Rhetoric, the Bible, and the origins of free verse
Author: Katrin M. Kohl
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2018-02-19
Total Pages: 340
ISBN-13: 3110873133
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Author: Katrin M. Kohl
Publisher: Walter de Gruyter GmbH & Co KG
Published: 2018-02-19
Total Pages: 340
ISBN-13: 3110873133
DOWNLOAD EBOOKAuthor: Katrin Maria Kohl
Publisher: de Gruyter
Published: 1990
Total Pages: 346
ISBN-13: 9783110119992
DOWNLOAD EBOOKKohl's revised doctoral thesis (U. of London, 1988) analyzes Klopstock's poems and shows their rhetorical structure and the biblical foundations of language, imagery and free-verse form. Includes appendices containing the text of poems in free verse (in German), biblical material in five early hymns, and a collation of selected editions of Klopstock's works. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Stephen J. Vicchio
Publisher: Wipf and Stock Publishers
Published: 2006-08-01
Total Pages: 253
ISBN-13: 1498276555
DOWNLOAD EBOOKIn this first of a three-volume work, Vicchio addresses the most ancient Hebrew text of Job in all its complexity, with particular emphasis on the problems of evil and suffering. But he follows this with the "reception history" of the text--how it was translated, read, and interpreted in other ancient works: the Septuagint, apocryphal books, early Christian writings, Talmud, Midrash, Dead Sea Scrolls, and Peshitta. Two appendices detail how Job has been treated in art and architecture and in Western music. Volume 1: Job in the Ancient World Volume 2: Job in the Medieval World Volume 3: Job in the Modern World
Author: F.W. Dobbs-Allsopp
Publisher: Oxford University Press
Published: 2015-08-19
Total Pages: 466
ISBN-13: 0190463538
DOWNLOAD EBOOKOn Biblical Poetry takes a fresh look at the nature of biblical Hebrew poetry beyond its currently best-known feature, parallelism. F.W. Dobbs-Allsopp argues that biblical poetry is in most respects just like any other verse tradition, and therefore biblical poems should be read and interpreted like other poems, using the same critical tools and with the same kinds of guiding assumptions in place. He offers a series of programmatic essays on major facets of biblical verse, each aspiring to alter currently regnant conceptualizations in the field and to show that attention to aspects of prosody--rhythm, lineation, and the like--allied with close reading can yield interesting, valuable, and even pleasurable interpretations. What distinguishes the verse of the Bible, says Dobbs-Allsopp, is its historicity and cultural specificity, those peculiar encrustations and encumbrances that typify all human artifacts. Both the literary and the historical, then, are in view throughout. The concluding essay elaborates a close reading of Psalm 133. This chapter enacts the final movement to the set of literary and historical arguments mounted throughout the volume--an example of the holistic staging which, Dobbs-Allsopp argues, is much needed in the field of Biblical Studies.
Author: Ofri Ilany
Publisher: Indiana University Press
Published: 2018-04
Total Pages: 196
ISBN-13: 0253033853
DOWNLOAD EBOOK1. Troglodytes, Hottentots, and Hebrews: the Bible and the genesis of German ethnography -- 2. The law and the people: Mosaic Law and the German Enlightenment -- 3. The eighteenth-century polemic on the extermination of the Canaanites -- 4. "Is Judah indeed the Teutonic fatherland?" the Hebrew model and the birth of German national culture -- 5. "Lovers of Hebrew poetry": the battle over the Bible's relevance at the turn of the nineteenth century
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Publisher: Oxford University Press
Published: 2023-05-19
Total Pages: 308
ISBN-13: 0192870483
DOWNLOAD EBOOKThis book explores those moments of repetition, placing them in the early nineteenth century context from which they emerged, and teasing out through extended close attention to the poetry itself the complexities of repetition and recapitulation.
