A Biographical Dictionary of English Court Musicians, 1485-1714, Volumes I and II
A Biographical Dictionary of English Court Musicians, 1485-1714, Volumes I and II

Author: David Lasocki

Publisher: Routledge

Published: 2018-05-08

Total Pages: 1305

ISBN-13: 1351578227

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Compiled by scholars with unrivalled knowledge of the sources, this dictionary provides biographies of all musicians and instrument makers employed by the English court from 1485-1714. A number of the musicians featured here have never previously received a dictionary entry. Coverage of these minor figures helps to flesh out the picture of musical life in the court in a way which individual studies of more major composers cannot. In addition to basic biographical details, entries feature information on: appointments; probate material; family background; heraldry; signatures and holograph documents; subscriptions to books; bibliographic references. A finding-list of variant names, details of the succession of court places assumed by musicians and an index of subjects and place names completes this comprehensive reference work.

Records of English Court Music
Records of English Court Music

Author: Andrew Ashbee

Publisher: Routledge

Published: 2017-11-01

Total Pages: 351

ISBN-13: 1351964151

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Pioneering work on the musical material from the archives of the English court was undertaken by Nagel (1894), Lafontaine (1909) and Stokes (in the Musical Antiquary 1903-1913). Records of English Court Music (a series of seven volumes covering the period 1485-1714) is the first attempt to compile a systematic calendar of such references. It aims to revise these earlier studies where necessary, adding significant details which researchers omitted, clarifying the context of documents and substituting current call-marks for defunct references. Volume V is primarily concerned with the post-Restoration years already partially covered in volumes I and II. The material from the Exchequer and Declared Accounts of the Treasurer of the Chamber has been revised to include references to trumpeters and drummers. Other sections are devoted to material outside the Lord Chamberlain's papers: the Signet Office Docquet Books, Secret Service accounts and more from the Exchequer; the Corporation of Musick (controlled by the Court musicians) and to the range of music material from accounts of the Receivers General. Samples from the comprehensive records of the Lord Steward's department (including those of the Cofferer of the Household) are also provided. Andrew Ashbee was the winner of the Oldman Prize in 1987 for Volume II in the series of 'Records of English Court Music', awarded by the UK branch of the International Association of Music Libraries for the year's best book on music librarianship, bibliography and reference.

The Bassanos
The Bassanos

Author: Roger Prior

Publisher: Routledge

Published: 2017-07-05

Total Pages: 304

ISBN-13: 1351546007

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In the 1530s, five Bassano brothers, who were outstanding wind players and instrument makers, emigrated from Venice to England. Dr Lasocki?s authoritative new book, the first to be devoted to the family, is a minutely researched account of these brothers, their sons (and a daughter) and their grandsons. The first half of the book discusses the everyday affairs of the family - their relationships, religion, property, law suits, finances, and standing in society. Two chapters, one written by Roger Prior, are devoted to Emilia Bassano, whose identification as the ?dark lady? of Shakespeare?s sonnets is supported by a wealth of evidence. The second half of the book discusses the family?s musical activities. At the English Court the Bassanos made up a recorder consort that lasted 90 years; they also played in the flute/cornett and shawm/sackbutt consorts. As instrument makers their fame was spread throughout Europe. The book?s appendixes present information on the Venetian branch of the family and the musical activities of the English branch since 1665.

The Bassanos
The Bassanos

Author: Roger Prior

Publisher: Routledge

Published: 2017-07-05

Total Pages: 325

ISBN-13: 1351546015

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In the 1530s, five Bassano brothers, who were outstanding wind players and instrument makers, emigrated from Venice to England. Dr Lasocki‘s authoritative new book, the first to be devoted to the family, is a minutely researched account of these brothers, their sons (and a daughter) and their grandsons. The first half of the book discusses the everyday affairs of the family - their relationships, religion, property, law suits, finances, and standing in society. Two chapters, one written by Roger Prior, are devoted to Emilia Bassano, whose identification as thedark lady of Shakespeare‘s sonnets is supported by a wealth of evidence. The second half of the book discusses the family‘s musical activities. At the English Court the Bassanos made up a recorder consort that lasted 90 years; they also played in the flute/cornett and shawm/sackbutt consorts. As instrument makers their fame was spread throughout Europe. The book‘s appendixes present information on the Venetian branch of the family and the musical activities of the English branch since 1665.

