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Author: Diana Maury Robin
Publisher: SUNY Press
Published: 1999-01-01
Total Pages: 404
ISBN-13: 9780791439937
DOWNLOAD EBOOKExamines the work and aspirations of women filmmakers in Latin America, Africa, and Asia, as well as in marginalized communities within the United States, with particular attention to issues of gender, race, nation, and aesthetics.
Author: Larry Squire
Publisher: Academic Press
Published: 2013
Total Pages: 1154
ISBN-13: 0123858704
DOWNLOAD EBOOKThis comprehensive textbook seeks to define the full scope of neuroscience. Developed in accordance with results of extensive reviews, the text is divided into seven integrated sections.
Author: Ilaria Moschini
Publisher: Routledge
Published: 2021-11-15
Total Pages: 184
ISBN-13: 1000471209
DOWNLOAD EBOOKThis collection explores the mediation of a wide range of processes, texts, and practices in contemporary digital environments through the lens of a multimodal theory of communication. Bringing together contributions from renowned scholars in the field, the book builds on the notion that any form of digital communication inherently presents a rich combination of different semiotic modes and resources as a jumping-off point from which to critically reflect on digital mediation from three different perspectives. The first section looks at social and semiotic practices and the implications of their mediation on artistic production, cultural heritage, and commerce. The second part of the volume focuses on dynamics of awareness, cognition, and identity formation in participants to digitally-mediated communicative processes. The book’s final section considers the impact of mediation on shaping new and different types of textualities and genres in digital spaces. The book will be of particular interest to scholars, researchers and students in multimodality, digital communication, social semiotics, and media studies.
Author: Brian Parkinson
Publisher: Cambridge University Press
Published: 2019-11-07
Total Pages: 433
ISBN-13: 1108484506
DOWNLOAD EBOOKPositions emotion in the social world by arguing that its central function is to align relations between people.
Author: Elif Shafak
Publisher: Penguin UK
Published: 2012-10-25
Total Pages: 262
ISBN-13: 0141961384
DOWNLOAD EBOOKA beautiful and compelling novel, Elif Shafak's The Gaze considers the damage which can be inflicted by our simple desire to look at others "I didn't say anything. I didn't return his smiles. I looked at him in the wide mirror in front of where I was sitting. He grew uncomfortable and avoided my eyes. I hate those who think fat people are stupid.' An obese woman and her lover, a dwarf, are sick of being stared at wherever they go, and so decide to reverse roles. The man goes out wearing make up and the woman draws a moustache on her face. But while the woman wants to hide away from the world, the man meets the stares from passers-by head on, compiling his 'Dictionary of Gazes' to explore the boundaries between appearance and reality. Intertwined with the story of a bizarre freak-show organised in Istanbul in the 1880s, The Gaze considers the damage which can be inflicted by our simple desire to look at others. "Beautifully evoked" - The Times "Original and Compelling" - TLS "Plays with ideas of beauty and ugliness like they're Rubik's cubes" - Helen Oyeyemi "Entertaining and affecting" - Publishers' Weekly Elif Shafak is the acclaimed author of The Bastard of Istanbul and The Forty Rules of Love and is the most widely read female novelist in Turkey. Her work has been translated into more than thirty languages. She is a contributor for The Telegraph, Guardian and the New York Times and her TED talk on the politics of fiction has received 500 000 viewers since July 2010. She is married with two children and divides her time between Istanbul and London.
Author: Ágnes Pethő
Publisher: Cambridge Scholars Publishing
Published: 2015-01-12
Total Pages: 395
ISBN-13: 1443873950
DOWNLOAD EBOOKFollowing a previous international conference at the Sapientia Hungarian University of Transylvania in Cluj-Napoca, Romania, and the subsequent publication of a volume of studies with the title Film in the Post-Media Age (Cambridge Scholars Publishing, 2012), which insisted, citing the words of Jacques Rancière, that the ecosystem of contemporary moving images should be understood not as a unified digital environment, but as a highly diversified, “multisensory milieu,” another conference was organised, focusing this time directly on the “multisensory” nature of moving images. Pairing the keywords “cinema” and “sensation”, an invitation was extended for presentations offering a closer examination of the sensual aspects of moving images in order to identify and map out at least some of the possible new directions perceived as taking shape as “sensuous” film studies. The questions contributors addressed included: What kind of paradigms, authors, and styles can be identified in the practice of a cinema exploring the palpable presence of bodies in film history? How can sensory, audiovisual perception and cognitive knowledge be connected when watching moving images? What does the experience of so-called haptic images entail in film and video art? How does an emphasis on sensations and the body relate to representations of social issues and cultural difference? How are representations of other arts in films, or the filmic image appearing as a painterly tableau perceived? How can new images incorporate a sensation of “old” images? What is the difference between haptic images and “hyper” cinema in the form of 3D movies? How can the new naturalistic trends in contemporary cinema be interpreted? What kind of sensual forms are devised for what is unrepresentable or impalpable? The conference took place between the 25th and 27th of May 2012, with the title The Cinema of Sensations, and attracted researchers from all over the world for what turned out to be three days of presentations on extremely varied subjects and lively discussions conducted in a memorably cheerful atmosphere. The present volume is the palpable outcome of these debates, and publishes a selection of articles that have been written for, or after, this conference.
