Rookie Preschool books are bursting with alliteration, repetition, and singalong fun that encourages emergent readers to participate in the storytelling. Each book includes suggested activities linked to the story and its theme.
Splish! Splash! Sploosh! A little girl is about to discover the wonders of mixing colors. With the sound of paint splatter, a bright blue elephant named EleBooyah enters the scene. She wants to help paint, too, and pretty soon the girl and her elephant are playing with all the colors of the rainbow. What do blue and yellow make? A funky green frog! And red and blue? An enormous purple octopus king! What other creatures are waiting for the splatter of paint on a brush to join the raucous painting party? Charles George Esperanza’s author/illustrator debut is a riot of color and magic. Esperanza's rhythmic stanzas and vibrant illustrations tickle the imagination, and this is sure to become a staple color book for kids across the country.
Red loves being red! Apples, wagons, fire trucks — he thinks all the best things are red! Yellow admires Red’s roses, but Red just wants to be left to mind his own business — why can’t Yellow mind hers? Red has to learn that the best things come when all the colors work together.
When the students who ride Cheech's schoolbus enter the Battle of the Bands, they are willing to try almost anything to prove that mariachi can beat rock-and-roll.
Beloved picture book creator and four-time Caldecott Honor-winner Leo Lionni's very first story for children, and a New York Times Best Illustrated Book of the Year. Little Blue and Little Yellow are best friends, but one day they can’t find each other. When they finally do, they give each other such a big hug that they turn green! How they find their true colors again concludes a wonderfully satisfying story told with colorful pieces of torn paper and very few words. Leo Lionni launched his children’s book career in 1959 with Little Blue and Little Yellow, and this 50th-anniversary edition, complete with Lionni’s own explanation of how the book came to be, is sure to resonate with children today.
For more than 200 years the world has accepted that red, yellow and blue - the artists primaries - give new colours when mised. And for more than 200 years artists have been struggling to mix colours on this basis. In this exciting new book, Michael Wilcox offers a total reassessment of the principles underlying colour mixing. It is the first major break-away from the traditional and limited concepts that have caused painters and others who work with colour so many problems. Back Cover.
For use in schools and libraries only. Brigid goes overboard and paints on herself with her super-indelible-never-comes-off-till-you're-dead markers. Nothing will remove the color, so she uses a purple marker and cover all the other colors.