A recasting of Sorrentino's Aberration of Starlight, this is the story of how a child becomes a monster: of how Red the boy becomes Red the Fiend. With an absent father who turns up only to drunkenly berate his son, and a grandmother whose aggression crescendos to a daily beating, Red can only escape by turning his hatred outward, by being as cruel and bitter as his young life has been. Employing direct, elegant sentences, while retaining his characteristic formal inventiveness, Sorrentino evokes this unyieldingly grim Brooklyn boyhood, describing close, familial conflicts that deepen and widen to reflect the hardships of Depression-era life.
The Tapestry series continues to weave threads of fantasy, mythology, science fiction, and mystery into a wholly original adventure that appeals to fans of everything from Harry Potter to Lord of the Rings to The X-Men. Genre-blending and fully illustrated, The Tapestry novels have caught the attention of middle-grade and young adult readers alike—and the series is only getting bigger. Book One, The Hound of Rowan, was a boarding-school fantasy that School Library Journal called “a solid and worthwhile beginning . . . [that] should help ease the suffering once Harry Potter withdrawal sets in.” Book Two, The Second Siege, was an epic quest about which Kirkus Reviews said, “After devouring this title, young fans will clamor for more.” Book Three, The Fiend and the Forge, is an unforgettable dystopian adventure across a landscape overrun with goblins and trolls. The world has changed almost beyond recognition, for with the Book of Origins firmly in his possession, the villainous Astaroth now has the power to reshape history at will. Plucking pivotal discoveries from mankind’s past, he has reduced the world to a preindustrial nightmare. But while most humans toil as slaves within four demonic kingdoms, Astaroth allows those at Rowan to thrive in peaceful isolation. Theirs is a land where magic and nature flourish . . . so long as none dare oppose the new order. That proves too steep a price for Max McDaniels. Unsure of his place at Rowan, Max sets out to explore the shifting landscape of the world beyond. In the course of his travels, he will become many things: Prisoner. Gladiator. Assassin. But can he become the hero that mankind so desperately needs? In the third book of The Tapestry, author–illustrator Henry H. Neff takes the series in an exciting new direction, creating a fascinating dystopia in which myth, history, and monsters collide. Visit www.rowanacademy.com for original content, exclusive artwork, and more!
An inventive and action-packed mix of fantasy, science fiction, and mythology, all in a realistic contemporary setting. Rowan has won a battle, but not the war. With proper allies, Rowan’s armies could storm the demon stronghold, capture its ruler, and end the reign of demonkind. But while nations clash, a greater struggle lies elsewhere. In his desperate pursuit of Astaroth, Elias Bram scours the world for clues to the fiend’s true origins, identity, and purpose. His horrifying discoveries hint that not only is humanity at risk, but the earth itself. Its fate may depend upon three children. With their unmatchable skills, it’s up to Max McDaniels, David Menlo, and little Mina to tip the balance! In the Tapestry’s final volume, Henry H. Neff concludes an unforgettable series in which magic can live, gods can die, and the highest stakes require the greatest sacrifice.
»The Fiend« is a short story by F. Scott Fitzgerald, originally published in 1935. F. SCOTT FITZGERALD [1896-1940] was an American author, born in St. Paul, Minnesota. His legendary marriage to Zelda Montgomery, along with their acquaintances with notable figures such as Gertrude Stein and Ernest Hemingway, and their lifestyle in 1920s Paris, has become iconic. A master of the short story genre, it is logical that his most famous novel is also his shortest: The Great Gatsby [1925].
What’s the difference between a friend and a fiend? Jake is so embarrassed by a reading circle blunder, he vows never to speak in class again. Abigail believes she can no longer trust one of her best friends. Their teenage cousins have turned into fiends. And on the perfect snow day, who jumps on Jake and washes his face in snow? And who rescues him?
Five little fiends, who each live in a statue and come out every day to enjoy the world around them, one day steal pieces of the world to admire, but give them back when they realize its beauty comes from being connected.
In My Best Fiend Angela is Charlie's best friend, or best fiend as Charlie accidentally wrote in her essay. But fiend is probably a better word, as it's Angela who puts a spider in Miss Menzies' sandwich, and plasters glue all over Laurence Parker's chair... Angela has a knack of getting Charlie into heaps of trouble but friend or fiend, life is never dull for Charlie when Angela is around!
Within the walls of her palace, Princess Katya’s best friend lies at her feet, close to death. Her pyradisté is overwhelmed by some mysterious power, and her former lady-in-waiting has stabbed her in the back. Wounded and nearly alone, Katya must find a way to sabotage the magic of her Fiendish uncle Roland, or those who fight for the capitol will be overwhelmed by hypnotized guards and Fiend-filled corpses. Starbride’s pain is nearly overwhelming. The agony inside her only lessens when she satisfies a strange new desire to hurt those around her. She may hold the key to banishing Fiendish power from Farraday, but only by using it herself. Together, Katya and Starbride must make a final desperate push to take back the kingdom, but even if they survive, can the strength of their love keep them from madness? After all, fighting evil with evil has its consequences.
There’s more than one kind of monster. When Chase first sees the little girl in umbrella socks disemboweling the Rottweiler, he's not too concerned. As a longtime meth addict, he’s no stranger to such horrifying, drug-fueled hallucinations. But as he and his fellow junkies soon discover, the little girl is no illusion. The end of the world really has arrived. And with Chase’s life already shattered by addiction, the apocalypse might actually be an opportunity—a last chance to hit restart, win back the love of his life, and become the person he once dreamed of being. That is, if the darkness inside him doesn't destroy everything—again.
These essays-written specifically for this book-provide a rich evaluation of this late 14th and early 15th-century mystical writer's book of revelations and considers the construction of her narrative, its theological complexity, and its literary and intellectual context. This casebook features discussions by both established scholars and newer voices ranging from genre to eschatology and gynecology to diabology, reflecting both current and comparative theory. Providing translations of all Middle English quotations, the volume includes a selective bibliography that provides a guide for further reading.
