The touching, magical story of a boy in a war-torn country and the stone lion that rescues him. Renato loves his home in Florence, Italy. He loves playing with his friends in the Piazza della Signoria. He loves walking home by the beautiful buildings and fountains with his father in the evenings. And he especially loves the stone lion who seems to smile at him from a pedestal in the piazza. The lion makes him feel safe. But one day his father tells him that their family must leave. Their country is at war, and they will be safer in America. Renato can only think of his lion. Who will keep him safe? With luminous watercolor paintings, Barbara DiLorenzo captures the beauty of Florence in this heartwarming and ultimately magical picture book.
Renato loves the art and architecture in his hometown of Florence, especially the stone lion in the piazza, but when he and his family must flee the country to America, Renato worries about his city and his lion.
“I am” is presented as a challenge, a daring, face a society many times backward and conservative. The first great thinker to face this paradigm, was a Jew called Jesus Christ about two thousand years ago. By declaring being son of God and by affirming his “I am” he broke the then existing structures. Inspired by this example, this book gives a shout of freedom that every human being must experience. We are not what the others say, and we are many times the personality that we create. We must be ourselves with the naked and raw truth. Following it, we will awaken our true “I am” and this will free us from our own fears forever.
Whether used for thematic story times, program and curriculum planning, readers' advisory, or collection development, this updated edition of the well-known companion makes finding the right picture books for your library a breeze. Generations of savvy librarians and educators have relied on this detailed subject guide to children's picture books for all aspects of children's services, and this new edition does not disappoint. Covering more than 18,000 books published through 2017, it empowers users to identify current and classic titles on topics ranging from apples to zebras. Organized simply, with a subject guide that categorizes subjects by theme and topic and subject headings arranged alphabetically, this reference applies more than 1,200 intuitive (as opposed to formal catalog) subject terms to children's picture books, making it both a comprehensive and user-friendly resource that is accessible to parents and teachers as well as librarians. It can be used to identify titles to fill in gaps in library collections, to find books on particular topics for young readers, to help teachers locate titles to support lessons, or to design thematic programs and story times. Title and illustrator indexes, in addition to a bibliographic guide arranged alphabetically by author name, further extend access to titles.
A wordless picture book that captures the imagination Being a barbarian is no easy task. A barbarian must be able to survive an army of one-eyed giants or a pit of venomous snakes. He must bravely fight off manticores, dragons, and sea serpents. Luckily, a barbarian can always rely on his trusty steed to see him through any peril. Readers of all ages will savor this wordless picture book with its clever twist ending.
Quincy the chameleon just can't seem to blend in. Will he ever find a way to embrace his uniqueness? Quincy wants to love chameleon school, but he's not very good at blending in. No matter how hard he tries to stop it from happening, all of this thoughts keep popping up on his skin! In camouflage class, the leaves he's supposed to blend in with remind him of rocket ships, so his skin changes to look like outer space. And when it's Quincy's turn to read his poem out loud, he realizes he has to pee-which the whole class realizes, too, when rolls of toilet paper appear on his skin! The only thing Quincy loves about school is painting during art class with his favorite teacher, Mrs. Lin. But can painting help him find a way to blend in?
When Granddad picks Ava up from school one Thursday afternoon, she's quiet. She doesn't want to talk about the lockdown drill that has stirred up her worries. How can she be so afraid in a place that has always felt so safe? Granddad doesn’t talk much either; he just offers creativity and companionship. And with his gentle encouragement, Ava begins to sense that although the world can be scary, it is still a beautiful place. With tender insight, One Thursday Afternoon sheds light on how an unpredictable world can make a child feel, reminding us that big fears can become smaller when we take time together to look, listen, and create. An author’s note about the story’s real-life inspiration and recommendations for how adults can help children overcome fear is included. "Adults may learn a trick or two from Granddad’s model of patience, acceptance, communication, and support, while sensitive children will see they are not alone and that it’s OK to feel upset. . . . A sweet,specific, and straightforward tale of dealing with good and bad in the world." —Kirkus Reviews
Leo Castelli reigned for decades as America’s most influential art dealer. Now Annie Cohen-Solal, author of the hugely acclaimed Sartre: A Life (“an intimate portrait of the man that possesses all the detail and resonance of fiction”—Michiko Kakutani, The New York Times), recounts his incalculably influential and astonishing life in Leo and His Circle. After emigrating to New York in 1941, Castelli would not open a gallery for sixteen years, when he had reached the age of fifty. But as the first to exhibit the then-unknown Jasper Johns, Castelli emerged as a tastemaker overnight and fast came to champion a virtual Who’s Who of twentieth-century masters: Rauschenberg, Lichtenstein, Warhol, and Twombly, to name a few. The secret of Leo’s success? Personal devotion to the artists, his “heroes”: by putting young talents on stipend and seeking placement in the ideal collection rather than with the top bidder, he transformed the way business was done, multiplying the capital, both cultural and financial, of those he represented. His enterprise, which by 1980 had expanded to an impressive network of satellite galleries in Europe and three locations in New York, thus became the unrivaled commercial institution in American art, producing a generation of acolytes, among them Mary Boone, Jeffrey Deitch, Larry Gagosian, and Tony Shafrazi. Leo and His Circle brilliantly narrates the course of one man’s power and influence. But Castelli had another secret, too: his life as an Italian Jew. Annie Cohen-Solal traces a family whose fortunes rose and fell for centuries before the Castellis fled European fascism. Never hidden but also never discussed, this experience would form the core of a guarded but magnetic character possessed of unfailing old-world charm and a refusal to look backward—traits that ensured Castelli’s visionary precedence in every major new movement from Pop to Conceptual and by which he fostered the worldwide enthusiasm for American contemporary art that is his greatest legacy. Drawing on her friendship with the subject, as well as an uncanny knack for archival excavation, Annie Cohen-Solal gives us in full the elegant, shrewd, irresistible, and enigmatic figure at the very center of postwar American art, bringing an utterly new understanding of its evolution.
Fellini follows the life and career of master Italian film director, Federico Fellini. Drawing on interviews with the filmmaker himself, as well as his colleagues, Hollis Alpert investigates the man and the legend while defining the boundaries between the two. “Hollis Alpert’s new biography is filled with wonderful anecdotes about Fellini’s creative life. The book makes me want to see the films all over again.” — Paul Mazursky
