This Handbook considers Christian thought in the long nineteenth century (from the French Revolution to the First World War), encompassing not only doctrine and theology, but also Christianity's mutual influence on literature and the arts, political and economic thought, and the natural and social sciences.
A corrective to the much-discussed Victorian `crisis of faith', this study focuses upon several prominent individuals who experienced a `crisis of doubt' and made the reverse journey, abandoning secularism to defend Christianity. Their stories demonstrate the intellectual strength of faith in the nineteenth century.
The subject of religious liberty in the nineteenth century has been defined by a liberal narrative that has prevailed since Mill and Macaulay to Trevelyan and Commager, to name only a few philosophers and historians who wrote in English. Underlying this narrative is a noble dream--liberty for every person, guaranteed by democratic states that promote social progress though not interfering with those broadly defined areas of life, including religion, that are properly the preserve of free individuals. At the end of the twentieth century, however, it becomes clear that religious liberty requires a more comprehensive, subtle, and complex definition than the liberal tradition affords, one that confronts such questions as gender, ethnicity, and the distinction between individual and corporate liberty. None of the authors in this volume finds the familiar liberal narrative an adequate interpretive context for understanding his particular subject. Some address the liberal tradition directly and propose modified versions; others approach it implicitly. All revise it, and all revise in ways that echo across the chapters. The topics covered are religious liberty in early America (Nathan O. Hatch), science and religious freedom (Frank M. Turner), the conflicting ideas of religious freedom in early Victorian England (J. P. Ellens), the arguments over theological innovation in the England of the 1860s (R. K. Webb), European Jews and the limits of religious freedom (David C. Itzkowitz), restrictions and controls on the practice of religion in Bismarcks Germany (Ronald J. Ross), the Catholic Church in nineteenth-century Europe (Raymond Grew), religious liberty in France, 1787-1908 (C. T. McIntyre), clericalism and anticlericalism in Chile, 1820-1920 (Simon Collier), and religion and imperialism in nineteenth-century Britain (Jeffrey Cox).
Religious Thought in England in the Nineteenth Century is a seminal work of religious history that explores the complex and dynamic relationship between faith and reason during one of the most transformative periods in British history. With detailed discussions of the major theological and philosophical debates of the era, as well as the social and political forces that shaped religious thought, this book is an indispensable resource for anyone interested in the history of Christianity in Britain. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This volume traces the modern critical and performance history of this play, one of Shakespeare's most-loved and most-performed comedies. The essay focus on such modern concerns as feminism, deconstruction, textual theory, and queer theory.
The interrelationship of music and theology is a burgeoning area of scholarship in which conceptual issues have been explored by musicologists and theologians including Jeremy Begbie, Quentin Faulkner and Jon Michael Spencer. Their important work has opened up opportunities for focussed, critical studies of the ways in which music and theology can be seen to interact in specific repertoires, genres, and institutions as well as the work of particular composers, religious leaders and scholars. This collection of essays explores such areas in relation to the religious, musical and social history of nineteenth-century Britain. The book does not simply present a history of sacred music of the period, but examines the role of music in the diverse religious life of a century that encompassed the Oxford Movement, Catholic Emancipation, religious revivals involving many different denominations, the production of several landmark hymnals and greater legal recognition for religions other than Christianity. The book therefore provides a valuable guide to the music of this complex historical period.
The Victorian Pulpit is the first book to employ the methods of orality-literacy scholarship in the study of the nineteenth-century British sermon. The first chapters present three ways in which Victorian preaching was a conflation of oral and written practice. The second part is an analysis of the rhetoric of three prominent ministers. The book concludes by suggesting other ways of bringing orality-literacy studies and Victorian scholarship together.
An account of the intellectual and theological ferment of nineteenth-century Britain - the dynamic period when so many of the ideas and attitudes we take for granted today were first established (including the impact of biblical criticism upon traditional theology, and the belief in a social as well as a spirtual mission for the Church). Key figures include Coleridge, Newman Carlyle, Matthew Arnold and F. D. Maurice. Unavailable for some time, the reappearance of this updated Second Edition will be welcomed by theologians and intellectual and literary historians alike.