Author: Laurence Harris
Publisher: Springer Science & Business Media
Published: 2003-01-27
Total Pages: 444
ISBN-13: 0387955259
DOWNLOAD EBOOKPerceptual processes can be approached experimentally and conceptually at many levels: A phenomenon that appears at one level may not be the same as a superficially similar phenomenon that appears at a different level. Levels of Perception reviews the importance of considering perception as a multilevel process. This book includes sections on brightness and light, eye movements and perception, and perception of orientation and self-motion. The accompanying CD-ROM contains exciting color imageries and video clips associated with various chapters. All neuroscientists, physiologists, and graduate students working in vision, as well as those involved in using visual processes in computer animations, display design, or the sensory systems of machines, will find Levels of Perception invaluable.
Author: Anthony J. Liddicoat
Publisher: Bloomsbury Publishing
Published: 2011-03-24
Total Pages: 427
ISBN-13: 144118922X
DOWNLOAD EBOOKThis introduction is designed to give an overview of conversation analysis. It begins by locating conversation analysis as a methodology amongst other methodologies, and describing conversation analysis as body of knowledge which reveals the ways in which language works in communication. The chapters introduce every aspect of conversation analysis in a logical, step-by-step examination, including coverage of transcription, turn-taking, sequence organisation, repair, and storytelling. The new edition is revised and expanded with an accompanying Companion Website. Comprehensive and accessible, An Introduction to Conversation Analysis is essential reading for undergraduate and graduate students in sociolinguistics, discourse analysis, sociology and applied linguistics courses.
Author: Nico J. Delleman
Publisher: CRC Press
Published: 2004-06-29
Total Pages: 510
ISBN-13: 9780415279086
DOWNLOAD EBOOKIn most industries, musculoskeletal injuries are the most common work-related reason for employee absences. These injuries are often caused by static postures or repetitive movements that have to be maintained for many hours a day, such as intensive use of data entry devices, assembly work, parts inspection, equipment maintenance, manual materials handling, machinery operations, and vehicle operation, among others. In order to prevent such injuries, occupational health professionals, ergonomists, production engineers, and product designers need to know how to evaluate postures and movements, and understand how these are determined by the work environment, as well as what design tools are available to achieve less stressful working postures and movements.Working Postures and Movements describes many internationally accepted evaluation tools applicable to postures and movements in the work environment. Renowned researchers from around the world have brought together the latest scientific knowledge describing the anthropometry, biomechanics, physiology, psychophysics, and human perceptual-motor control basis for posture and movement assessment related to all the major body segments. The book addresses seating concepts, hand tool and pedal designs, foot-floor interfaces, digital human models for computer-aided design and engineering, and work organization (task duration, breaks, handling frequency) as they affect human performance and musculoskeletal injury reduction. Professionals responsible for identifying and improving conditions in the industries where such workplace injuries occur will find this volume to be a handy sourcebook, while teachers and students will find it to be a valuable reference.
Author: Krishanu Maiti
Publisher: Springer Nature
Published: 2021-09-11
Total Pages: 192
ISBN-13: 3030761592
DOWNLOAD EBOOKThis book offers Posthumanist readings of animal-centric literary and cultural texts. The contributors put the precepts and premises of humanism into question by seriously considering the animal presence in texts. The essays collected here focus primarily on literary and cultural texts from varied theoretically informed interdisciplinary perspectives advanced by critical approaches such as Critical Animal Studies and Posthumanism. Contributors select texts that cut across geographical and period boundaries and demonstrate how practices of close reading give rise to new ways of thinking about animals. By implicating the “animal turn” in the field of literary and cultural studies, this book urges us to problematize the separation of the human from other animals and rethink the hierarchical order of beings through close readings of select texts. It offers fresh perspectives on Posthumanist theory, inviting readers to revisit those criteria that created species’ difference from the early ages of human civilization. This book constitutes a rich and thorough scholarly resource on the politics of representation of animals in literature and culture. The essays in this book are empirically and theoretically informed and explore a range of dynamic, captivating, and highly relevant topics. Comprising over 15 chapters by a team of international contributors, this book is divided into four parts: Contestation over Species Hierarchy and CategorizationAnimal (Re)constructionsInterspecies RelationalitiesIntersectionality- Animal and Gender This book will be essential reading for students and researchers of Critical Animal Studies and Environmental Studies.
