Hiram Williams
Hiram Williams

Author: Robert A. Larson

Publisher: University Press of America

Published: 1998

Total Pages: 172

ISBN-13: 9780761811961

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Hiram Williams: Images of Compassion explores the art and life of Hiram Williams, exposing his power not only as a painter, but as an interpreter of American culture. The author combines his knowledge and observations of his close friend Williams' life and work with material gathered through hours of interviews with Williams and many of his friends and associates, including art critics, art historians, and museum and gallery directors. His closeness to Williams gave the author the opportunity to observe his images as they took form, yet the author also provides objective commentary, which when combined with the interviews of the others provides a thorough examination of Williams' life and work. This book provides a greater recognition of the powerful work of Hiram Williams, and places him in the company of other painters who have developed within American culture.

Jennifer Packer
Jennifer Packer

Author:

Publisher: Walther Konig Verlag

Published: 2021-06

Total Pages: 172

ISBN-13: 9783960989035

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"Friendship, loss and the everyday populate Packer's canvases, full of disquieting detail." -Adrian Searle, The Guardian Through a uniquely textural style of oil painting that evokes the fluidity of watercolors, Jennifer Packer recasts classical genres in a fresh political and contemporary light while keeping them rooted in a deeply personal context. Combining observation, improvisation and memory, Packer's intimate portraits of friends and family members and flower paintings insist on the particularity of the Black lives she depicts. The title of this volume refers to an ecclesiastical description of the insatiable human quest for divine knowledge; with this in mind, Packer's work urges viewers to understand and appreciate the unique dimensions of Black lives beyond just the physical. Richly illustrated, this volume includes texts by fellow painters Dona Nelson and Lynette Yiadom-Boakye, professors Rizvana Bradley and Christina Sharpe, and an interview between the artist and Serpentine Artistic Director Hans Ulrich Obrist. American painter Jennifer Packer(born 1984) grew up in Philadelphia and received her MFA from Yale University in 2012. She was formerly the Artist-in-Residence at the Studio Museum in Harlem (2012-13) and a Visual Arts Fellow at the Fine Arts Work Center in Provincetown, MA (2014-16). She currently works as an assistant professor of painting at the Rhode Island School of Design. Packer is represented by Sikkema Jenkins & Co in New York City, where the artist lives.

Radical Figures: Painting in the New Millennium
Radical Figures: Painting in the New Millennium

Author: Lydia Yee

Publisher:

Published: 2020-02-27

Total Pages: 142

ISBN-13: 9780854882830

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This timely publication, accompanying a brand new survey exhibition at Whitechapel Gallery, presents key works by some of the most exciting practitioners in current figurative painting.0After a long period dominated by abstraction and conceptual approaches, painting saw a revival of figuration in the 1990s by artists whose work updated portraiture and history painting but remained rooted in the conventions of realism. However a new generation, coming to prominence in the new millennium, are distinguished by a radically different approach to the figure, in which bodies are fragmented, morphed, merged and remade but never completely cohesive.0'Radical Figures' highlights the renewed interest in radical modes of figuration during the past two decades, and considers the vast range of imagery, subjects and stories that have informed this transition: from the re-evaluation of early pioneers such as James Ensor and Max Beckman, and postwar painters such as Maria Lassnig and Philip Guston; to raunchy comics; to the ubiquity of photography on social media.0Fully illustrated in colour, this innovative appraisal will explore the breadth and range of painterly techniques used, such as loose gestural brushwork suggesting polymorphous forms and gender fluid bodies, and thick impasto evoking flesh, matter and objecthood. Including newly commissioned texts on and by each artist, this sumptuous catalogue will showcase the best in figurative painting today.00Exhibition: Whitechapel Gallery, London, UK (06.02.-10.05.2020).

Kehinde Wiley
Kehinde Wiley

Author: Connie H. Choi

Publisher: National Geographic Books

Published: 2015-02-20

Total Pages: 0

ISBN-13: 3791354302

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Filled with reproductions of Kehinde Wiley’s bold, colorful, and monumental work, this book encompasses the artist’s various series of paintings as well as his sculptural work—which boldly explore ideas about race, power, and tradition. Celebrated for his classically styled paintings that depict African American men in heroic poses, Kehinde Wiley is among the expanding ranks of prominent black artists—such as Sanford Biggers, Yinka Shonibare, Mickalene Thomas, and Lynette Yiadom-Boakye—who are reworking art history and questioning its depictions of people of color. Co-published with the Brooklyn Museum of Art for the major touring retrospective, this volume surveys Wiley’s career from 2001 to the present. It includes early portraits of the men Wiley observed on Harlem’s streets, and which laid the foundation for his acclaimed reworkings of Old Master paintings by Titian, van Dyke, Manet, and others, in which he replaces historical subjects with young African American men in contemporary attire: puffy jackets, sneakers, hoodies, and baseball caps. Also included is a generous selection from Wiley’s ongoing World Stage project; several of his enormous Down paintings; striking male portrait busts in bronze; and examples from the artist’s new series of stained glass windows. Accompanying the illustrations are essays that introduce readers to the arc of Wiley’s career, its critical reception, and ongoing evolution.

Whitney Biennial 2022
Whitney Biennial 2022

Author: David Breslin

Publisher: Whitney Museum of American Art

Published: 2022-04-26

Total Pages: 264

ISBN-13: 9780300263893

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Presenting the latest iteration of this crucial exhibition, always a barometer of contemporary American art The 2022 Whitney Biennial is accompanied by this landmark volume. Each of the Biennial's participants is represented by a selected exhibition history, a bibliography, and imagery complemented by a personal statement or interview that foregrounds the artist's own voice. Essays by the curators and other contributors elucidate themes of the exhibition and discuss the participants. The 2022 Biennial's two curators, David Breslin and Adrienne Edwards, are known for their close collaboration with living artists. Coming after several years of seismic upheaval in and beyond the cultural, social, and political landscapes, this catalogue will offer a new take on the storied institution of the Biennial while continuing to serve--as previous editions have--as an invaluable resource on present-day trends in contemporary art in the United States.

The Civil War and American Art
The Civil War and American Art

Author: Eleanor Jones Harvey

Publisher: Yale University Press

Published: 2012-12-03

Total Pages: 353

ISBN-13: 0300187335

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Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.

Earth Now
Earth Now

Author: Katherine Ware

Publisher:

Published: 2011

Total Pages: 196

ISBN-13:

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Presents delicious and easy to prepare recipes and dishes from the northern region of Mexico.

Wyeth
Wyeth

Author: Laura J. Hoptman

Publisher: The Museum of Modern Art

Published: 2012

Total Pages: 49

ISBN-13: 0870708317

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In 1948 Andrew Wyeth produced what would become one of the most iconic paintings in American art: a desolate landscape featuring a woman lying in a field, that he called "Christina's World." The woman in the painting, Christina Olson, lived in Cushing, Maine, where Wyeth and his wife kept a summer house. She suffered from polio, and was paralyzed from the waist down; Wyeth was moved to portray her when he saw her one day crawling through the field towards her house. "Christina's World" was to become one of the most well-loved and most scorned works of the twentieth century, igniting heated arguments about parochialism, sentimentality, kitsch and elitism that have continued to dog the art world and Wyeth's own reputation, even after the artist's death in 2009. An essay by MoMA curator Laura Hoptman revisits the genesis of the painting, discussing Wyeth's curious focus, over the course of his career, on a deliberately delimited range of subjects and exploring the mystery that continues to surround the enigmatic painting.