The Artist's Sketch

The Artist's Sketch

Author: Carolyn J. Brown

Publisher: Univ. Press of Mississippi

Published: 2017-02-17

Total Pages: 518

ISBN-13: 1496810651

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Artist Kate Freeman Clark (1875–1957) left behind over one thousand paintings now stored at a gallery bearing her name in her hometown of Holly Springs, Mississippi. But it was not until after her death in 1957 at the age of eighty-one that citizens even discovered that she was a painter of considerable stature. In her will, Clark left the city her family home, her paintings stored at a warehouse in New York for over forty years, and money to build a gallery, much to the surprise of the Holly Springs community. As a young woman, Clark studied art in New York and took classes with some of the greatest American artists of the day. From the start Clark approached the study of art with discipline and tenacity. She learned from William Merritt Chase when he opened his own school in 1895. For six consecutive summers at his Shinnecock Summer School of Art in Long Island, she mastered the plein air technique. Chase trained many female students, yet he recognized Clark as “his most talented pupil.” The book prints, for the first time, excerpts from Clark's delightful journal of the artist's experience at Chase's school, giving readers firsthand reporting of an artist-led school in the early twentieth century. Clark returned to Holly Springs in 1923. Mysteriously, sadly, she never resumed painting and lived the last years of her life in quietude. The Artist's Sketch shines a light on Clark, finally bringing her out of obscurity. This book also introduces Clark's art to a new generation of readers and highlights current projects and important work being done in Holly Springs by the Kate Freeman Clark Art Gallery and the Marshall County Historical Museum, the two institutions that, since her death, have worked hard to keep Kate Freeman Clark's legacy alive.


A Legacy of Art

A Legacy of Art

Author: Carol Lowrey

Publisher: Hudson Hills

Published: 2007

Total Pages: 220

ISBN-13: 9780615154992

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For more than a century, a Gilded Age mansion on the south side of New York City's Gramercy Park has been home to the National Arts Club (NAC), its magnificent interior a refuge from hectic city life. In this special catalog, Lowrey, curator of the club's permanent collection, documents selected works by Artist Life Members, artists who were given lifetime memberships in the club in exchange for one of their works (the program ended in 1950 with the advent of the abstract expressionists). The father of well-known American sculptor Alexander Calder, Alexander Stirling Calder, was an Artist Life Member, and his sculpture of the painter George Bellows is among the many artworks included here. Also featured are an A-to-Z listing of Artist Life Members and a brief history of the NAC. The catalog section includes full-color reproductions and descriptions of the artworks as well as brief biographies of the artist. Many members' works show European influences, particularly impressionism and the Barbizon school, while others are distinctly American, as in the Ash Can school. A fine and fitting tribute to the NAC legacy that will be of interest to club, academic, and large public libraries. 75 colour & 175 b/w illustrations


Gloucester and Rockport

Gloucester and Rockport

Author: John Hardy Wright

Publisher: Arcadia Publishing

Published: 2000-07

Total Pages: 132

ISBN-13: 9780738539119

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Hardy Gloucester men and large fishing vessels known as Gloucestermen were ever-present along the busy waterfront of the North Shore city between the mid-19th century and the early years of the 20th century. As part of the giant fishing industry, the vessels, which were owned by Yankee, Portuguese, and Italian fishermen, were a dramatic and colorful accent along the inner harbor. In the 1830s, artists discovered the charms of the fishing port of Gloucester and around forty years later, others were in Rockport. The art colony at Rocky Neck in East Gloucester is the earliest in America and was visited, or lived in, by many prominent painters. Tourists of the past also took delight in the attractive areas of Cape Ann where they could while away a summer vacation in a fancy hotel along the rugged shore, explore the local sites, view the mysterious former settlement of Dogtown, or inspect the many granite quarries that were active from the 1820s to the Great Depression.


American Printmakers, 1880-1945

American Printmakers, 1880-1945

Author: Lynn Barstis Williams Katz

Publisher:

Published: 1993

Total Pages: 488

ISBN-13:

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Provides a means of finding photographic reproductions and biographical/critical information on 1429 printmakers and their work. ...a useful, one-of-a-kind contribution to art reference literature.--WILSON LIBRARY BULLETIN ... A very useful work that will save research time.--CHOICE


New York Magazine

New York Magazine

Author:

Publisher:

Published: 1976-04-12

Total Pages: 88

ISBN-13:

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New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.


American Watercolor in the Age of Homer and Sargent

American Watercolor in the Age of Homer and Sargent

Author: Kathleen A. Foster

Publisher: Yale University Press

Published: 2017-01-01

Total Pages: 497

ISBN-13: 030022589X

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The fascinating story of the transformation of American watercolor practice between 1866 and 1925 The formation of the American Watercolor Society in 1866 by a small, dedicated group of painters transformed the perception of what had long been considered a marginal medium. Artists of all ages, styles, and backgrounds took up watercolor in the 1870s, inspiring younger generations of impressionists and modernists. By the 1920s many would claim it as "the American medium." This engaging and comprehensive book tells the definitive story of the metamorphosis of American watercolor practice between 1866 and 1925, identifying the artist constituencies and social forces that drove the new popularity of the medium. The major artists of the movement - Winslow Homer, John Singer Sargent, William Trost Richards, Thomas Moran, Thomas Eakins, Charles Prendergast, Childe Hassam, Edward Hopper, Charles Demuth, and many others - are represented with lavish color illustrations. The result is a fresh and beautiful look at watercolor's central place in American art and culture.


Childe Hassam

Childe Hassam

Author: Ulrich W. Hiesinger

Publisher: Prestel Publishing

Published: 1999

Total Pages: 200

ISBN-13:

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The first book to present a detailed and lucid survey of the career of America's foremost Impressionist painter. Many of the illustrated works have never been published before.