Author: Katrin Maria Kohl
Publisher: Camden House
Published: 2006
Total Pages: 380
ISBN-13: 9781571132765
DOWNLOAD EBOOKNew essays examine 20th-c. Austrian literature in relation to history, politics, and popular culture. 20th-century Austrian literature boasts many outstanding writers: Schnitzler, Musil, Rilke, Kraus, Celan, Canetti, Bernhard, Jelinek. These and others feature in broader accounts of German literature, but it is desirable to see how the Austrian literary scene -- and Austrian society itself -- shaped their writing. This volume thus surveys Austrian writers of drama, prose fiction, and lyric poetry; relates them to the distinctive history of modern Austria, a democratic republic that was overtaken by civil war and authoritarian rule, absorbed into Nazi Germany, and re-established as a neutral state; and examines their response to controversial events such as the collusion with Nazism, the Waldheim affair, and the rise of Haider and the extreme right. In addition to confronting controversy in the relations between literature, history, and politics, the volume examines popular culture in line with current trends. Contributors: Judith Beniston, Janet Stewart, Andrew Barker, Murray Hall, Anthony Bushell, Dagmar Lorenz, Juliane Vogel, Jonathan Long, Joseph McVeigh, Allyson Fiddler. Katrin Kohl is Lecturer in German and a Fellow of Jesus College, and Ritchie Robertson is Taylor Professor of German Language and Literature and a Fellow of The Queen's College, both at the University of Oxford.
Author: Miranda Eva Stanyon
Publisher: University of Pennsylvania Press
Published: 2021-05-07
Total Pages: 286
ISBN-13: 0812253086
DOWNLOAD EBOOKWhat does the sublime sound like? Miranda Stanyon traces competing varieties of the sublime, a crucial modern aesthetic category, as shaped by the antagonistic intimacies between music and language. In resounding the history of the sublime over the course of the long eighteenth century, she finds a phenomenon always already resonant.
Author: Stephen Cushman
Publisher: Princeton University Press
Published: 2012-08-26
Total Pages: 1678
ISBN-13: 1400841429
DOWNLOAD EBOOKThe most important poetry reference for more than four decades—now fully updated for the twenty-first century Through three editions over more than four decades, The Princeton Encyclopedia of Poetry and Poetics has built an unrivaled reputation as the most comprehensive and authoritative reference for students, scholars, and poets on all aspects of its subject: history, movements, genres, prosody, rhetorical devices, critical terms, and more. Now this landmark work has been thoroughly revised and updated for the twenty-first century. Compiled by an entirely new team of editors, the fourth edition—the first new edition in almost twenty years—reflects recent changes in literary and cultural studies, providing up-to-date coverage and giving greater attention to the international aspects of poetry, all while preserving the best of the previous volumes. At well over a million words and more than 1,000 entries, the Encyclopedia has unparalleled breadth and depth. Entries range in length from brief paragraphs to major essays of 15,000 words, offering a more thorough treatment—including expert synthesis and indispensable bibliographies—than conventional handbooks or dictionaries. This is a book that no reader or writer of poetry will want to be without. Thoroughly revised and updated by a new editorial team for twenty-first-century students, scholars, and poets More than 250 new entries cover recent terms, movements, and related topics Broader international coverage includes articles on the poetries of more than 110 nations, regions, and languages Expanded coverage of poetries of the non-Western and developing worlds Updated bibliographies and cross-references New, easier-to-use page design Fully indexed for the first time
Author: Eftychia Papanikolaou
Publisher: Rowman & Littlefield
Published: 2022-06-21
Total Pages: 439
ISBN-13: 1666906050
DOWNLOAD EBOOKSacred and Secular Intersections in Music of the Long Nineteenth Century: Church, Stage, and Concert Hall explores interconnections of the sacred and the secular in music and aesthetic debates of the long nineteenth century. The essays in this volume view the category of the sacred not as a monolithic attribute that applies only to music written for and performed in a religious ritual. Rather, the “sacred” is viewed as a functional as well as a topical category that enhances the discourse of cross-pollination of musical vocabularies between sacred and secular compositions, church and concert music. Using a variety of methodological approaches, the contributors articulate how sacred and religious identities coalesce, reconcile, fuse, or intersect in works from the long nineteenth century that traverse an array of genres and compositional styles.