Renaissance Papers 2020

Renaissance Papers 2020

Author: Ward J. Risvold

Publisher: Boydell & Brewer

Published: 2021

Total Pages: 155

ISBN-13: 164014112X

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Collection of the best scholarly essays from the 2020 Southeastern Renaissance Conference plus essays submitted directly to the journal. Topics run from the epic to influence studies to the perennial problem of love and beyond. Renaissance Papers 2020 features essays from the conference held virtually at Mercer University, as well as essays submitted directly to the journal. The volume opens with an essay that discusses the "ultimate story," the epic, and argues, pointing to the Henriad and The Faerie Queen, that some of the most ambitious remain unfinished; an essay on "just war" and Henry V follows, suggesting why such epic inconclusion may not be such a bad thing. A trio of influence studies investigate post-Marian virginity, Miltonic environmentalism, and cross-dressing knights. Three essays then interrogate the perennial problem of love: in popular ballads, in Hero and Leander, and in The Rape of Lucrece. An essay argues counterintuitively for Amelia Lanyer and Margaret Cavendish as exemplars of the Cavalier Ideal of the Bonum Vitae; it is followed by an equally provocative reconsideration of the role of Claudio D'Arezzo's rhetorical works for Sicilian national identity. The last essay analyzes the formal signatures of three sixteenth-century queens and how they sought to represent themselves on the public stage.


Renaissance Papers 2021

Renaissance Papers 2021

Author: Jim Pearce

Publisher: Boydell & Brewer

Published: 2022-11-29

Total Pages: 171

ISBN-13: 164014143X

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Essays on a wide range of topics including the role of early modern chess in upholding Aristotelian virtue; readings of Sidney, Wroth, Spenser, and Shakespeare; and several topics involving the New World.


Renaissance Papers 2022

Renaissance Papers 2022

Author: Jim Pearce

Publisher: Boydell & Brewer

Published: 2023-11-28

Total Pages: 141

ISBN-13: 1640141642

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Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. The theme of this year's volume is "sacred places, secular spaces." It begins with a "who is it" mystery, examining two portraits by Raphael that embody the sacred and the profane, respectively. The next essay engages both the sacred and pictorial innovationsin Holbein's predella The Dead Christ; while the following one views the sacred through the critical lens of race, arguing that Northern European churchmen normalized views on race by strategically placing racialized artifacts in their churches. The scene then shifts to 16th century Venice, where the Greek community contended with local authorities over the right to establish a sacred site for interring their dead. The next two essays swing the pendulum toward the secular: an essay on ecocriticism suggests that the early modern period expelled the sacred from nature and presents a Rabelaisian antidote, while an essay on Spenser's The Faerie Queene presents it as a blueprint for colonization. The volume concludes with Contributors: Julie Fox-Horton, Lorenz A. Hindrichsen, Heather Hirschfeld, Elizabeth Lisot-Nelson, Jesse Russell, Victor Velázquez, John N. Wall, Jennifer Wu.The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of Georgia College and State University.e Queene presents it as a blueprint for colonization. The volume concludes with Contributors: Julie Fox-Horton, Lorenz A. Hindrichsen, Heather Hirschfeld, Elizabeth Lisot-Nelson, Jesse Russell, Victor Velázquez, John N. Wall, Jennifer Wu.The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of Georgia College and State University.e Queene presents it as a blueprint for colonization. The volume concludes with Contributors: Julie Fox-Horton, Lorenz A. Hindrichsen, Heather Hirschfeld, Elizabeth Lisot-Nelson, Jesse Russell, Victor Velázquez, John N. Wall, Jennifer Wu.The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of Georgia College and State University.e Queene presents it as a blueprint for colonization. The volume concludes with Contributors: Julie Fox-Horton, Lorenz A. Hindrichsen, Heather Hirschfeld, Elizabeth Lisot-Nelson, Jesse Russell, Victor Velázquez, John N. Wall, Jennifer Wu.The journal is edited by Jim Pearce of North Carolina Central University and Ward Risvold of Georgia College and State University.


