This novel is an epic tale of suffering, faith, persecution, injustice, enslavement, passion, unexpected friendships, adventure, love and redemption. Its narrative embraces the drawing rooms of London as share prices collapse, the holy-stoned decks of sailing ships and the hopelessness of chattel-houses.
While the memorialization of slavery has generated an impressive number of publications, relatively few studies deal with this subject from a transnational, transdisciplinary and transracial standpoint. As a historical phenomenon that crossed borders and traversed national communities and ethnic groups producing alliances that did not overlap with received identities, slavery as well as its memory call for comparative investigations that may bring to light aspects obscured by the predominant visibility of US-American and British narratives of the past. This study addresses the memory of slavery from a transnational perspective. It brings into dialogue texts and practices from the transatlantic world, offering comparative analyses which interlace the variety of memories emerging in diverse national contexts and fields of study and shed light on the ways local countermemories have interacted with and responded to hegemonic narratives of slavery. The inclusion of Brazil and the French, English, and Spanish Caribbean alongside the United States and Europe, and the variety of investigative approaches-ranging from cinema, popular culture and visual culture studies to anthropology and literary studies-expand the current understanding of the slave past and how it is reimagined today. This fascinating book brings freshness to the topic by considering objects of investigation which have so far remained marginal in the academic debate, such as heroic memorials, civic landscape, white family sagas, Young Adult literature of slavery, Latin American telenovelas and filmic narrations within and beyond Hollywood. What emerges is a multifarious set of memories, which keep changing according to generation, race, gender, nation and political urgency and indicate the advancing of a dynamic, mobilized memorialization of slavery willing to move beyond mourning towards a more militant stand for justice. This is an important book for those interested in African American, American, and Latin American studies and working across literature, cinema, visual arts, and public culture. It will also be useful to public official and civil servants interested in the question of slavery and its present memory.
While the memorialization of slavery has generated an impressive number of publications, relatively few studies deal with this subject from a transnational, transdisciplinary and transracial standpoint. As a historical phenomenon that crossed borders and traversed national communities and ethnic groups producing alliances that did not overlap with received identities, slavery as well as its memory call for comparative investigations that may bring to light aspects obscured by the predominant visibility of US-American and British narratives of the past. This study addresses the memory of slavery from a transnational perspective. It brings into dialogue texts and practices from the transatlantic world, offering comparative analyses which interlace the variety of memories emerging in diverse national contexts and fields of study and shed light on the ways local countermemories have interacted with and responded to hegemonic narratives of slavery. The inclusion of Brazil and the French, English, and Spanish Caribbean alongside the United States and Europe, and the variety of investigative approaches-ranging from cinema, popular culture and visual culture studies to anthropology and literary studies-expand the current understanding of the slave past and how it is reimagined today. This fascinating book brings freshness to the topic by considering objects of investigation which have so far remained marginal in the academic debate, such as heroic memorials, civic landscape, white family sagas, Young Adult literature of slavery, Latin American telenovelas and filmic narrations within and beyond Hollywood. What emerges is a multifarious set of memories, which keep changing according to generation, race, gender, nation and political urgency and indicate the advancing of a dynamic, mobilized memorialization of slavery willing to move beyond mourning towards a more militant stand for justice. This is an important book for those interested in African American, American, and Latin American studies and working across literature, cinema, visual arts, and public culture. It will also be useful to public official and civil servants interested in the question of slavery and its present memory.
From Robin Sloan, the New York Times bestselling author of Mr. Penumbra’s 24-Hour Bookstore, comes Sourdough, "a perfect parable for our times" (San Francisco Magazine): a delicious and funny novel about an overworked and under-socialized software engineer discovering a calling and a community as a baker. Named One of the Best Books of the Year by NPR, the San Francisco Chronicle, and Southern Living Lois Clary is a software engineer at General Dexterity, a San Francisco robotics company with world-changing ambitions. She codes all day and collapses at night, her human contact limited to the two brothers who run the neighborhood hole-in-the-wall from which she orders dinner every evening. Then, disaster! Visa issues. The brothers quickly close up shop. But they have one last delivery for Lois: their culture, the sourdough starter used to bake their bread. She must keep it alive, they tell her—feed it daily, play it music, and learn to bake with it. Lois is no baker, but she could use a roommate, even if it is a needy colony of microorganisms. Soon, not only is she eating her own homemade bread, she’s providing loaves to the General Dexterity cafeteria every day. Then the company chef urges her to take her product to the farmer’s market—and a whole new world opens up.
