Resounding Pasts

Resounding Pasts

Author: Drago Momcilovic

Publisher: Cambridge Scholars Publishing

Published: 2020-05-15

Total Pages: 365

ISBN-13: 1527551482

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The field of memory studies has long been preoccupied with the manner in which events from the past are commemorated, forgotten, re-fashioned, or worked through on both the individual and collective level. Yet in an age when various modes of artistic and cultural commemoration have begun to overlap with and respond to one another, the dynamics of cultural remembering and forgetting become bound up in an increasingly elaborate network of representations that operate both within and outside temporal, cultural, and national borders. As publicly circulating texts that straddle the line between cultural artifact and artistic object, both musical and literary works, both individually and often in conjunction with one another, help shape cultural memories and individual experiences of those events. Troping their cultural milieux through specific aesthetic and social forms, genres, and modes of dissemination, music and literature become part of a growing global panoply of raw materials upon which we might begin to pose questions regarding the way we remember, the consequences of sharing and passing on those memories, and the aesthetic and cultural pressures attendant upon the circulation and interpretation of texts that (re-)sound the past.


Echoes Resounding from the Past

Echoes Resounding from the Past

Author: Cheryl Freier

Publisher: AuthorHouse

Published: 2014-12-23

Total Pages: 149

ISBN-13: 1496960289

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In essence, the most important word one will ever understand is truth, but within those five letters is a timeless mystery that has confounded philosophers, theologians, and sages throughout the centuries. What is truth? Who defines it? Who protects it? What the Nazis did to in the last century cannot be changed, and day by day, new information challenges the worlds definition of truth in times of war. In 1943, when the Nazis came to take the Jews to camps during the siege of Slovakia, a man by the name of Joseph Frier arranged to have his four sons taken to a place of safety. There, the boys hid in fear for their very lives and were forced to make impossible decisions just to survive. Martin, the authors husband, was one of those boys. Against the overwhelming scale of human cruelty of those days, it is important to remember and celebrate smaller human stories of kindness, courage, and integrity. During the Nazi occupation of Europe, fearful and weak men and women traded their souls to the devil. In this pitch-black part of world history, there were men and women who became champions of the truth and became heroes in the eyes of G-d forever. In remembering those who perished during this war, we pray for their souls as we remember our forefathers, Abraham, Issac, and Jacob, and our women patriarchs Rebecca, Rachel, and Leah. Throughout human history, countless faceless champions emerged when needed. Sadly, for every hero, there were also those who succumbed to their baser, more cowardly impulses of self-preservation at any cost. Echoes Resounding from the Past celebrates the truth of what it means to be a hero.


Resounding Truth

Resounding Truth

Author: Jeremy Begbie

Publisher: Baker Academic

Published: 2007-12

Total Pages: 416

ISBN-13: 0801026954

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A world-renowned scholar and musician helps Christians respond with theological discernment to music.


Resounding the Sublime

Resounding the Sublime

Author: Miranda Eva Stanyon

Publisher: University of Pennsylvania Press

Published: 2021-05-07

Total Pages: 286

ISBN-13: 0812253086

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What does the sublime sound like? Miranda Stanyon traces competing varieties of the sublime, a crucial modern aesthetic category, as shaped by the antagonistic intimacies between music and language. In resounding the history of the sublime over the course of the long eighteenth century, she finds a phenomenon always already resonant.


A History of Evil in Popular Culture

A History of Evil in Popular Culture

Author: Sharon Packer MD

Publisher: Bloomsbury Publishing USA

Published: 2014-07-15

Total Pages: 704

ISBN-13:

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Evil isn't simply an abstract theological or philosophical talking point. In our society, the idea of evil feeds entertainment, manifests in all sorts of media, and is a root concept in our collective psyche. This accessible and appealing book examines what evil means to us. Evil has been with us since the Garden of Eden, when Eve unleashed evil by biting the apple. Outside of theology, evil remains a highly relevant concept in contemporary times: evil villains in films and literature make these stories entertaining; our criminal justice system decides the fate of convicted criminals based on the determination of their status as "evil" or "insane." This book examines the many manifestations of "evil" in modern media, making it clear how this idea pervades nearly all aspects of life and helping us to reconsider some of the notions about evil that pop culture perpetuates and promotes. Covering screen media such as film, television, and video games; print media that include novels and poetry; visual media like art and comics; music; and political polemics, the essays in this book address an eclectic range of topics. The diverse authors include Americans who left the United States during the Vietnam War era, conservative Christian political pundits, rock musicians, classical linguists, Disney fans, scholars of American slavery, and experts on Holocaust literature and films. From portrayals of evil in the television shows The Wire and 24 to the violent lyrics of the rap duo Insane Clown Posse to the storylines of the Lord of the Rings and Harry Potter books, readers will find themselves rethinking what evil is—and how they came to hold their beliefs.


