This book articulates and defends an interpretation of Schopenhauer's ethics as an original and credible contribution to the history of ethics. It presents Schopenhauer's ethics of compassion in direct tension with his resignationism and aims to show surprising continuities with Kant's ethics.
At the apex of his influence, from about 1860 up to the start of World War I, Schopenhauer was known first and foremost as a philosopher of pessimism. Still today, his main reputation is as one of the few philosophers to have argued that it would have been better never to have been. Sandra Shapshay aims to complicate and challenge this predominant picture of Schopenhauer's ethical thought, arguing that while the pessimistic, resigned Schopenhauer represents one side of the thinker, there is another, more hopeful side that is equally important to his legacy and essential to fully understanding his philosophy. Schopenhauer's ethical thought contains a hopeful, progressive strand, and the main task of this book is to reconstruct it. The resulting position, which Shapshay terms "compassionate moral realism," offers a hybrid Kantian moral realist/sentimentalist theory and a Schopenhauerian value ontology of degrees of inherent value. The reconstruction is novel in three main ways. First, it views Schopenhauer as a more faithful Kantian than most commentators have been apt to recognize. Second, it sees Schopenhauer's philosophy as an evolving rather than static body of thought, especially with respect to the place of the Platonic Ideas in his system; Schopenhauer's views in the philosophy of nature changed as he encountered proto-Darwinian thought, and this change weakens Schopenhauer's own grounds for pessimism. A third novelty is the claim, concerning his ethical thought, that there are really two Schopenhauers rather than one: the "Knight of Despair" and the "Knight of Hope" distinction introduced in this book helps to capture the incompatibility between the resignationist and the compassionate moral realist sides of Schopenhauer's ethical thought.
This book is an introduction to the philosophy of Arthur Schopenhauer, written in a lively, personal style. Hannan emphasizes the peculiar inconsistencies and tensions in Schopenhauer's thought--he was torn between idealism and realism, and between denial and affirmation of the individual will. In addition to providing a useful summary of Schopenhauer's main ideas, Hannan connects Schopenhauer's thought with ongoing debates in philosophy. According to Hannan, Schopenhauer was struggling half-consciously to break altogether with Kant and transcendental idealism; the anti-Kantian features of Schopenhauer's thought possess the most lasting value. Hannan defends panpsychist metaphysics of will, comparing it with contemporary views according to which causal power is metaphysically basic. Hannan also defends Schopenhauer's ethics of compassion against Kant's ethics of pure reason, and offers friendly amendments to Schopenhauer's theories of art, music, and "salvation." She also illuminates the deep connection between Schopenhauer and the early Wittgenstein, as well as Schopenhauer's influence on existentialism and psychoanalytic thought.
With its pessimistic vision and bleak message of world-denial, it has often been difficult to know how to engage with Schopenhauer's philosophy. Schopenhauer's arguments have seemed flawed and his doctrines marred by inconsistencies; his very pessimism almost too flamboyant to be believable. Yet a way of redrawing this engagement stands open, Sophia Vasalou argues, if we attend more closely to the visionary power of Schopenhauer's work. The aim of this book is to place the aesthetic character of Schopenhauer's standpoint at the heart of the way we read his philosophy and the way we answer the question: why read Schopenhauer - and how? Approaching his philosophy as an enactment of the sublime with a longer history in the ancient philosophical tradition, Vasalou provides a fresh way of assessing Schopenhauer's relevance in critical terms. This book will be valuable for students and scholars with an interest in post-Kantian philosophy and ancient ethics.
Frederick C. Beiser presents a study of the pessimism that dominated German philosophy from the 1860s to c. 1900: the theory that life is not worth living. He explores its major defenders and chief critics, and examines how the theory redirected German philosophy away from the logic of the sciences and toward an examination of the value of life.