Note: this is an abridged version of the book with references removed. The complete edition is also available. While the memorialization of slavery has generated an impressive number of publications, relatively few studies deal with this subject from a transnational, transdisciplinary and transracial standpoint. As a historical phenomenon that crossed borders and traversed national communities and ethnic groups producing alliances that did not overlap with received identities, slavery as well as its memory call for comparative investigations that may bring to light aspects obscured by the predominant visibility of US-American and British narratives of the past. This study addresses the memory of slavery from a transnational perspective. It brings into dialogue texts and practices from the transatlantic world, offering comparative analyses which interlace the variety of memories emerging in diverse national contexts and fields of study and shed light on the ways local countermemories have interacted with and responded to hegemonic narratives of slavery. The inclusion of Brazil and the French, English, and Spanish Caribbean alongside the United States and Europe, and the variety of investigative approaches-ranging from cinema, popular culture and visual culture studies to anthropology and literary studies-expand the current understanding of the slave past and how it is reimagined today. This fascinating book brings freshness to the topic by considering objects of investigation which have so far remained marginal in the academic debate, such as heroic memorials, civic landscape, white family sagas, Young Adult literature of slavery, Latin American telenovelas and filmic narrations within and beyond Hollywood. What emerges is a multifarious set of memories, which keep changing according to generation, race, gender, nation and political urgency and indicate the advancing of a dynamic, mobilized memorialization of slavery willing to move beyond mourning towards a more militant stand for justice. This is an important book for those interested in African American, American, and Latin American studies and working across literature, cinema, visual arts, and public culture. It will also be useful to public official and civil servants interested in the question of slavery and its present memory.
When Jesus left the most exclusive gated community in the universe to come live with the people he loved and gave his life for, he turned everything we know and believe about life on its head. Jesus said that he came to bring good news to the poor, but most Western Christians remain disconnected and isolated from the poor and their contexts of injustice. Even our churches echo society’s pressure to isolate ourselves from the margins (e.g. by moving to a better suburb) and instead teach us how to be “nice people” who worship a “nice Jesus” and don’t disrupt the status quo. Convinced that Jesus places love for the poor and the pursuit of justice central, Craig Greenfield has sought to follow in Christ’s footsteps by living among people at the edges of society for the last fourteen years. His quest to follow this Subversive Jesus has taken Craig and his young family from the slums of Asia to inner city Canada and back again. This is the story of how Jesus led them to the margins: initiating the Pirates of Justice flash mobs, sharing their home with detoxing crackheads, welcoming homeless panhandlers and prostitutes to the dinner table, and ultimately sparking a movement to reach the world’s most vulnerable children. This book is a strong and potentially controversial critique of the status quo too often found in our churches, but it offers an inspirational and hopeful vision of another way. While readers may not relocate to a slum, they will certainly come to view their lives and ministry through a fresh lens—reconsidering how they are uniquely called by Jesus to subversively love the poor and break down systems of injustice in their sphere of influence.
Exploring the subtle political philosophy within the Biblical narrative, this book presents enduring insights that complement Ancient Greek philosophy for contemporary political distinctions – uncovering overlooked socio-political ideologies to provide a unique perspective alongside the classical philosophical tradition. By adopting a sociological approach, Ronen Shovel interprets the Bible as a reflection of perspectives and ideologies, emphasizing the intricate dynamics between rulers and subjects, balancing justice, and power within societies. A key focus is the examination of holiness as a distinct political category, influencing institutions, ethics, justice, and even the use of force. This perspective challenges traditional religious scholarship, merging sociology with the concept of holiness. Holiness and Society enriches political philosophy, religious studies, and sociology, broadening their boundaries and offering fresh perspectives, serving as a bridge between antiquity and modernity, providing valuable insights into contemporary political thought.
The Renaissance New Testament is a monumental 18-volume work more than fifty years in the making. Randolph O. Yeager has realized here a lifelong dream, and created one of the most important biblical works of the twentieth century. It offers: The King James Version verse by verse The Yeager translation Exhaustive Greek/English concordance Lexicographical analysis Each Greek word in order of occurrence Grammatical identification The Greek text verse by verse The literal meaning A harmony of the Gospels Commentary Each volume contains approximately 600 pages, with the complete set totaling more than 10,000 pages. A true Renaissance man, Dr. Yeager holds a Ph.D. in American history, took his seminary training at Northern Baptist Theological Seminary in Chicago, and is a former university professor. He has twelve years of experience as an evangelist and has spoken at Bible conferences in forty-five states. In 1988 the Laymen's National Bible Committee honored Yeager with a Citation of Appreciation for outstanding service to the Bible cause. Publishers Weekly featured an article on Yeager and the completion of The Renaissance New Testament in its 1985 Spring Religious Books issue.
Winner of the 2015 International IMPAC Dublin Literary Award Winner of the 2014 James Tait Black Prize Shortlisted for the 2013 Man Booker Prize Shortlisted for the 2013 Goldsmiths Prize Shortlisted for the 2014 Walter Scott Prize for Historical Fiction As late summer steals in and the final pearls of barley are gleaned, a village comes under threat. A trio of outsiders - two men and a dangerously magnetic woman - arrives on the woodland borders triggering a series of events that will see Walter Thirsk's village unmade in just seven days: the harvest blackened by smoke and fear, cruel punishment meted out to the innocent, and allegations of witchcraft. But something even darker is at the heart of Walter's story, and he will be the only man left to tell it . . .