Nalo Hopkinson has been busily (and wonderfully) “subverting the genre” since her first novel, Brown Girl in the Ring, won a Locus Award for SF and Fantasy in 1999. Since then she has acquired a prestigious World Fantasy Award, a legion of adventurous and aware fans, a reputation for intellect seasoned with humor, and a place of honor in the short list of SF writers who are tearing down the walls of category and transporting readers to previously unimagined planets and realms. Never one to hold her tongue, Hopkinson takes on sexism and racism in publishing in “Report from Planet Midnight,” a historic and controversial presentation to her colleagues and fans. Plus... “Message in a Bottle,” a radical new twist on the time travel tale that demolishes the sentimental myth of childhood innocence; and “Shift,” a tempestuous erotic adventure in which Caliban gets the girl. Or does he? And Featuring: Our Outspoken Interview, an intimate one-on-one that delivers a wealth of insight, outrage, irreverence, and top-secret Caribbean spells.
Just when you thought you had it all figured out . . . "Alex Peter Gregory, you are a moron!" Laurie slammed her palms down on my desk and stomped her foot. I get a lot of that.One car crash.One measly little car crash. And suddenly, I'm some kind of convicted felon.My parents are getting divorced, my dad is shacking up with my third-grade teacher, I might be in love with a girl who could kill me with one finger, and now I'm sentenced to babysit some insane old guy.What else could possibly go wrong?This is the story of Alex Gregory, his guitar, his best gal pal Laurie, and the friendship of a lifetime that he never would have expected.
6 Starred Reviews and a New York Public Library Best Book of 2017! New York Times bestselling author Jodi Lynn Anderson's epic tale—told through three unforgettable points of view—is a masterful exploration of how love, determination, and hope can change a person's fate. 2065: Adri has been handpicked to live on Mars. But weeks before launch, she discovers the journal of a girl who lived in her house more than a hundred years ago and is immediately drawn into the mystery surrounding her fate. 1934: Amid the fear and uncertainty of the Dust Bowl, Catherine’s family’s situation is growing dire. She must find the courage to sacrifice everything she loves in order to save the one person she loves most. 1919: In the recovery following World War I, Lenore tries to come to terms with her grief for her brother, a fallen British soldier, and plans to sail from England to America. But can she make it that far? While their stories span thousands of miles and multiple generations, Lenore, Catherine, and Adri’s fates are entwined in ways both heartbreaking and hopeful. In Jodi Lynn Anderson’s signature haunting, lyrical prose, human connections spark spellbindingly to life, and a bright light shines on the small but crucial moments that determine one’s fate. “Deft, succinct, and ringing with emotion without ever dipping into sentimentality, Anderson's novel is both intriguing and deeply satisfying.”—Kirkus (starred review) “Each character’s resilience and independence shines brightly, creating a thread that ties them together even before the intersections of their lives are fully revealed. Anderson’s piercing prose ensures that these remarkable women will leave a lasting mark on readers.”—Publishers Weekly (starred review) “With quietly evocative writing, compellingly drawn characters, and captivating secrets to unearth, this thought-provoking, lyrical novel explores the importance of pinning down the past before launching into the mystery of the future.”—Booklist (starred review) “Anderson …allows her characters to shine through, with each distinct, nuanced, and memorable.”—BCCB (starred review) “Anderson deftly tackles love, friendship, and grief in this touching exploration of resilience and hope. A must-have for all YA collections.”—School Library Journal (starred review) "In Midnight at the Electric, Jodi Lynn Anderson weaves a shining tale of hope in the face of adversity. " —Shelf Awareness (starred review)
At midnight on the thirty-first of March, in the village of Saugersville, in upstate New York, young John Herbert is left in darkness when the electric power goes off. The next morning George, who drives the milk truck, turns a bewildered face to the little group in the village store and says, “the road ain’t there no more.” Search parties are sent out and return, days later, exhausted and afraid, having found no other towns, railroads, or people. This is the dramatic background for the narrative poem; it is a classic tale for the ages, a psychological fantasy and a poetic equivalent of Wilder’s Our Town rolled into one.
Late in the Day, Ursula K. Le Guin’s newest collection of poems, seeks meaning in an ever-connected world. In part evocative of Neruda’s Odes to Common Things and Mary Oliver’s poetic guides to the natural world, Le Guin gives voice to objects that may not speak a human language but communicate with us nevertheless through and about the seasonal rhythms of the earth, the minute and the vast, the ordinary and the mythological. As Le Guin herself states, “science explicates, poetry implicates.” Accordingly, this immersive, tender collection implicates us (in the best sense) in a subjectivity of everyday objects and occurrences. Deceptively simple in form, the poems stand as an invitation both to dive deep and to step outside of ourselves and our common narratives. As readers, we emerge refreshed, having peered underneath cultural constructs toward the necessarily mystical and elemental, no matter how late in the day. The poems are bookended with two short essays, “Deep in Admiration” and “Form, Free Verse, Free Form: Some Thoughts.” In 2014, the National Book Foundation awarded Le Guin the Medal for Distinguished Contribution to American Letters, a lifetime achievement award. Her celebrated acceptance speech, which criticized Amazon as a “profiteer” and praised her fellow authors of fantasy and science fiction, is included in Late in the Day as a postscript.
1654: Following the death of her young husband, Catrin Barentsdochter takes a job as a housekeeper in Amsterdam. The city is flourishing; and as she assists her mistress with painting lessons, she dreams of developing her own skill as an artist. But when the past catches up with her, Catrin must leave behind the comfortable security of her new home for the smaller city of Delft. There she is introduced to Evert van Nulandt, owner of a pottery factory. Working together, they dream of replicating the prized blue-and-white porcelain arriving from the Far East. And Catrin dreams of a life in which her secret stays safely buried...
Entered by a thousand unsuspected gateways - built by a race lost in the clouds of time - Well World transforms creatures of any sort into different forms. So, spacefarer Nathan Brazil is not surprised to find himself accompanied by a batman, an amorous female centaur and a mermaid as he sets out on his strange mission. Yet Nathan Brazil's own metamorphosis is more terrifying than any of the others - and with the gradual return of his memory comes the secret of the Well World.
