Richardson's Handbook of Projection
Author: Frank Herbert Richardson
Publisher:
Published: 1927
Total Pages: 602
ISBN-13:
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Author: Frank Herbert Richardson
Publisher:
Published: 1927
Total Pages: 602
ISBN-13:
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Publisher:
Published: 1927
Total Pages: 408
ISBN-13:
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Publisher:
Published: 1963
Total Pages: 552
ISBN-13:
DOWNLOAD EBOOKVols. for 1853- include the transactions of the Royal Photographic Society of Great Britain.
Author:
Publisher:
Published: 1928
Total Pages: 1154
ISBN-13:
DOWNLOAD EBOOKAuthor: Francesco Casetti
Publisher: Princeton University Press
Published: 2023-08-15
Total Pages: 148
ISBN-13: 1942130880
DOWNLOAD EBOOKA historical and theoretical investigation of the unexpected ways screen-based media protect and excite viewers’ fears and anxieties of the world In this brilliant contribution to contemporary media studies, acclaimed theorist Francesco Casetti advances a provocative hypothesis: instead of being prostheses that expand or extend our perceptions, modern screen-based media are in fact apparatuses that shelter and protect us from exposure to the world. Rather than bringing us closer to external reality, dominant forms of visual media function as barriers or enclosures that defend against the apparent threats and dangers that seem increasingly to surround us. Working with an original historical overview that begins with the Phantasmagoria of the late eighteenth century, then the shared interior spaces of the movie theater in the early to mid-twentieth century, and finally the solitary digital milieus of the present, Casetti traces the outlines of the protective “bubbles” that disconnect us from our immediate surroundings. To be provided with a shield of immunity to the hazards and uncertainties of the world while experiencing them at a safe remove might seem a positive development. But, he asks, what if these media, instead of providing invulnerability, ensnare individuals in a suffocating enclosure? What if, in their effort to keep reality under control, they exercise a violence equal to that of the dangers they resist? In a dialectical exercise, and through a vivid range of cultural artifacts, Screening Fears traces the emergence of modern protective media and the way they changed our forms of mediation with the world in which we live.
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Published:
Total Pages: 1656
ISBN-13:
DOWNLOAD EBOOKAuthor: Mark J. Hilsenroth
Publisher: John Wiley & Sons
Published: 2004-04-19
Total Pages: 688
ISBN-13: 0471480959
DOWNLOAD EBOOKComprehensive Handbook of Psychological Assessment, Volume 2 presents the most up-to-date coverage on personality assessment from leading experts. Contains contributions from leading researchers in this area. Provides the most comprehensive, up-to-date information on personality assessment. Presents conceptual information about the tests.
Author: George Larkin
Publisher: Routledge
Published: 2018-12-07
Total Pages: 239
ISBN-13: 0429960654
DOWNLOAD EBOOKPost-Production and the Invisible Revolution of Filmmaking studies the discourses surrounding post-production, as well as the aesthetic effects of its introduction during the 1920s and 1930s, by exploring the philosophies and issues faced by practitioners during this transitional, transformative period. The introduction of post-production during the transition from silent cinema to the synchronized sound era in the 1920s American studio system resulted in what has been a previously unheralded and invisible revolution in filmmaking. Thereafter, a film no longer arose from a live and variable combination of audio and visual in the theater, as occurred during the silent film era, where each exhibition was a singular event. The new system of post-production effectively shifted control of a film’s final form from the theater to the editing room. With this new process, filmmakers could obtain and manipulate an array of audio elements and manufacture a permanent soundtrack. This transition made possible a product that could be easily mass-produced, serving both to transform and homogenize film presentation, fundamentally creating a new art form. With detailed research and analysis and nearly 50 illustrations, this book is the ideal resource for students and researchers of film history and post-production.