Resounding Transcendence

Resounding Transcendence

Author: Jeffers Engelhardt

Publisher: Oxford University Press

Published: 2016-03-04

Total Pages: 305

ISBN-13: 0199876282

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Resounding Transcendence is a pathbreaking set of ethnographic and historical essays by leading scholars exploring the ways sacred music effects cultural, political, and religious transitions in the contemporary world. With chapters covering Christian, Muslim, Jewish, and Buddhist practices in East and Southeast Asia, the Indian subcontinent, North America, the Caribbean, North Africa, and Europe, the volume establishes the theoretical and methodological foundations for music scholarship to engage in current debates about modern religion and secular epistemologies. It also transforms those debates through sophisticated, nuanced treatments of sound and music - ubiquitous elements of ritual and religion often glossed over in other disciplines. Resounding Transcendence confronts the relationship of sound, divinity, and religious practice in diverse post-secular contexts. By examining the immanence of transcendence in specific social and historical contexts and rethinking the reified nature of "religion" and "world religions," these authors examine the dynamics of difference and transition within and between sacred musical practices. The work in this volume transitions between traditional spaces of sacred musical practice and emerging public spaces for popular religious performance; between the transformative experience of ritual and the sacred musical affordances of media technologies; between the charisma of individual performers and the power of the marketplace; and between the making of authenticity and hybridity in religious repertoires and practices. Broad in scope, rich in ethnographic and historical detail, and theoretically ambitious, Resounding Transcendence is an essential contribution to the study of music and religion.


Resounding Taiwan

Resounding Taiwan

Author: Nancy Guy

Publisher: Routledge

Published: 2021-08-25

Total Pages: 221

ISBN-13: 1000431215

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This book vibrantly demonstrates how the study of music allows for identification and interpretation of the forces that form Taiwanese society, from politics and policy to reactions to and assertions of such policies. Contributors to this edited volume explore how music shapes life — and life shapes music — in Taiwan, focusing on subjects ranging from musical life under Japanese colonial rule (1895–1945) through to the contemporary creations of Indigenous musicians, popular music performance and production, Christian religious music, traditional ritual music and theatre, conceptions about sound and noise, and garbage truck music's role in reducing household waste. The volume’s twelve chapters present diverse approaches to their sounding subjects, some deeply rooted in the methods and concerns explored by Taiwan's first generation of ethnomusicologists. Others employ current social theories. Presenting a window into the cultural lives of the residents of this multicultural, politically contested island, Resounding Taiwan will appeal to students and scholars of musicology and ethnomusicology, anthropology and Asian studies more widely.


Litpop: Writing and Popular Music

Litpop: Writing and Popular Music

Author: Rachel Carroll

Publisher: Routledge

Published: 2016-05-13

Total Pages: 279

ISBN-13: 1317104196

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Bringing together exciting new interdisciplinary work from emerging and established scholars in the UK and beyond, Litpop addresses the question: how has writing past and present been influenced by popular music, and vice versa? Contributions explore how various forms of writing have had a crucial role to play in making popular music what it is, and how popular music informs ’literary’ writing in diverse ways. The collection features musicologists, literary critics, experts in cultural studies, and creative writers, organised in three themed sections. ’Making Litpop’ explores how hybrids of writing and popular music have been created by musicians and authors. ’Thinking Litpop’ considers what critical or intellectual frameworks help us to understand these hybrid cultural forms. Finally, ’Consuming Litpop’ examines how writers deal with music’s influence, how musicians engage with literary texts, and how audiences of music and writing understand their own role in making ’Litpop’ happen. Discussing a range of genres and periods of writing and popular music, this unique collection identifies, theorizes, and problematises connections between different forms of expression, making a vital contribution to popular musicology, and literary and cultural studies.


Resounding the Rhetorical

Resounding the Rhetorical

Author: Byron Hawk

Publisher: University of Pittsburgh Press

Published: 2018-07-31

Total Pages: 417

ISBN-13: 0822983478

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Resounding the Rhetorical offers an original critical and theoretical examination of composition as a quasi-object. As composition flourishes in multiple media (digital, sonic, visual, etc.), Byron Hawk seeks to connect new materialism with current composition scholarship and critical theory. Using sound and music as his examples, he demonstrates how a quasi-object can and does materialize for communicative and affective expression, and becomes a useful mechanism for the study and execution of composition as a discipline. Through careful readings of Serres, Latour, Deleuze, Heidegger, and others, Hawk reconstructs key concepts in the field including composition, process, research, collaboration, publics, and rhetoric. His work delivers a cutting-edge response to the state of the field, where it is headed, and the possibilities for postprocess and postwriting composition and rhetoric.


Resounding International Relations

Resounding International Relations

Author: M.I. Franklin

Publisher: Springer

Published: 2016-09-23

Total Pages: 327

ISBN-13: 1137056177

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This book explores a provocative area of inquiry for critical theory and research into world politics and popular culture: music. Not just because political science barely engages with anything musical, but also because it is clear that many opportunities for critical scholarship and reflection on global politics and economics are present in the spaces and relationships created by organized sound. It is easy to focus on the textual elements of music, but there is more at stake than just the words. Critical reflection on the intersections between music and politics also need to take into account the visceral and non-verbal elements such as counterpoint and harmony, polyphony and dissonance, noise, rhymes, rhythms, performance and the visual/aural dimensions to music-making.