Spanish Literature

Spanish Literature

Author: David William Foster

Publisher: Routledge

Published: 2001

Total Pages: 366

ISBN-13: 9780815335627

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Gathered to meet the rising upsurge of interest in Spain, this collection features major critical articles dealing with the authors and texts customarily taught in colleges and universities in the United States. The articles are in English and Spanish, with a predominance of the former. The material is organized to reflect the common chronological and period divisions of the academic curriculum, and is clustered around major literary figures, with a mix of general articles on the writers and texts that are most commonly included in anthologies. Spanish literature and culture have attracted a renewed interest since the return to constitutional democracy in the mid-1970s and the growing participation of Spain in the world economy and its incorporation into the European common market. Spanish literature balances a participation in the major literary movements of European literature in general with unique features of Hispanic culture that are a consequence of the special circumstances of its geography,especially the ways in which it historically served as a conduit to Europe of Arabic and Jewish cultures. Figures of international acclaim like Federico Garc'a Lorca, Miguel de Unamuno, and Jose Ortega y Gasset, Nobel prizewinners like Vicente Aleixandre and Camilo Jose Cela, the universality of Miguel de Cervantes, without whom the modern novel would not have been possible, the uniqueness of the Hispanic ballad tradition, mystic poets like San Juan de la Cruz and Santa Teresa Jesus, and the picaresque tradition are some of the major reference points for the singularity of Spanish literary culture. All of this literary activity has inspired innumerable dissertations, theses, and books, published by academic and trade presses, as well as articles in journals traditionally devoted to literary history and philosophy, along with new specialized journals and the organization of national and international congresses on national and cultural issues, writers, and schools of writing. These three volumesselect the most seminal works on Spanish literature and collect them in one place for scholars and students alike. This three volume collection of reprinted articles is also available as individual volumes priced at $80.00/Y [Can. $120.00/Y]: * Volume 1.Theoretical Debates0815335636 Volume 2.From Origins to the 18th Century0815335644 Volume 3.The Modern Period0185335652


Hear Me with Your Eyes

Hear Me with Your Eyes

Author: Ana Forcinito

Publisher: UNC Press Books

Published: 2022-04-15

Total Pages: 190

ISBN-13: 146967095X

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Hear Me with Your Eyes examines the intrusion of the voice into the cinematographic gaze and the intersections (and ruptures) of the sound-image in Argentine women filmmakers from a feminist perspective. In different ways, Maria Luisa Bemberg, Lita Stantic, Lucrecia Martel, Albertina Carri, Maria Victoria Menis, Lucia Puenzo, Sabrina Farji, Paula de Luque, Anahi Berneri, Sandra Gugliotta, and Gabriela David explore the visual realm through the continuities, intrusions, irrelevancies, harmonies, and desynchronizations of the voice. Or, instead, they explore different voices and their modulations, including whispers, screams, singing, echoes, breathing, resonance, sighs, and the transcendent voice, the narrative voice, the silenced voice, the articulated and unarticulated voice, and that which is none of the above. These voices suggest another relationship with the audiovisual realm, one that seems to include a closeness that erases, if only intermittently, the unalterable relationship between subject and object that characterizes the patriarchal visual regime.


The Criminal Baroque

The Criminal Baroque

Author: Ted Lars Lennard Bergman

Publisher: Boydell & Brewer

Published: 2021

Total Pages: 271

ISBN-13: 1855663392

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TEMPORARY Bergman looks at the representation of criminals in early modern Spanish theatre and the connection between criminality, the portrayal of criminal heroes on stage, and public displays of law enforcement within and outside the playhouse. His main purpose is to see to how Baroque spectacle (a term of art in theatre that refers to a particular event, often in expressions of popular culture) appears either to align itself, work against, or be independent of the social means of control of the day. His main argument is that that the propaganda power of early modern Spanish spectacle has been vastly overstated. Ted L. L. Bergman is a Lecturer in Spanish, University of St Andrews.


Exotic Nation

Exotic Nation

Author: Barbara Fuchs

Publisher: University of Pennsylvania Press

Published: 2011-12-30

Total Pages: 209

ISBN-13: 0812207351

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In the Western imagination, Spain often evokes the colorful culture of al-Andalus, the Iberian region once ruled by Muslims. Tourist brochures inviting visitors to sunny and romantic Andalusia, home of the ingenious gardens and intricate arabesques of Granada's Alhambra Palace, are not the first texts to trade on Spain's relationship to its Moorish past. Despite the fall of Granada to the Catholic Monarchs in 1492 and the subsequent repression of Islam in Spain, Moorish civilization continued to influence both the reality and the perception of the Christian nation that emerged in place of al-Andalus. In Exotic Nation, Barbara Fuchs explores the paradoxes in the cultural construction of Spain in relation to its Moorish heritage through an analysis of Spanish literature, costume, language, architecture, and chivalric practices. Between 1492 and the expulsion of the Moriscos (Muslims forcibly converted to Christianity) in 1609, Spain attempted to come to terms with its own Moorishness by simultaneously repressing Muslim subjects and appropriating their rich cultural heritage. Fuchs examines the explicit romanticization of the Moors in Spanish literature—often referred to as "literary maurophilia"—and the complex, often silent presence of Moorish forms in Spanish material culture. The extensive hybridization of Iberian culture suggests that the sympathetic depiction of Moors in the literature of the period does not trade in exoticism but instead reminded Spaniards of the place of Moors and their descendants within Spain. Meanwhile, observers from outside Spain recognized its cultural debt to al-Andalus, often deliberately casting Spain as the exotic racial other of Europe.


