soldier in South Africa, or to accompany a colonial official to the hill stations of India. He reveals that for numerous men and women, from explorers to governors, tourists to settlers, the Victorian Empire was dull and disappointing. Drawing on diaries, letters, memoirs, and travelogues, Imperial Boredom demonstrates that all across the empire, men and women found the landscapes monotonous, the physical and psychological distance from home debilitating, the routines of everyday life wearisome, and their work tedious and unfulfilling. The empire s early years may have been about wonder and marvel, but the Victorian Empire was a far less exciting project. Many books about the British Empire focus on what happened; this book concentrates on how people felt.
The tale of Allan Quatermain's second wife, Stella, is also a classic fantasy African adventure, complete with magic and ghosts, plus Haggard's trademark gripping narrative style. A fantastic adventure by one of the greatest adventure writers ever!
The yellow god, originally published in 1908, is another of Haggard's African novels, and it features many elements of the fantastic, such as a magic mask and fetish objects, a lost race, reincarnation, and an immortal woman whose many husbands she has preserved as mummies.
Queen of the Dawn is an ancient Egyptian fantasy. The beginning of the story is very rapidly developing from the very beginning the pharaon dies. And the daughter of Pharaoh is forced to hide. She meets and falls in love with the usurper's disguised son. The end is full of adventures and bright battles. The last book published in Haggard's lifetime is a standalone ancient-Egyptian fantasy. It opens at an almost breakneck pace, with Pharaoh deposed and killed, his wife and child in hiding, and the goddesses stirring. A secret religious order raises the Pharaoh's daughter, and she meets and falls in love with the usurper's disguised son. The climax features traditional adventure-fiction excitement (battle and torture).