Italy’s traditional subcultures - Communist, Socialist, Liberal, Republican, Right-wing - have largely dissolved and yet Catholics have retained their vitality and solidity. How can the vast majority of Italians continue to maintain some connection with Catholicism? How much is the Italian situation influenced by the closeness of the Vatican? Examining the religious condition of contemporary Italy, Religion Italian Style argues that the relationship between religion and society in Italy has unique characteristics when compared with what is happening in other European Catholic Countries. Exploring key topics and religious trends which question how the population feel - from the laity and the role of religions in the public sphere, to moral debates, forms of religious pluralism, and new spiritualities - this book questions how these affect religious life, and how intricately religion is interwoven with the nation’s fabric and the dynamics of the whole society.
Religion as Resistance examines debates over the best methods for colonial rule in Italian Libya as a a self-reflexive process that tell us more about the contentious connection between religious and political authority in Italy than about Muslim North Africa.
Over the course of 130 years, Italian American Catholics in New York City have developed a varied repertoire of devotional art and architecture to create community-based sacred spaces in their homes and neighborhoods. These spaces exist outside of but in relationship to the consecrated halls of local parishes and are sites of worship in conventionally secular locations. Such ethnic building traditions and urban ethnic landscapes have long been neglected by all but a few scholars. Joseph Sciorra’s Built with Faith offers a place-centric, ethnographic study of the religious material culture of New York City’s Italian American Catholics. Sciorra spent thirty-five years researching these community art forms and interviewing Italian immigrant and U.S.-born Catholics. By documenting the folklife of this group, Sciorra reveals how Italian Americans in the city use expressive culture and religious practices to transform everyday urban space into unique, communal sites of ethnically infused religiosity. The folk aesthetics practiced by individuals within their communities are integral to understanding how art is conceptualized, implemented, and esteemed outside of museum and gallery walls. Yard shrines, sidewalk altars, Nativity presepi, Christmas house displays, a stone-studded grotto, and neighborhood processions—often dismissed as kitsch or prized as folk art—all provide examples of the vibrant and varied ways contemporary Italian Americans use material culture, architecture, and public ceremonial display to shape the city’s religious and cultural landscapes. Written in an accessible style that will appeal to general readers and scholars alike, Sciorra’s unique study contributes to our understanding of how value and meaning are reproduced at the confluences of everyday life. Joseph Sciorra is the director of Academic and Cultural Programs at the John D. Calandra Italian American Institute, Queens College. He is the editor of Italian Folk: Vernacular Culture in Italian-American Lives and co-editor of Embroidered Stories: Interpreting Women's Domestic Needlework from the Italian Diaspora.
This book examines the popular bases of Communist influence in Italy, focusing on the struggle between the Catholic Church and the Communist Party for the allegiance of the Italian people. The author details the ways in which the citizens resolve the central paradox of Italy, which lies in its beings the home both of the Vatican and of the largest Communist party of any non-Communist nation. He discusses the local structure of the Party, including its many allied organisations and the nature of participation in Party affairs, and stresses its role in local social life. In this study, Professor Kertzer draws upon the experiences and observations of a year spent in a working-class quarter of Bologna, the capital of Italian Communism. While the national Communist Party calls for conciliation with the Church, there is an ancient tradition of anti-clericalism in this area. Moreover, the official Church position excludes the possibility of people being both Catholic and Communist. The implications of this situation for local-level tactics of Church and Party, and how people divide their allegiances between the competing claims, form the primary theme of the book.
When religion is considered, the subjects are usually saints, heretics, theologians, and religious leaders, thereby ignoring the vast majority of those who lived in the communes. Drawing on many ecclesiastical and secular sources, this book aims to give a voice to the majority - orthodox lay people and those who ministered to them.
This study of Italian women and Catholicism from the fourth through the twentieth century reflects this conflict and the tension between the masculine character of divinity in the Catholic church and the potential for equality in the gospels and early writings ("neither male nor female, but one in Jesus")."--BOOK JACKET.
