Rhetoric, Comedy, and the Violence of Language in Aristophanes' Clouds
Rhetoric, Comedy, and the Violence of Language in Aristophanes' Clouds

Author: Daphne Elizabeth O'Regan

Publisher: Oxford University Press, USA

Published: 1992

Total Pages: 225

ISBN-13: 0195070178

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This is an intelligent and unusually thought-provoking reading of Aristophanes' Clouds. O'Regan focuses on logos, or the power of argument, and its effects, and on the self-awareness of the second Clouds as a comedy of logos directed toward an audience made resistant by devotion to the body. Within and without the play, logos meets defeat when confronted with human nature and desire. The argument conveys much insight into fifth-century thought and the play's workings, the more so because it balances rhetoric with comedy, and reminds the reader that this is a comic logos--explored in the comic mode, and connected with the intentions and vicissitudes of the first and second Clouds.

Rhetoric, Comedy, and the Violence of Language in Aristophanes' Clouds
Rhetoric, Comedy, and the Violence of Language in Aristophanes' Clouds

Author: Daphne O'Regan

Publisher: Oxford University Press

Published: 1992-10-22

Total Pages: 225

ISBN-13: 0195361458

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This is an intelligent and unusually thought-provoking reading of Aristophanes' Clouds. O'Regan focuses on logos, or the power of argument, and its effects, and on the self-awareness of the second Clouds as a comedy of logos directed toward an audience made resistant by devotion to the body. Within and without the play, logos meets defeat when confronted with human nature and desire. The argument conveys much insight into fifth-century thought and the play's workings, the more so because it balances rhetoric with comedy, and reminds the reader that this is a comic logos--explored in the comic mode, and connected with the intentions and vicissitudes of the first and second Clouds.

Myth-Making in Aristophanes Innovation and Evolution in Attic Comedy
Myth-Making in Aristophanes Innovation and Evolution in Attic Comedy

Author: Effie Zagari

Publisher: Cambridge Scholars Publishing

Published: 2024-10-01

Total Pages: 222

ISBN-13: 1036411133

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This book focuses on the development of Attic comedy as it is evinced in four fragmentary plays by Aristophanes: Polyidus, Daedalus, Aeolosicon, and Cocalus. The significance of these plays lies in the fact that they present characteristics which are not prominent in the extant plays. They are mythological comedies that Aristophanes might have composed as parodies of tragedies. The four dramas exhibit elements largely present in Middle and New Comedy, such as the use and re-use of myths, the production of large-scale burlesque, domestic plots, unfolded outside Attica. This is a book directed to the wider audience, to all enthusiasts of Classics. It facilitates the understanding of an aspect of Aristophanes’ work, discernible only within his fragmentary dramas. This study thus revisits Old Comedy and enriches the scholarship with new insights and new discoveries regarding Aristophanes, his literary interactions, as well as his innovating and influential work.

The Languages of Aristophanes
The Languages of Aristophanes

Author: Andreas Willi

Publisher: OUP Oxford

Published: 2003-09-19

Total Pages: 376

ISBN-13: 0191532312

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By examining linguistic variation in Aristophanic comedy, Andreas Willi opens up a new perspective on intra-dialectal diversity in Classical Attic Greek. A representative range of registers, technical languages, sociolects, and (comic) idiolects is described and analysed. Stylistic and statistical observations are combined and supplemented by typological comparisons with material drawn from sociolinguistic research on modern languages. The resulting portrayal of the Attic dialect deepens our understanding of various socio-cultural phenomena reflected in Aristophanes' work, such as the spread of 'sophistic' culture, the re-evaluation of gender roles, and the status of foreigners in Athenian society.

The Comedian as Critic
The Comedian as Critic

Author: Matthew Wright

Publisher: A&C Black

Published: 2012-05-24

Total Pages: 257

ISBN-13: 1780933460

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Some of the best evidence for the early development of literary criticism before Plato and Aristotle comes from Athenian Old Comedy. Playwrights such as Eupolis, Cratinus, Aristophanes and others wrote numerous comedies on literary themes, commented on their own poetry and that of their rivals, and played around with ideas and theories from the contemporary intellectual scene. How can we make use of the evidence of comedy? Why were the comic poets so preoccupied with questions of poetics? What criteria emerge from comedy for the evaluation of literature? What do the ancient comedians' jokes say about their own literary tastes and those of their audience? How do different types of readers in antiquity evaluate texts, and what are the similarities and differences between 'popular' and 'professional' literary criticism? Does Greek comedy have anything serious to say about the authors and texts it criticizes? How can the comedians be related to the later literary-critical tradition represented by Plato, Aristotle and subsequent writers? This book attempts to answer these questions by examining comedy in its social and intellectual context, and by using approaches from modern literary theory to cast light on the ancient material.

