Rhythms of India, the Art of Nandalal Bose
Author: Sonia Rhie Mace
Publisher:
Published: 2008
Total Pages: 250
ISBN-13:
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The Return of the Buddha
Author: Himanshu Prabha Ray
Publisher: Routledge
Published: 2014-08-07
Total Pages: 366
ISBN-13: 1317560051
DOWNLOAD EBOOKThe Return of the Buddha traces the development of Buddhist archaeology in colonial India, examines its impact on the reconstruction of India’s Buddhist past, and the making of a public and academic discourse around these archaeological discoveries. The book discusses the role of the state and modern Buddhist institutions in the reconstitution of national heritage through promulgation of laws for the protection of Buddhist monuments, acquiring of land around the sites, restoration of edifices, and organization of the display and dissemination of relics. It also highlights the engagement of prominent Indian figures, such as Nehru, Gandhi, Ambedkar, and Tagore, with Buddhist themes in their writings. Stressing upon the lasting legacy of Buddhism in independent India, the author explores the use of Buddhist symbols and imagery in nation-building and the making of the constitution, as also the recent efforts to resurrect Buddhist centers of learning such as Nalanda. With rich archival sources, the book will immensely interest scholars, researchers and students of modern Indian history, culture, archaeology, Buddhist studies, and heritage management.
The Making of a Modern Indian Artist-Craftsman
Author: Naman Ahuja
Publisher: Taylor & Francis
Published: 2022-01-26
Total Pages: 434
ISBN-13: 100036576X
DOWNLOAD EBOOKThe Making of the Modern Indian Artist-Craftsman is intended to be a biographical and critical insight into the work of the potter, painter and photographer Devi Prasad. Apart from the making of his personal history and his times, it leads us to why the act of making (art) itself takes on such a fundamental philosophical significance in his life. This, the author explains, derives directly from his absorption of Gandhi’s philosophy that looked at the act of making or doing as an ethical ideal, and further back to the impact of the Arts and Crafts Movement on the ideology of ‘Swadeshi’ and on the milieu of Santiniketan. This book examines his art along with his role in political activism which, although garnered on Indian soil made him crisscross national borders and assume an important role in the international arena of war resistance. Devi Prasad graduated from Tagore’s Santiniketan in 1944 when he joined the Hindustani Talimi Sangh (which promulgated Nayee Taleem) at Gandhi’s ashram Sevagram as Art ‘Teacher’. His political consciousness saw him participate actively in the Quit India Movement in 1942, in Vinoba Bhave’s Bhoodan and later from 1962 onward as Secretary General (later Chairman) of the War Resisters’ International, the oldest world pacifist organisation based in London. From there he was able to extend his Gandhian values internationally. All of this, while continuing with his life as a prolific artist. Rather than view them as separate worlds or professions, Devi harmonises them within an ethical and conscionable whole. He has written widely on the inextricable link between peace and creativity, on child /basic education, Gandhi and Tagore, on politics and art, in English, Hindi and Bangla. In 2007 he was awarded the Lalit Kala Akademi Ratna and in 2008, the Desikottama by Visva Bharati University, Santiniketan.
India in Art in Ireland
Author: Kathleen James-Chakraborty
Publisher: Routledge
Published: 2017-07-05
Total Pages: 189
ISBN-13: 1351563025
DOWNLOAD EBOOKIndia in Art in Ireland is the first book to address how the relationship between these two ends of the British Empire played out in the visual arts. It demonstrates that Irish ambivalence about British imperialism in India complicates the assumption that colonialism precluded identifying with an exotic other. Examining a wide range of media, including manuscript illuminations, paintings, prints, architecture, stained glass, and photography, its authors demonstrate the complex nature of empire in India, compare these empires to British imperialism in Ireland, and explore the contemporary relationship between what are now two independent countries through a consideration of works of art in Irish collections, supplemented by a consideration of Irish architecture and of contemporary Irish visual culture. The collection features essays on Rajput and Mughal miniatures, on a portrait of an Indian woman by the Irish painter Thomas Hickey, on the gate lodge to the Dromana estate in County Waterford, and a consideration of the intellectual context of Harry Clarke's Eve of St. Agnes window. This book should appeal not only to those seeking to learn more about some of Ireland's most cherished works of art, but to all those curious about the complex interplay between empire, anti-colonialism, and the visual arts.
Modernism and the Art of Muslim South Asia
Author: Iftikhar Dadi
Publisher: Univ of North Carolina Press
Published: 2010-05-15
Total Pages: 356
ISBN-13: 0807895962
DOWNLOAD EBOOKThis pioneering work traces the emergence of the modern and contemporary art of Muslim South Asia in relation to transnational modernism and in light of the region's intellectual, cultural, and political developments. Art historian Iftikhar Dadi here explores the art and writings of major artists, men and women, ranging from the late colonial period to the era of independence and beyond. He looks at the stunningly diverse artistic production of key artists associated with Pakistan, including Abdur Rahman Chughtai, Zainul Abedin, Shakir Ali, Zubeida Agha, Sadequain, Rasheed Araeen, and Naiza Khan. Dadi shows how, beginning in the 1920s, these artists addressed the challenges of modernity by translating historical and contemporary intellectual conceptions into their work, reworking traditional approaches to the classical Islamic arts, and engaging the modernist approach towards subjective individuality in artistic expression. In the process, they dramatically reconfigured the visual arts of the region. By the 1930s, these artists had embarked on a sustained engagement with international modernism in a context of dizzying social and political change that included decolonization, the rise of mass media, and developments following the national independence of India and Pakistan in 1947. Bringing new insights to such concepts as nationalism, modernism, cosmopolitanism, and tradition, Dadi underscores the powerful impact of transnationalism during this period and highlights the artists' growing embrace of modernist and contemporary artistic practice in order to address the challenges of the present era.
