As the author of this volume states, "the science of logic does not stand still." This book was intended to cover the advances made in the study of logic in the first half of the nineteenth century, during which time the author felt there to have been greater advances made than in the whole of the preceding period from the time of Aristotle. Advances which, in her eyes, were not present in contemporary text books. As such, this book offers a valuable insight into the progress of the subject, tracing this frenetic period in its development with a first-hand awareness of its documentary value.
As the author of this volume states, "the science of logic does not stand still." This book was intended to cover the advances made in the study of logic in the first half of the nineteenth century, during which time the author felt there to have been greater advances made than in the whole of the preceding period from the time of Aristotle. Advances which, in her eyes, were not present in contemporary text books. As such, this book offers a valuable insight into the progress of the subject, tracing this frenetic period in its development with a first-hand awareness of its documentary value.
Modern mathematical logic would not exist without the analytical tools first developed by George Boole in The Mathematical Analysis of Logic and The Laws of Thought. The influence of the Boolean school on the development of logic, always recognised but long underestimated, has recently become a major research topic. This collection is the first anthology of works on Boole. It contains two works published in 1865, the year of Boole's death, but never reprinted, as well as several classic studies of recent decades and ten original contributions appearing here for the first time. From the programme of the English Algebraic School to Boole's use of operator methods, from the problem of interpretability to that of psychologism, a full range of issues is covered. The Boole Anthology is indispensable to Boole studies and will remain so for years to come.
The discipline of formal concept analysis (FCA) is concerned with the form- ization of concepts and conceptual thinking. Built on the solid foundation of lattice and order theory, FCA is ?rst and foremost a mathematical discipline. However,its motivation andguiding principles arebasedon strongphilosophical underpinnings. In practice, FCA provides a powerful framework for the qua- tative, formal analysis of data, as demonstrated by numerous applications in diverse areas. Likewise, it emphasizes the aspect of human-centered information processing by employing visualization techniques capable of revealing inherent structure in data in an intuitively graspable way. FCA thereby contributes to structuring and navigating the ever-growing amount of information available in our evolving information society and supports the process of turning data into information and ultimately into knowledge. In response to an expanding FCA community, the International Conference on Formal Concept Analysis (ICFCA) was established to provide an annual opportunity for the exchange of ideas. Previous ICFCA conferences were held in Darmstadt (2003), Sydney (2004), Lens (2005), Dresden (2006), Clermont- Ferrand (2007), as well as Montreal (2008) and are evidence of vivid ongoing interest and activities in FCA theory and applications. ICFCA 2009 took place during May 21–24 at the University of Applied S- ences in Darmstadt. Beyond serving as a host of the very ?rst ICFCA in 2003, Darmstadt can be seen as the birthplace of FCA itself, where this discipline was introduced in the early 1980s and elaborated over the subsequent decades.
The third edition of this bestselling student reference book provides an illuminating and informed introduction to the key issues, concepts and perspectives of philosophy. The Dictionary has been thoroughly revised and updated.
The Oxford Handbook of Modern Irish Fiction presents authoritative essays by thirty-five leading scholars of Irish fiction. They provide in-depth assessments of the breadth and achievement of novelists and short story writers whose collective contribution to the evolution and modification of these unique art forms has been far out of proportion to Ireland's small size. The volume brings a variety of critical perspectives to bear on the development of modern Irish fiction, situating authors, texts, and genres in their social, intellectual, and literary historical contexts. The Handbook's coverage encompasses an expansive range of topics, including the recalcitrant atavisms of Irish Gothic fiction; nineteenth-century Irish women's fiction and its influence on emergent modernism and cultural nationalism; the diverse modes of irony, fabulism, and social realism that characterize the fiction of the Irish Literary Revival; the fearless aesthetic radicalism of James Joyce; the jolting narratological experiments of Samuel Beckett, Flann O'Brien, and Máirtín Ó Cadhain; the fate of the realist and modernist traditions in the work of Elizabeth Bowen, Frank O'Connor, Seán O'Faoláin, and Mary Lavin, and in that of their ambivalent heirs, Edna O'Brien, John McGahern, and John Banville; the subversive treatment of sexuality and gender in Northern Irish women's fiction written during and after the Troubles; the often neglected genres of Irish crime fiction, science fiction, and fiction for children; the many-hued novelistic responses to the experiences of famine, revolution, and emigration; and the variety and vibrancy of post-millennial fiction from both parts of Ireland. Readably written and employing a wealth of original research, The Oxford Handbook of Modern Irish Fiction illuminates a distinguished literary tradition that has altered the shape of world literature.
