Wagnerism

Wagnerism

Author: Alex Ross

Publisher: Farrar, Straus and Giroux

Published: 2020-09-15

Total Pages: 784

ISBN-13: 1429944544

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Alex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence. For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil. In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now. In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world.


Stories and Essays

Stories and Essays

Author: Richard Wagner

Publisher:

Published: 1991

Total Pages: 190

ISBN-13: 9780812691467

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The ten volumes of Wagner's complete works are often impenetrable. This is a collection of nine short pieces by Wagner, selected for their readability and the light they shed on his development as a composer. They include the short stories about an unsucessful Beethoven-worshipping composer, which Wagner first published in Paris, the essays On Opera Libretti and Composition, The Niebelungen - World History as Told in Saga and What is German?, and the notorious and influential antisemitic essay.


Richard Wagner

Richard Wagner

Author: Martin Geck

Publisher: University of Chicago Press

Published: 2013-09-18

Total Pages: 463

ISBN-13: 0226924629

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“[An] intriguing exploration of the composer’s life and thought as exemplified by his music. An excellent biography.” —Library Journal Best known for the four-opera cycle The Ring of the Nibelung, Richard Wagner (1813–83) was a conductor, librettist, theater director, and essayist, in addition to being the composer of some of the most enduring operatic works in history. Though his influence on the development of European music is indisputable, Wagner was also quite outspoken on the politics and culture of his time. His ideas traveled beyond musical circles into philosophy, literature, theater staging, and the visual arts. To befit such a dynamic figure, acclaimed biographer Martin Geck offers here a Wagner biography unlike any other, one that strikes a unique balance between the technical musical aspects of Wagner’s compositions and his overarching understanding of aesthetics. A landmark study of one of music’s most important figures “People who would like to know more about Wagner, and people who have loved his music for years . . . will find a great deal in this book to enjoy and to admire.” —Tablet “Geck describes a Wagner who is grounded, focused and even cautious, a savvy realist and ironist rather than a flamboyant, flailing ideologue . . . Suffused with his readings of contemporary productions of the operas, Geck’s musical analyses are succinct and superb” —New York Times “As an editor of Wagner’s Complete Works, Geck brings a deep familiarity with the composer to his task.” —Weekly Standard “A thoroughly approachable yet consistently provocative study.” —Thomas S. Grey, editor of The Cambridge Companion to Wagner


Richard Wagner

Richard Wagner

Author: Derek Watson

Publisher: Schirmer Trade Books

Published: 1981

Total Pages: 392

ISBN-13:

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Chronicles the events and people, successes and failures, of Wagner's life. Draws on primary sources from the Wagner family archives to show a man of great personal charm--and of overbearing egoism, selfishness and cruelty. His support for the revolutions of 1848 forced him into exile, but he easily won the fervent support of kings and emperors.


Aspects of Wagner

Aspects of Wagner

Author: Bryan Magee

Publisher: Oxford University Press, USA

Published: 1988

Total Pages: 116

ISBN-13: 9780192840127

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Many music lovers find Wagner's operas inexpressibly beautiful and richly satisfying, while others find them revolting, dangerous, self-indulgent, and immoral. The man who W.H. Auden once called "perhaps the greatest genius that ever lived" has inspired both greater adulation and greater loathing than any other composer. Bryan Magee presents a penetrating analysis of Wagner's work, concentrating on how his sensational and deeply erotic music uniquely expresses the repressed and highly charged contents of the psyche. He examines not only Wagner's music and detailed stage directions but also the prose works in which he formulated his ideas, as well as shedding new light on his anti-semitism and the way in which the Nazis twisted his theories to suit their own purposes. Outlining the astonishing range and depth of Wagner's influence on our culture, Magee reveals how profoundly he continues to shock and inspire musicians, poets, novelists, painters, philosophers, and politicians today.


The Rest Is Noise

The Rest Is Noise

Author: Alex Ross

Publisher: Farrar, Straus and Giroux

Published: 2007-10-16

Total Pages: 706

ISBN-13: 1429932880

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Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.


Richard Wagner and the Jews

Richard Wagner and the Jews

Author: Milton E. Brener

Publisher: McFarland

Published: 2015-01-27

Total Pages: 344

ISBN-13: 0786491388

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It is well known that Richard Wagner, the renowned and controversial 19th century composer, exhibited intense anti-Semitism. The evidence is everywhere in his writings as well as in conversations his second wife recorded in her diaries. In his infamous essay "Judaism in Music," Wagner forever cemented his unpleasant reputation with his assertion that Jews were incapable of either creating or appreciating great art. Wagner's close ties with many talented Jews, then, are surprising. Most writers have dismissed these connections as cynical manipulations and rank hypocrisy. Examination of the original sources, however, reveals something different: unmistakeable, undeniable empathy and friendship between Wagner and the Jews in his life. Indeed, the composer had warm relationships with numerous individual Jews. Two of them resided frequently over extended periods in his home. One of these, the rabbi's son Hermann Levi, conducted Wagner's final opera--Parsifal, based on Christian legend--at Wagner's request; no one, Wagner declared, understood his work so well. Even in death his Jewish friends were by his side; two were among his twelve pallbearers. The contradictions between Wagner's antipathy toward the amorphous entity "The Jews" and his genuine friendships with individual Jews are the subject of this book. Drawing on extensive sources in both German and English, including Wagner's autobiography and diary and the diaries of his second wife, this comprehensive treatment of Wagner's anti-Semitism is the first to place it in perspective with his life and work. Included in the text are portions of unpublished letters exchanged between Wagner and Hermann Levi. Altogether, the book reveals astonishing complexities in a man long known as much for his prejudice as for his epic contributions to opera.


Jesus of Nazareth and Other Writings

Jesus of Nazareth and Other Writings

Author: Richard Wagner

Publisher: U of Nebraska Press

Published: 1995-01-01

Total Pages: 474

ISBN-13: 9780803297807

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Near the end of his life, Richard Wagner supervised the publication of his collected writings, providing an extensive view of his thoughts about art and politics from his youth to his final period of triumph. After his death, there was still more to be told: his admirers discovered a large number of writings he had forgotten, misplaced, never published, or had chosen to omit from his collected works. This volume, the last of eight volumes now reprinted by the University of Nebraska Press, collects the most illuminating of those works.øThe title work, ?Jesus of Nazareth,? was written in 1848 or 1849; its composition coincided with the most widespread revolutionary ferment seen in Europe. It expresses Wagner?s own revolutionary ideals, thoroughly justified (or so he thought) by Jesus and the early Church. At the time Wagner considered Jesus as a revolutionary leader whose struggles with authority and traditions were much like his own. The opening work is ?Siegfried?s Death,? a poem written in 1848 that set the tone for his most famous operatic work, the tetralogy Der Ring des Nibelungen. Whole sections of the poem were later incorporated into the fourth Ring opera, Gotterdammerung, but the differences are as revealing as the carryover. øThe essays that Wagner published in journals but saw fit to exclude from his Gesammelte Schriften might have embarrassed the elderly sage but are key documents to Wagner?s activities in his revolutionary period. For example, his ardently prorevolutionary essay, ?The Revolution,? would have displeased the wealthy patrons of his later years.øThis edition includes the full text of volume 8 of the translation of Wagner?s works published in 1899 for the London Wagner Society.