William Lawes (1602-1645)
William Lawes (1602-1645)

Author: Andrew Ashbee

Publisher: Routledge

Published: 2019-05-20

Total Pages: 375

ISBN-13: 0429766076

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First published in 1998, this volume comprises papers given at a conference on Lawes and his music held at Oxford in September 1995 to commemorate the 350th anniversary of his death. They examine not only Lawes’s music but the milieu in which he worked. Part One examines the musical life of the English Court in Lawes’s day, noting his activities there and his involvement with companies of players. Manuscript studies and a detailed account of the fatal battle are also included. Part Two comprises seven essays exploring the wide range of his instrumental and vocal music. William Lawes is acknowledged as the most exciting and innovative composer working in England during the reign of Charles I. His tragic early death at the Siege of Chester in 1645 only served to heighten his reputation among his contemporaries, lending him also the cloak of martyrdom in the service of his king.

Collected Works
Collected Works

Author: Walter Porter

Publisher: A-R Editions, Inc.

Published: 2017-01-01

Total Pages: 301

ISBN-13: 0895798468

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This volume brings together, for the first time in a critical edition, the complete works of the English composer Walter Porter (ca. 1587/ca. 1595–1659). One of a small number of English composers from the first half of the seventeenth century who embraced “progressive” Italianate methods of composition, Porter is further worthy of mention in histories of music for two reasons: he was the composer of the last book of English madrigals, and he claimed to have been the pupil of Claudio Monteverdi. His works survive primarily in two printed collections: Madrigales and Ayres (1632) and Mottets of Two Voyces (1657). Six of the 1657 Mottets also appear in York Minster Library, MS M. 5/1–3(S). One strophic song and three catches may also be attributed to Walter Porter and are included in an appendix.

Musical Creativity in Restoration England
Musical Creativity in Restoration England

Author: Rebecca Herissone

Publisher: Cambridge University Press

Published: 2013

Total Pages: 568

ISBN-13: 1107289556

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Musical Creativity in Restoration England is the first comprehensive investigation of approaches to creating music in late seventeenth-century England. Understanding creativity during this period is particularly challenging because many of our basic assumptions about composition - such as concepts of originality, inspiration and genius - were not yet fully developed. In adopting a new methodology that takes into account the historical contexts in which sources were produced, Rebecca Herissone challenges current assumptions about compositional processes and offers new interpretations of the relationships between notation, performance, improvisation and musical memory. She uncovers a creative culture that was predominantly communal, and reveals several distinct approaches to composition, determined not by individuals, but by the practical function of the music. Herissone's new and original interpretations pose a fundamental challenge to our preconceptions about what it meant to be a composer in the seventeenth century and raise broader questions about the interpretation of early modern notation.

London and Literature, 1603-1901
London and Literature, 1603-1901

Author: Angela Kikue Davenport

Publisher: Cambridge Scholars Publishing

Published: 2017-01-06

Total Pages: 161

ISBN-13: 1443862681

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London and Literature, 1603–1901 brings together papers by scholars and researchers interested in British literature of the period covered. It will be of value to the many students and colleagues of the contributors, as well as people connected with or influenced by the work of Eiichi Hara. This volume covers literature from the beginning of the Jacobean period to the end of the Victorian era. It takes the city of London as its focus, and the chapters explore different aspects of the interaction of literature and place, covering works by major figures within the time period. This connection is doubly significant as the book is also a Festschrift to celebrate the career of Eiichi Hara, the most renowned Dickensian in Japan and a scholar with a particular interest in London. With a preface by Gerald Dickens, the great-great-grandson of Charles Dickens, and a foreword by Toru Sasaaki, President of the English Literary Society of Japan, London and Literature, 1603–1901, brings together leading scholars in the field of English literature to offer a series of valuable perspectives on the city and its artistic life.

From Renaissance to Baroque
From Renaissance to Baroque

Author: Jonathan Wainwright

Publisher: Routledge

Published: 2017-07-05

Total Pages: 342

ISBN-13: 1351566261

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Historians of instruments and instrumental music have long recognised that there was a period of profound change in the seventeenth century, when the consorts or families of instruments developed during the Renaissance were replaced by the new models of the Baroque period. Yet the process is still poorly understood, in part because each instrument has traditionally been considered in isolation, and changes in design have rarely been related to changes in the way instruments were used, or what they played. The essays in this book are by distinguished international authors that include specialists in particular instruments together with those interested in such topics as the early history of the orchestra, iconography, pitch and continuo practice. The book will appeal to instrument makers and academics who have an interest in achieving a better understanding of the process of change in the seventeenth century, but the book also raises questions that any historically aware performer ought to be asking about the performance of Baroque music. What sorts of instruments should be used? At what pitch? In which temperament? In what numbers and/or combinations? For this reason, the book will be invaluable to performers, academics, instrument makers and anyone interested in the fascinating period of change from the 'Renaissance' to the 'Baroque'.