Reel Politics
Reel Politics

Author: Lemi Baruh

Publisher: Cambridge Scholars Publishing

Published: 2020-05-22

Total Pages: 420

ISBN-13: 1527553213

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In the mid-1980s, Neil Postman claimed that television made entertainment the natural format for the representation of all experience. While Postman’s argument still is pertinent to a description of contemporary television shows, it also seems increasingly more accurate to argue that “reality-based” entertainment is quickly becoming the referential format for televisual representations of our experience in the 21st century. Chapters in this edited volume explore reality television’s place within contemporary media landscape in terms of its potential for political engagement. The authors engage with a variety of issues such as politics of authenticity and performance, audience reception of political issues, ethics and media regulation, politics of self-presentation, modernity, and collective identity. The diversity of perspectives and issues presented in this book cautions readers both against quickly dismissing reality television’s potential as a platform for political discourse and against subscribing to the celebratory rhetoric regarding the democratic potential of reality television. Reel Politics: Reality Television as a Platform for Political Discourse furthers our understanding of the semiotic openness of the reality text and the variations in social, cultural and political contexts across which the reality television genre formulas migrate.

Reel Politics
Reel Politics

Author: Terry Christensen

Publisher: Wiley-Blackwell

Published: 1987-01

Total Pages: 244

ISBN-13: 9780631158448

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Surveys over two hundred American films dealing with politics, discusses what they reveal about American values, and examines political themes in film

Reelpolitik Ideologies in American Political Film
Reelpolitik Ideologies in American Political Film

Author: Beverly Merrill Kelley

Publisher: Rowman & Littlefield

Published: 2012-03-22

Total Pages: 271

ISBN-13: 0739172085

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In Reelpolitik Ideologies in American Political Film, Beverly Merrill Kelley examines more than a century of political movie history, providing a thorough historical background for diametrically opposed political ideologies in order to facilitate debate and dialectical learning. Kelley explores 185 American political movies (categorized by ideological themes and presented in chronological order) in order to illustrate the history of film as well as the history of the specific political ideology. Each chapter includes a case study which provides an in-depth analysis of the single film that best illustrates the ideology at hand, including: The Candidate (populism), Wall Street (elitism), The Godfather (fascism), All the President's Men (anti-fascism), Patton (interventionism), and M*A*S*H (isolationism). Reelpolitik Ideologies in American Political Film establishes a paradigmatic analysis of political films that details the cyclical nature of ideological dialectic throughout American history and identifies the values, attitudes, and beliefs of the voters who choose not to affiliate with Republicans and Democrats, and who often determine the outcomes of elections. The text also includes an extensive ideological filmology spanning more than 100 years of American cinema. This study represents a bold investigation of the political and social values of American film, and is an essential text in the study of the relationship between culture and politics.

Reel Families
Reel Families

Author: Patricia R. Zimmermann

Publisher: Indiana University Press

Published: 1995-07-22

Total Pages: 216

ISBN-13: 9780253209443

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Examines amateur film, filmmaking, and equipment from the late 1890s to the present, focusing on the emerging and changing discourse of aesthetics, creativity and innovation, and standards of production.

Winner-Take-All Politics
Winner-Take-All Politics

Author: Jacob S. Hacker

Publisher: Simon and Schuster

Published: 2010

Total Pages: 368

ISBN-13: 1416588701

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In this groundbreaking book on one of the world's greatest economic crises, Hacker and Pierson explain why the richest of the rich are getting richer while the rest of the world isn't.

The Limits of Politics
The Limits of Politics

Author: Kyle Scott

Publisher: Lexington Books

Published: 2016-09-21

Total Pages: 163

ISBN-13: 1498503381

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As political units grow it becomes increasingly difficult to maintain a shared sense of humanity and to recognize people as individuals rather than anonymous beings. To overcome our most pressing political issues we need to develop a moral imagination so that we may renew our sense of connectedness and responsibility to one another. Bringing together politics and art is one way this can be accomplished. This book draws upon political sources as well as works in literature, film and theater to show the limits of politics and the need for a moral imagination.

Projecting Politics
Projecting Politics

Author: Terry Christensen

Publisher: Routledge

Published: 2015-03-26

Total Pages: 380

ISBN-13: 1317462025

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This work examines the relationship between American politics and films, from 'Birth of a Nation' to 'Fahrenheit 9/11'. It provides a decade-by-decade survey as well as a framework to analyse the political content of films.

Reel Power
Reel Power

Author: Matthew Alford

Publisher: Pluto Press

Published: 2010-09-15

Total Pages: 0

ISBN-13: 9780745329833

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Hollywood is often characterized as a stronghold of left-liberal ideals. In Reel Power, Matthew Alford shows it is in fact deeply complicit in serving the interests of the most regressive U.S. corporate and political forces. Films like Transformers, Terminator: Salvation and Black Hawk Down are constructed with Defense Department assistance as explicit cheerleaders for the U.S. military, but Matthew Alford also emphasizes how so-called radical films like Three Kings, Hotel Rwanda and Avatar present watered-down alternative visions of American politics that serve a similar function. Reel Power is the first book to examine the internal workings of contemporary Hollywood as a politicized industry as well as scores of films across all genres. No matter what the progressive impulses of some celebrities and artists, Alford shows how they are part of a system that is hard-wired to encourage American global supremacy and frequently the use of state violence.