Behind the Masks of Modernism
Author: Andrew Reynolds
Publisher: University Press of Florida
Published: 2016-02-24
Total Pages: 305
ISBN-13: 0813055717
DOWNLOAD EBOOK"A wide-ranging collection that allows the mask—as artifact, metaphor, theatrical costume, fetish, strategy for self-concealment, and treasured cultural object—to clarify modernity’s relationship to history."--Carrie J. Preston, author of Modernism’s Mythic Pose: Gender, Genre, Solo Performance "Covering an impressive range of geographies, cultures, and time periods, these carefully researched essays explore the fascinating role of masks and masking in mediating the relationship between tradition and modernity in both art and literature."--Paul Jay, author of The Humanities “Crisis” and the Future of Literary Studies Behind the Masks of Modernism reconsiders the meaning of "modernism" by taking an interdisciplinary approach and stretching beyond the Western modernist canon and the literary scope of the field. The essays in this diverse collection explore numerous regional, national, and transnational expressions of modernity through art, history, architecture, drama, literature, and cultural studies around the globe. Masks--both literal and metaphorical--play a role in each of these artistic ventures, from Brazilian music to Chinese film and Russian poetry to Nigerian masquerade performance. The contributors show how artists and writers produce their works in moments of emerging modernity, aesthetic sensibility, and deep societal transformations caused by modern transnational forces. Using the mask as a thematic focus, the volume explores the dialogue created through regional modernisms, emphasizes the local in describing universal tropes of masks and masking, and challenges popular assumptions about what modernism looks like and what modernity is.
Anthology of Significant Events in Indian Art & Socio-Cultural History 1850-2015
Author: Roop Narayan Batham
Publisher: Blue Rose Publishers
Published: 2021-08-03
Total Pages: 316
ISBN-13:
DOWNLOAD EBOOKAnthology of Significant Events in Indian Modern Art and Socio-Cultural History is designed as a career-oriented educational book that includes prominent as well as less known, yet relevant socio-cultural events of modern Indian history. This book is particularly useful for faculty and students of art and culture, research scholars and individuals preparing for competitive exams at State and Union level in India. The book can be a valuable addition to the collection of any art, culture, and history enthusiast. The authors have endeavored to keep the content succinct and brief, to maintain the focus on context of events and the related dates and places. The broad subjects covered are Fine Arts, Painting, Music, Poetry, Dance, Sculpture, Theatre, Architecture, Photography, Cinema, and Literature. This anthology offers a comprehensive understanding of events beginning from the colonial era in 1850 and until 2015.
Routledge Handbook of Religion and Ecology
Author: Willis J. Jenkins
Publisher: Routledge
Published: 2016-07-22
Total Pages: 463
ISBN-13: 1317655338
DOWNLOAD EBOOKThe moral values and interpretive systems of religions are crucially involved in how people imagine the challenges of sustainability and how societies mobilize to enhance ecosystem resilience and human well-being. The Routledge Handbook of Religion and Ecology provides the most comprehensive and authoritative overview of the field. It encourages both appreciative and critical angles regarding religious traditions, communities, attitude, and practices. It presents contrasting ways of thinking about "religion" and about "ecology" and about ways of connecting the two terms. Written by a team of leading international experts, the Handbook discusses dynamics of change within religious traditions as well as their roles in responding to global challenges such as climate change, water, conservation, food and population. It explores the interpretations of indigenous traditions regarding modern environmental problems drawing on such concepts as lifeway and indigenous knowledge. This volume uniquely intersects the field of religion and ecology with new directions within the humanities and the sciences. This interdisciplinary volume is an essential reference for scholars and students across the social sciences and humanities and for all those looking to understand the significance of religion in environmental studies and policy.
Garland of Visions
Author: Jinah Kim
Publisher: University of California Press
Published: 2021-02-16
Total Pages: 349
ISBN-13: 0520343212
DOWNLOAD EBOOKGarland of Visions explores the generative relationships between artistic intelligence and tantric vision practices in the construction and circulation of visual knowledge in medieval South Asia. Shifting away from the traditional connoisseur approach, Jinah Kim instead focuses on the materiality of painting: its mediums, its visions, and especially its colors. She argues that the adoption of a special type of manuscript called pothi enabled the material translation of a private and internal experience of "seeing" into a portable device. These mobile and intimate objects then became important conveyors of many forms of knowledge—ritual, artistic, social, scientific, and religious—and spurred the spread of visual knowledge of Indic Buddhism to distant lands. By taking color as the material link between a vision and its artistic output, Garland of Visions presents a fresh approach to the history of Indian painting.
Gandhi's Spinning Wheel and the Making of India
Author: Rebecca Brown
Publisher: Routledge
Published: 2010-11-03
Total Pages: 343
ISBN-13: 1136978496
DOWNLOAD EBOOKGandhi’s use of the spinning wheel was one of the most significant unifying elements of the nationalist movement in India. Spinning was seen as an economic and political activity that could bring together the diverse population of South Asia, and allow the formerly elite nationalist movement to connect to the broader Indian population. This book looks at the politics of spinning both as a visual symbol and as a symbolic practice. It traces the genealogy of spinning from its early colonial manifestations in Company painting to its appropriation by the anti-colonial movement. This complex of visual imagery and performative ritual had the potential to overcome labour, gender, and religious divisions and thereby produce an accessible and effective symbol for the Gandhian anti-colonial movement. By thoroughly examining all aspects of this symbol’s deployment, this book unpacks the politics of the spinning wheel and provides a model for the analysis of political symbols elsewhere. It also probes the successes of India’s particular anti-colonial movement, making an invaluable contribution to studies in social and cultural history, as well as South Asian Studies.