The chapters in this timely volume aim to answer the growing interest in Arthur Schopenhauer’s logic, mathematics, and philosophy of language by comprehensively exploring his work on mathematical evidence, logic diagrams, and problems of semantics. Thus, this work addresses the lack of research on these subjects in the context of Schopenhauer’s oeuvre by exposing their links to modern research areas, such as the “proof without words” movement, analytic philosophy and diagrammatic reasoning, demonstrating its continued relevance to current discourse on logic. Beginning with Schopenhauer’s philosophy of language, the chapters examine the individual aspects of his semantics, semiotics, translation theory, language criticism, and communication theory. Additionally, Schopenhauer’s anticipation of modern contextualism is analyzed. The second section then addresses his logic, examining proof theory, metalogic, system of natural deduction, conversion theory, logical geometry, and the history of logic. Special focus is given to the role of the Euler diagrams used frequently in his lectures and their significance to broader context of his logic. In the final section, chapters discuss Schopenhauer’s philosophy of mathematics while synthesizing all topics from the previous sections, emphasizing the relationship between intuition and concept. Aimed at a variety of academics, including researchers of Schopenhauer, philosophers, historians, logicians, mathematicians, and linguists, this title serves as a unique and vital resource for those interested in expanding their knowledge of Schopenhauer’s work as it relates to modern mathematical and logical study.
Dale Jacquette charts the development of Schopenhauer's ideas from the time of his early dissertation on The Fourfold Root of the Principle of Sufficient Reason through the two editions of his magnum opus The World as Will and Representation to his later collections of philosophical aphorisms and competition essays. Jacquette explores the central topics in Schopenhauer's philosophy including his metaphysics of the world as representation and Will, his so-called pessimistic philosophical appraisal of the human condition, his examination of the concept of death, his dualistic analysis of free will, and his simplified non-Kantian theory of morality. Jacquette shows how these many complex themes fit together in a unified portrait of Schopenhauer's philosophy. The synthesis of Plato, Kant and Buddhist and Hindu ideas is given particular attention as is his influence on Nietzsche, first a follower and then arch opponent of Schopenhauer's thought, and the early Wittgenstein. The book provides a comprehensive and in-depth historical and philosophical introduction to Schopenhauer's distinctive contribution to philosophy.
This volume brings together internationally recognised Schopenhauer scholars to develop new perspectives on his moral philosophy. Despite anticipating and engaging with many of the arguments now recognisable in Anglophone moral philosophy, Arthur Schopenhauer has often been overlooked as a potential contributor to contemporary discourse within this domain. Not only was he one of the most important 19th-century critics of Kantian deontology, Schopenhauer also developed a plausible moral system of his own grounded in compassion. While interesting parallels can be drawn between his system and the sentimentalist tradition familiar from the likes of Hume and Hutcheson, Schopenhauer’s idiosyncratic metaphysics provide a unique approach to standard questions in moral psychology, the philosophy of action, axiology, and moral epistemology. The chapters in this book draw out the relevance and influence of Schopenhauer’s ethical program, attempting to demonstrate the as yet untapped wealth of conceptual resources for pressing moral problems. They address a wide range of topics, including: the moral status of animals; the moral permissibility of suicide; the possibility of altruistic action; the nature of virtue and asceticism; how Schopenhauer integrated Western influences with various Indian traditions of moral thinking, and more. Schopenhauer’s Moral Philosophy will be of interest to scholars and advanced students interested in Schopenhauer, 19th-century philosophy, and the history of ethics.
This collection of thirty-one essays encompasses Schopenhauer's central contributions, his influences, and the scope of his impact, especially on the arts and philosophy. Six sections cover the wide range of his thought, including its connection to religion, ethics, and art, as well as his influence and legacy.
A collection of newly composed essays, some with a historical focus and some with a contemporary focus, which addresses the problem of explaining the appeal of artworks whose appreciation entails negative or difficult emotions on the appreciator's part - what has traditionally been known as "the paradox of tragedy".