Lope de Vega: Fuente Ovejuna

Lope de Vega: Fuente Ovejuna

Author:

Publisher: Hispanic Classics

Published: 1989-05

Total Pages: 233

ISBN-13: 0856683280

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Fuente Ovejuna (C.1613) is the most famous and frequently performed play by the creator of Spanish theatre, Lope de Vega (1562-1635). Astonishingly for its period, it celebrates the murder in 1476 of a nobleman, the Grand Commander of the Military Order of Calatrava, by the peasants he had oppressed, and their subsequent solidarity under torture. Fuente Ovejuna, however, is less a history lesson or political tract than an optimistic moral fable.


Colonialist Gazes and Counternarratives of Blackness

Colonialist Gazes and Counternarratives of Blackness

Author: Ana León-Távora

Publisher: Taylor & Francis

Published: 2024-06-24

Total Pages: 239

ISBN-13: 1040031978

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Building on the growing field of Afropean Studies, this interdisciplinary and intermedial collection of essays proposes a dialogue on Afro-Spanishness that is not exclusively tied to immigration and that understands Blackness as a non-essentialist, heterogeneous and diasporic concept. Studying a variety of twentieth- and twenty-first-century cultural products, some essays explore the resilience of the colonialist paradigms and the circulation of racial ideologies and colonial memories that promote national narratives of whitening. Others focus on Black self-representation and examine how Afro-Spanish authors, artists, and activists destabilize colonial gazes and constructions of national identity, propose decolonial views of Spain and Europe’s literature and history, articulate Afro-Diasporic knowledges, and envision Afro-descendance as an empowering tool.


Cultural Legacies of Slavery in Modern Spain

Cultural Legacies of Slavery in Modern Spain

Author: Akiko Tsuchiya

Publisher: State University of New York Press

Published: 2025-01-01

Total Pages: 400

ISBN-13:

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This groundbreaking volume explores how culture produced in Spain, from the nineteenth century to the present, both reflects and shapes ways of understanding the history and heritage of a nation sustained by colonialism and slavery. Akiko Tsuchiya and Aurélie Vialette bring together an outstanding group of scholars, artists, cultural producers, and activists in a range of fields—from history to literary studies, anthropology to journalism, and flamenco to film. Drawing on interdisciplinary and comparative methodologies, contributors address the legacies of slavery in the archive; in cultural memory sites; and in literature, music, and visual arts. How, they ask, do different cultural forms and institutions represent and reckon with this past and push for justice in the face of persistent racial discrimination? In its focus on collective memory and the cultural afterlives of slavery and antislavery, Cultural Legacies of Slavery in Modern Spain will appeal not only to Iberian and Latin American specialists but also readers across Afro-Hispanic, postcolonial, transatlantic, and critical race studies.


Black USA and Spain

Black USA and Spain

Author: Rosalía Cornejo-Parriego

Publisher: Routledge

Published: 2019-07-24

Total Pages: 313

ISBN-13: 0429594224

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During the 20th-century, Spaniards and African-Americans shared significant cultural memories forged by the profound impact that various artistic and historical events had on each other. Addressing three crucial periods (the Harlem Renaissance and Jazz Age, the Spanish Civil War, and Franco's dictatorship), this collection of essays explores the transnational bond and the intercultural exchanges between these two communities, using race as a fundamental critical category. The study of travelogues, memoirs, documentaries, interviews, press coverage, comics, literary works, music, and performances by iconic figures such as Josephine Baker, Langston Hughes, and Ramón Gómez de la Serna, as well as the experiences of ordinary individuals such as African American nurse Salaria Kea, invite an examination of the ambiguities and paradoxes that underlie this relationship: among them, the questionable and, at times, surprising racial representations of blacks in Spanish avant-garde texts and in the press during the years of Franco’s dictatorship; African Americans very unique view of the Spanish Civil War in light of their racial identity; and the oscillation between fascination and anxiety when these two communities look at each other.


The Eighteenth-Century Theatre in Spain

The Eighteenth-Century Theatre in Spain

Author: Philip B. Thomason

Publisher: Routledge

Published: 2013-10-18

Total Pages: 277

ISBN-13: 1317970039

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Previously published as a special issue of The Bulletin of Spanish Studies, The Eighteenth-Century Theatre in Spain is the second in a series of research bibliographies on the Theatre in Spain. Representing ten years of searches and compilation by its specialist authors, this volume draws together data on more than 1,500 books, articles and documents concerned with Spanish eighteenth-century theatre. Studies of plays and playwrights are included as well as material dealing with theatres, actors and stagecraft. Wherever possible, items listed have been personally examined, and their library location in Britain, Spain or USA is provided. Scholars with interests in drama will find in this single-volume work of reference a wealth of reliable information concerning this specialist field.