The Cine Goes to Town

The Cine Goes to Town

Author: Richard Abel

Publisher: Univ of California Press

Published: 2023-09-01

Total Pages: 596

ISBN-13: 0520912918

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Richard Abel's magisterial new book radically rewrites the history of French cinema between 1896 and 1914, particularly during the years when Pathé-Frères, the first major corporation in the new industry, led the world in film production and distribution. Based on extensive investigation of rare archival films and documents, and drawing on recent social and cultural histories of turn-of-the-century France and the United States, his book provides new insights into the earliest history of the cinema. Abel tells how early French film entertainment changed from a cinema of attractions to the narrative format that Hollywood would so successfully exploit. He describes the popular genres of the era—comic chases, trick films and féeries, historical and biblical stories, family melodramas and grand guignol tales, crime and detective films—and shows the shift from short subjects to feature-length films. Cinema venues evolved along with the films as live music, color effects, and other new exhibiting techniques and practices drew larger and larger audiences. Abel explores the ways these early films mapped significant differences in French social life, helping to produce thoroughly bourgeois citizens for Third Republic France. The Ciné Goes to Town recovers early French cinema's unique contribution to the development of the mass culture industry. As the one-hundredth anniversary of cinema approaches, this compelling demonstration of film's role in the formation of social and national identity will attract a wide audience of film scholars, social and cultural historians, and film enthusiasts.


The Figital Revolution

The Figital Revolution

Author: Stephen Schaub

Publisher: Lulu.com

Published: 2007-09

Total Pages: 80

ISBN-13: 9781430308157

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Are you disillusioned by the current photographic market? Frustrated by the absurd claims of analog and digital proponents alike? Ready to throw in the *%$#! towel? Then the Figital Revolution is for you. FIGITAL stands for the dynamic fusion of film and digital photographic technologies. The Figital Revolution transcends self-serving industry hype and old-fart conservatism to get at the real issues photographers face today: how did we get here? Is digital all it's cracked up to be? Why is film on life support? How can photographers create a sustainable art? Why do most photo magazines suck? The Figital Revolution is about all that and more. Remember: movement does not equal progress. Yes comrades- the revolution has begun!


The Moviegoing Experience, 1968-2001

The Moviegoing Experience, 1968-2001

Author: Richard W. Haines

Publisher: McFarland

Published: 2010-06-28

Total Pages: 286

ISBN-13: 9780786480746

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The experience of going to the movies, be it a single screen theater, twin, multiplex or drive-in, is affected by many different factors that have shifted over the years. Just as movies emerged from silent to talking, black and white to color, there has invariably been change in the way movies are made, copied, distributed and viewed. This change in the moviegoing experience, for better or for worse, is worth studying. This work examines the American moviegoing experience from 1968 to 2001--the way in which movies are made and regulated (including the demise of the Production Code and the emergence of the ratings system) as well as changes in lighting, cinematography and coloring techniques. The projection practices of the past and present, during and after the presence of the Projectionists Union, and the advent of the "platter," which allowed for automated projection, are discussed. How home video and cable affected the content of films after the eighties and the history of computerized special effects leading to the development of digital cinema projection are included. The work also covers the changing types of venues over the last third of a century and other aspects that affect, positively or negatively, the entire moviegoing experience.


PHOTOVIDEOi

PHOTOVIDEOi

Author:

Publisher:

Published: 2007-07

Total Pages: 64

ISBN-13:

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A local Singaporean magazine dedicated to photography and videography.


35 MM

35 MM

Author: Arvind R

Publisher: Notion Press

Published: 2017-05-11

Total Pages: 201

ISBN-13: 1946822418

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Five authors and one story is what make this novel unique. This is a story of four strangers who are brought together by life… or at least that is what some of them think. Based in the beautiful North-East India, this is the story about the quest of four individuals who are all running from something in their lives and their hunger to find themselves. Be it breaking from the stereotype of our society, running from the darkness within or accepting oneself. The journey however is not without its own dangers, turning their seemingly straight forward quest of self-discovery into a battle of survival. From photography to Naxals, Aashna, Advait, Charu and Dr. Ashok may have been handed more than they bargained for. The five authors of “35mm – A Hidden Target” have generously dedicated entire royalty proceeds of this novel to the cause of healthcare of disadvantaged children in the country. Royalty amount will be donated to the NGO “Sankalp India Foundation” (www.sankalpindia.net.)


Archive

Archive

Author: UCLA Film and Television Archive

Publisher:

Published: 2013-11

Total Pages: 12

ISBN-13:

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Alexander Kluge: Cinema Impure: An Eclectic Modernist Style

Alexander Kluge: Cinema Impure: An Eclectic Modernist Style

Author: Peter C. Lutze

Publisher: Wayne State University Press

Published: 1998

Total Pages: 308

ISBN-13: 9780814326565

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Through his films and theoretical writings, and as a television producer, teacher, political lobbyist, lawyer, and public spokesman, Alexander Kluge has played a substantial role in creating the New German Cinema, as well as in German cultural politics. Since 1961 Kluge has produced almost thirty films and hundreds of television programs, written four volumes of fiction, coauthored three major works of sociocultural theory, and won almost every major literary and film prize in Germany. Peter Lutze provides in-depth analysis of Kluge's films and television work but also devotes attention to his political work. In raising issues that have become key questions in contemporary debates about modernism and postmodernism, Kluge's films and pronouncements demonstrate his modernist sensibility and an appropriation of modernist formal strategies for the purpose of the social critique.


Print Formats and Finishes

Print Formats and Finishes

Author: Edward Denison

Publisher: Rotovision

Published: 2010-08

Total Pages: 258

ISBN-13: 2888931362

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Print Formats and Finishes is a comprehensive resource on formats, materials and finishes. This book explores the production and manufacturing aspects of a range of products including CD and DVD packaging, bags and labels, brochures, sustainable design products, product packaging, and promotional items. With succinct text and specially commissioned photos it shows, at one glance, the effects that can be created and the printing and production techniques used to achieve them. Work across all budgets and production/print runs is showcased, revealing the skills and techniques that allow creative solutions that grab audience attention and sell. For ideas on everything from mass-mail flyers, unique CD packaging, to customized products and packaging, The Print and Production Finishes Sourcebook is an indispensable ideas sourcebook and practical guide. By analyzing the best in the business, it gives readers a thorough understanding of materials, and of print and production processes that can be applied to any job.


Revolutionary Leaves

Revolutionary Leaves

Author: Sascha Pöhlmann

Publisher: Cambridge Scholars Publishing

Published: 2013-01-16

Total Pages: 235

ISBN-13: 1443845809

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Mark Z. Danielewski is routinely hailed as the most exciting author in contemporary American literature, and he is celebrated by critics and fans alike. Revolutionary Leaves collects essays that have come out of the first academic conference on Danielewski’s fiction that took place in Munich in 2011, which brought together younger and established scholars to discuss his works from a variety of perspectives. Addressing his major works House of Leaves (2000) and Only Revolutions (2006), the texts are as multifaceted as the novels they analyze, and they incorporate ideas of (post)structuralism, modernism, post- and post-postmodernism, philosophy, Marxism, reader-response criticism, mathematics and physics, politics, media studies, science fiction, gothic horror, poetic theory, history, architecture, mythology, and more. Contributors: Nathalie Aghoro, Ridvan Askin, Hanjo Berressem, Aleksandra Bida, Brianne Bilsky, Joe Bray, Alison Gibbons, Julius Greve, Sebastian Huber, Sascha Pöhlmann, and Hans-Peter Söder.