Renaissance Papers 2023

Renaissance Papers 2023

Author: James M. Pearce

Publisher: Boydell & Brewer

Published: 2024-11-12

Total Pages: 147

ISBN-13: 1640141871

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Renaissance Papers collects the best scholarly essays submitted each year to the Southeastern Renaissance Conference. This volume examines the sacred and the profane in the early modern period. The 2023 volume features essays from the conference held at the University of North Carolina at Chapel Hill, as well as essays submitted directly to the journal. The opening essay juxtaposes Socratic irony and Hermeticism in its exploration of the Neoplatonic influences in Spenser's Faerie Queene. It is followed by three analyses of religious poems; the first demonstrates the ways in which William Baldwin resurrects Edward the sixth in his "Funeralles of King Edward" to promote his own evangelical agenda; the second takes a close look at Herrick's "Rex Tragicus," arguing that it is a powerful expression of "English religious identity." The final essay in this group seeks to complicate the history of the early modern female sonneteer. Returning to the secular, the next essay compares a work by Polish writer Andrzej Modrzewski to Sir Thomas More's Utopia. Art history is the focus of the following triad of essays, which illuminate the visual cultures of the Netherlands and Spain; they address the collaborative organization of the Spanish sculptor Alonso Berruguete's workshop, the related phenomenon of fiction, faith, and spectacle in Maarten van Heemskerck's religious imagery, and the political dimensions of the aesthetics of Habsburg portraiture. The volume concludes with an exuberant analysis of the role of fiction in the art of biographical writing, using the example of Katherine Rundell's Super-Infinite: The Transformations of John Donne. Contributors: Sunmin Cha, Ilenia Colón Mendoza, Scott Lucas, Gerardo Rappazzo Amura, Mary Ruth Robinson, Jesse Russell, Paul J. Stapleton, John Wall, Vaclav Zheng.


Scholarly Milton

Scholarly Milton

Author: Thomas Festa

Publisher: Liverpool University Press

Published: 2019-03-20

Total Pages: 304

ISBN-13: 1942954824

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'Scholarly Milton [...] is admirably clear and informative. It lays out the basics of Milton’s education and intellectual life and the evolution of his thinking in relation to the political concerns of his time in ways that should orient a person new to this material at the same time as it provides a focused refreshment for someone more expert. The articles themselves offer engaging and thoughtful explorations of Milton’s work by grounding their analysis in specific seventeenth-century intellectual concerns. [...] It should be clear that the essays in this volume speak to one another in fruitful ways; they foreground Milton the educator as much as Milton the scholar. Both educators and scholars will find it equally useful.' Margaret Thickstun, MLA


Renaissance Papers 2019

Renaissance Papers 2019

Author: Jim Pearce

Publisher: Boydell & Brewer

Published: 2020-11-20

Total Pages: 135

ISBN-13: 1640140832

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Sixty-sixth annual volume, taking in a range of topics relating to the literature of the period, from the power of naming to Shakespeare and Spenser, Herbert, Margaret Tyler and Margaret Cavendish, and Ben Jonson.


The Nature of the Page

The Nature of the Page

Author: Joshua Calhoun

Publisher: University of Pennsylvania Press

Published: 2020-01-24

Total Pages: 224

ISBN-13: 081225189X

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An innovative study of books and reading that focuses on papermaking in the Renaissance In The Nature of the Page, Joshua Calhoun tells the story of handmade paper in Renaissance England and beyond. For most of the history of printing, paper was made primarily from recycled rags, so this is a story about using old clothes to tell new stories, about plants used to make clothes, and about plants that frustrated papermakers' best attempts to replace scarce natural resources with abundant ones. Because plants, like humans, are susceptible to the ravages of time, it is also a story of corruption and the hope that we can preserve the things we love from decay. Combining environmental and bibliographical research with deft literary analysis, Calhoun reveals how much we have left to discover in familiar texts. He describes the transformation of plant material into a sheet of paper, details how ecological availability or scarcity influenced literary output in the sixteenth and seventeenth centuries, and examines the impact of the various colors and qualities of paper on early modern reading practices. Through a discussion of sizing—the mixture used to coat the surface of paper so that ink would not blot into its fibers—he reveals a surprising textual interaction between animals and readers. He shows how we might read an indistinct stain on the page of an early modern book to better understand the mixed media surfaces on which readers, writers, and printers recorded and revised history. Lastly, Calhoun considers how early modern writers imagined paper decay and how modern scholars grapple with biodeterioration today. Exploring the poetic interplay between human ideas and the plant, animal, and mineral forms through which they are mediated, The Nature of the Page prompts readers to reconsider the role of the natural world in everything from old books to new smartphones.