Legacies of Twentieth-Century Dance
Author: Lynn Garafola
Publisher: Wesleyan University Press
Published: 2005-01-28
Total Pages: 498
ISBN-13: 9780819566744
DOWNLOAD EBOOKSelected writings illuminate a century of international dance.
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Oedipus at Thebes
Author: Bernard Knox
Publisher: Yale University Press
Published: 1998-01-01
Total Pages: 304
ISBN-13: 9780300074239
DOWNLOAD EBOOKExamines the way in which Sophocles' play "Oedipus Tyrannus" and its hero, Oedipus, King of Thebes, were probably received in their own time and place, and relates this to twentieth-century receptions and interpretations, including those of Sigmund Freud.
The Book of Emma
Author: Marie-Celie Agnant
Publisher: Insomniac Press
Published: 2009-11-08
Total Pages: 206
ISBN-13: 1897414064
DOWNLOAD EBOOKOne of the biggest stumbling blocks we hit when setting out to make our dreams come true is appreciating what is going well. Most of us have an unfortunate tendency to dwell on the problems rather than on the good things in our lives ... and then we wonder why things just seem to keep getting worse instead of better. In The Power of Appreciation in Everyday Life, psychologist Noelle Nelson explains how you can achieve success in every area of your life through transforming your beliefs with appreciation.
The Paris Opéra Ballet
Author: Ivor Guest
Publisher: Dance Books Limited
Published: 2006
Total Pages: 198
ISBN-13:
DOWNLOAD EBOOKThe cradle of ballet, tracing the origin of ballet as a theatre art back to its foundation by Louis XIV in 1669.
Satie the Bohemian
Author: Steven Moore Whiting
Publisher: Clarendon Press
Published: 1999-02-18
Total Pages: 610
ISBN-13: 0191584525
DOWNLOAD EBOOKErik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.
The Pope's Body
Author: Agostino Paravicini-Bagliani
Publisher: University of Chicago Press
Published: 2000-07
Total Pages: 448
ISBN-13: 9780226034379
DOWNLOAD EBOOKIn contrast to the role traditionally fulfilled by secular rulers, the pope has been perceived as an individual person existing in a body subject to decay and death, yet at the same time a corporeal representation of Christ and the Church, eternity and salvation. Using an array of evidence from the eleventh through the fifteenth centuries, Agostino Paravicini- Bagliani addresses this paradox. He studies the rituals, metaphors, and images of the pope's body as they developed over time and shows how they resulted in the expectation that the pope's body be simultaneously physical and metaphorical. Also included is a particular emphasis on the thirteenth century when, during the pontificate of Boniface VIII (1294-1303), the papal court became the focus of medicine and the natural sciences as physicians devised ways to protect the pope's health and prolong his life. Masterfully translated from the Italian, this engaging history of the pope's body provides a new perspective for readers to understand the papacy, both historically and in our own time.
French Opera at the Fin de Siècle
Author: Steven Huebner
Publisher: Oxford University Press
Published: 2006-02-02
Total Pages: 552
ISBN-13: 9780199719921
DOWNLOAD EBOOKThis is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.
The Prima Donna and Opera, 1815-1930
Author: Susan Rutherford
Publisher: Cambridge University Press
Published: 2006-08-10
Total Pages: 26
ISBN-13: 052185167X
DOWNLOAD EBOOKAn examination of the female opera singer during the nineteenth and twentieth centuries.
Opera Acts
Author: Karen Henson
Publisher: Cambridge University Press
Published: 2015-01-15
Total Pages: 281
ISBN-13: 1107004268
DOWNLOAD EBOOKOpera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.
Musical Encounters at the 1889 Paris World's Fair
Author: Annegret Fauser
Publisher: Boydell & Brewer
Published: 2005
Total Pages: 417
ISBN-13: 1580461859
DOWNLOAD EBOOKThe 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.
