American-Made

American-Made

Author: Nick Taylor

Publisher: Bantam

Published: 2009-02-24

Total Pages: 673

ISBN-13: 0553381326

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Seventy-five years after Franklin D. Roosevelt’s New Deal, here for the first time is the remarkable story of one of its enduring cornerstones, the Works Progress Administration (WPA): its passionate believers, its furious critics, and its amazing accomplishments. The WPA is American history that could not be more current, from providing economic stimulus to renewing a broken infrastructure. Introduced in 1935 at the height of the Great Depression, when unemployment and desperation ruled the land, this controversial nationwide jobs program would forever change the physical landscape and social policies of the United States. The WPA lasted eight years, spent $11 billion, employed 8½ million men and women, and gave the country not only a renewed spirit but a fresh face. Now this fascinating and informative book chronicles the WPA from its tumultuous beginnings to its lasting presence, and gives us cues for future action.


Portrait of America

Portrait of America

Author: Jerrold Hirsch

Publisher: Univ of North Carolina Press

Published: 2003

Total Pages: 318

ISBN-13: 9780807854891

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How well do we know our country? Whom do we include when we use the word "American"? These are not just contemporary issues but recurring and seemingly permanent questions Americans have asked themselves throughout their history-and questions that were ad


The WPA

The WPA

Author: Sandra Opdycke

Publisher: Routledge

Published: 2016-04-14

Total Pages: 213

ISBN-13: 1317588452

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Established in 1935 in the midst of the Great Depression, the Works Progress Administration (WPA) was one of the most ambitious federal jobs programs ever created in the U.S. At its peak, the program provided work for almost 3.5 million Americans, employing more than 8 million people across its eight-year history in projects ranging from constructing public buildings and roads to collecting oral histories and painting murals. The story of the WPA provides a perfect entry point into the history of the Great Depression, the New Deal, and the early years of World War II, while its example remains relevant today as the debate over government's role in the economy continues. In this concise narrative, supplemented by primary documents and an engaging companion website, Sandra Opdycke explains the national crisis from which the WPA emerged, traces the program's history, and explores what it tells us about American society in the 1930s and 1940s. Covering central themes including the politics, race, class, gender, and the coming of World War II, The WPA: Creating Jobs During the Great Depression introduces readers to a key period of crisis and change in U.S. history.


Investigation and Study of the Work Projects Administration(formerly Works Progress Administration, Hearings ... 76th Congress, 3d Session, Pts.3-4 [pts.1-2 Were Titled Investigation and Study of the Works Progress Administration

Investigation and Study of the Work Projects Administration(formerly Works Progress Administration, Hearings ... 76th Congress, 3d Session, Pts.3-4 [pts.1-2 Were Titled Investigation and Study of the Works Progress Administration

Author: United States. Congress. House. Appropriations

Publisher:

Published: 1940

Total Pages: 1124

ISBN-13:

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Contains material complementing and supporting the report of investigation of the Work Projects Administration activities, printed on pages 1 to 94 of Part 3.


Sounds of the New Deal

Sounds of the New Deal

Author: Peter Gough

Publisher: University of Illinois Press

Published: 2015-02-28

Total Pages: 305

ISBN-13: 0252097017

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At its peak the Federal Music Project (FMP) employed nearly 16,000 people who reached millions of Americans through performances, composing, teaching, and folksong collection and transcription. In Sounds of the New Deal, Peter Gough explores how the FMP's activities in the West shaped a new national appreciation for the diversity of American musical expression. From the onset, administrators and artists debated whether to represent highbrow, popular, or folk music in FMP activities. Though the administration privileged using "good" music to educate the public, in the West local preferences regularly trumped national priorities and allowed diverse vernacular musics to be heard. African American and Hispanic music found unprecedented popularity while the cultural mosaic illuminated by American folksong exemplified the spirit of the Popular Front movement. These new musical expressions combined the radical sensibilities of an invigorated Left with nationalistic impulses. At the same time, they blended traditional patriotic themes with an awareness of the country's varied ethnic musical heritage and vast--but endangered--store of grassroots music.


The Negro in Illinois

The Negro in Illinois

Author: Brian Dolinar

Publisher: University of Illinois Press

Published: 2013-07-01

Total Pages: 338

ISBN-13: 0252094956

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A major document of African American participation in the struggles of the Depression, The Negro in Illinois was produced by a special division of the Illinois Writers' Project, one of President Roosevelt's Works Progress Administration programs. The Federal Writers' Project helped to sustain "New Negro" artists during the 1930s and gave them a newfound social consciousness that is reflected in their writing. Headed by Harlem Renaissance poet Arna Bontemps and white proletarian writer Jack Conroy, The Negro in Illinois employed major black writers living in Chicago during the 1930s, including Richard Wright, Margaret Walker, Katherine Dunham, Fenton Johnson, Frank Yerby, and Richard Durham. The authors chronicled the African American experience in Illinois from the beginnings of slavery to Lincoln's emancipation and the Great Migration, with individual chapters discussing various aspects of public and domestic life, recreation, politics, religion, literature, and performing arts. After the project was canceled in 1942, most of the writings went unpublished for more than half a century--until now. Working closely with archivist Michael Flug to select and organize the book, editor Brian Dolinar compiled The Negro in Illinois from papers at the Vivian G. Harsh Collection of Afro-American History and Literature at the Carter G. Woodson Library in Chicago. Dolinar provides an informative introduction and epilogue which explain the origins of the project and place it in the context of the Black Chicago Renaissance. Making available an invaluable perspective on African American life, this volume represents a publication of immense historical and literary importance.