Synoptic Problems
Synoptic Problems

Author: John S. Kloppenborg

Publisher: Mohr Siebeck

Published: 2014-07-02

Total Pages: 772

ISBN-13: 9783161526176

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This volume contains a collection of twenty-one essays of John S. Kloppenborg, with four foci: conceptual and methodological issues in the Synoptic Problem; the Sayings Gospel Q; the Gospel of Mark; and the Parables of Jesus. Kloppenborg, a major contributor to the Synoptic Problem, is especially interested in how one constructs synoptic hypotheses, always aware of the many gaps in our knowledge, the presence of competing hypotheses, and the theological and historical entailments in any given hypothesis. Common to the essays in the remaining three sections is the insistence that the literature, thought and practices of the early Jesus movement must be treated with a deep awareness of their social, literary, and intellectual contexts. The context of the early Jesus movement is illumined not simply by resort to the literary and historical sources produced by Greek and Roman elites but, more importantly, by data gathered from documentary sources available in non-literary papyri.

Bodily Arts
Bodily Arts

Author: Debra Hawhee

Publisher: University of Texas Press

Published: 2013-09-06

Total Pages: 241

ISBN-13: 0292757026

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The role of athletics in ancient Greece extended well beyond the realms of kinesiology, competition, and entertainment. In teaching and philosophy, athletic practices overlapped with rhetorical ones and formed a shared mode of knowledge production. Bodily Arts examines this intriguing intersection, offering an important context for understanding the attitudes of ancient Greeks toward themselves and their environment. In classical society, rhetoric was an activity, one that was in essence "performed." Detailing how athletics came to be rhetoric's "twin art" in the bodily aspects of learning and performance, Bodily Arts draws on diverse orators and philosophers such as Isocrates, Demosthenes, and Plato, as well as medical treatises and a wealth of artifacts from the time, including statues and vases. Debra Hawhee's insightful study spotlights the notion of a classical gymnasium as the location for a habitual "mingling" of athletic and rhetorical performances, and the use of ancient athletic instruction to create rhetorical training based on rhythm, repetition, and response. Presenting her data against the backdrop of a broad cultural perspective rather than a narrow disciplinary one, Hawhee presents a pioneering interpretation of Greek civilization from the sixth, fifth, and fourth centuries BCE by observing its citizens in action.

Poet and Orator
Poet and Orator

Author: Andreas Markantonatos

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2019-04-01

Total Pages: 573

ISBN-13: 3110626985

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This multiauthored volume, as well as bringing into clearer focus the notion of drama and oratory as important media of public inquiry and critique, aims to generate significant attention to the unified intentions of the dramatist and the orator to establish favourable conditions of internal stability in democratic Athens. We hope that readers both enjoy and find valuable their engagement with these ideas and beliefs regarding the indissoluble bond between oratorical expertise and dramatic artistry. This exciting collection of studies by worldwide acclaimed classicists and acute younger Hellenists is envisaged as part of the general effort, almost unanimously acknowledged as valid and productive, to explore the impact of formalized speech in particular and craftsmanship rhetoric in general upon Attic drama as a moral and educational force in the Athenian city-state. Both poet and orator seek to deepen the central tensions of their work and to enlarge the main themes of their texts to even broader terms by investing in the art of rhetoric, whilst at the same time, through a skillful handling of events, evaluating the past and establishing standards or ideology.

Four Texts on Socrates
Four Texts on Socrates

Author: Plato

Publisher: Cornell University Press

Published: 1998

Total Pages: 196

ISBN-13: 9780801485749

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Translations of four major works of ancient Greek literature which treat the life and thought of Socrates, focusing particularly on his trial and defense and on the charges against him.

A Feast of Strange Opinions: Classical and Early Modern Paradoxes on the English Renaissance Stage 1.2
A Feast of Strange Opinions: Classical and Early Modern Paradoxes on the English Renaissance Stage 1.2

Author: Marco Duranti

Publisher: Skenè. Texts and Studies

Published: 2023-12-20

Total Pages: 286

ISBN-13: 884676837X

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This volume originates as a continuation of the previous volume in the CEMP series (1.1) and aims at furthering scholarly interest in the nature and function of theatrical paradox in early modern plays, considering how classical paradoxical culture was received in Renaissance England. The book is articulated into three sections: the first, “Paradoxical Culture and Drama”, is devoted to an investigation of classical definitions of paradox and the dramatic uses of paradox in ancient Greek drama; the second, “Paradoxes in/of Elizabethan and Jacobean Drama” looks at the functions and uses of paradox in the play-texts of Shakespeare and his contemporaries; finally, the essays in “Paradoxes in Drama and the Digital” examine how the Digital Humanities can enrich our knowledge of paradoxes in classical and early modern drama.