This book provides an account of the organisation, practices and history of the Daśanāmī-Saṃnyāsīs, one of the largest sects of sādhu-s (‘holy men’) in South Asia, founded, according to tradtion, by the legendary philosopher Śaṅkarācārya.
Here are the chief riches of more than 3,000 years of Indian philosophical thought-the ancient Vedas, the Upanisads, the epics, the treatises of the heterodox and orthodox systems, the commentaries of the scholastic period, and the contemporary writings. Introductions and interpretive commentaries are provided.
The history of the Hindu tradition is captured by Kalus K. Klostermaier in this new survey of a rich and ancient religion. This study moves swiftly but thoroughly through the ages, from early emergence of the Vedic tradition to the developments in contemporary Hinduism. Factual information is balanced with discussion of such problematic areas as the true origins of Hinduism and the controversy of the Aryan invasion. Other features include: full coverage of all the major branches within the religion, and their origins; the role of philosophical reflection in the development of Hinduism; the future of Hinduism; a quick-reference chronology, bibliography and extensive glossary. This guide to the development of a major religion should be of interest to those interested in the subject, from gradates to the curious general reader, and can be used as a companion volume to "Hinduism - a short introduction".
This book argues that the provenance of early modern and medieval objects from Islamic lands was largely forgotten until the "long" eighteenth century, when the first efforts were made to reconnect them with the historical contexts in which they were produced. For the first time, these Islamicate objects were read, studied and classified – and given a new place in history. Freed by scientific interest, they were used in new ways and found new homes, including in museums. More generally, the process of "rediscovery" opened up the prehistory of the discipline of Islamic art history and had a significant impact on conceptions of cultural boundaries, differences and identity. The book will be of interest to scholars working in the history of art, the art of the Islamic world, early modern history and art historiography.