Welcome to Real Country Lyrics Volume Fourteen (songs #7251 - 7500) If you want to get back to real country music, you have to start with Real Country Lyrics. The kind that was sung by Sons of the Pioneers, Roy Acuff, Patsy Cline, Hank Williams Sr, Bob Wills and His Texas Playboys and a host of other pioneers of Country, Cowboy and Western music. This collection brings back the kind of classic and vintage songs written in the middle of the 1900's when country music was established.
This volume of the Journal of Latin American Theology and the spring 2020 volume are dedicated to providing an up-to-date analysis of Christianity in current Latin American societies. This issue focuses on Mexico, Central America, and parts of the Caribbean (Puerto Rico and Haiti). An excellent array of Christian leaders representing these regions have risen to the task. First, they situate readers in the contemporary political and social context of their country. Next, they describe contemporary Christianity in their nation, both Protestant and Catholic, as the respective churches respond to their national challenges. Then they explore what followers of Jesus in their countries would want to share with the larger worldwide church and what Christians in their nations need to learn from Christian sisters and brothers from around the globe. Mexico is covered by Rebeca Montemayor and Javier Ulloa; Guatemala by Miguel Reyes; Honduras by Enrique Martinez; El Salvador by Miguel Reyes; Nicaragua by Freddy Mendez; Costa Rica by Dorothy and Fernando Bullon; Puerto Rico by Wilmer Estrada-Carrasquillo; and Haiti by Dieumeme Noelliste. This volume together with the upcoming spring issue will make an excellent textbook in universities and seminaries for all who want to understand Latin American Christianity today. We pray that these country studies will lead readers to prayers of solidarity and reflection upon how God is walking among us in our various contexts.
People worldwide love to enjoy their preferred lifestyle. Music is a powerful lifestyle choice. It helps people shape and share their experiences. Music evolves, as does technology, culture and the music business. This book helps the reader to understand the changes to music and audio reproduction. Enabling them to make informed choices about music and the audio equipment they use. Thereby gaining richer musical experiences. This book explains why high-quality reproduction of music is hard. It identifies some factors that influence the quality of reproduction such as careful listening. Often discussions about music and audio ignore the role of the listener. Yet a person’s disposition, sensory awareness and attention, affect how they perceive music and what they experience from it. As well as music students, teachers, and musicologists, the book will appeal to those with a passion for quality music and the quality reproduction of music.
From John Philip Sousa to Green Day, from Scott Joplin to Kanye West, from Stephen Foster to Coldplay, The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the vast scope of its subject with virtually unprecedented breadth and depth. Approximately 1,000 key song recordings from 1889 to the present are explored in full, unveiling the stories behind the songs, the recordings, the performers, and the songwriters. Beginning the journey in the era of Victorian parlor balladry, brass bands, and ragtime with the advent of the record industry, readers witness the birth of the blues and the dawn of jazz in the 1910s and the emergence of country music on record and the shift from acoustic to electrical recording in the 1920s. The odyssey continues through the Swing Era of the 1930s; rhythm & blues, bluegrass, and bebop in the 1940s; the rock & roll revolution of the 1950s; modern soul, the British invasion, and the folk-rock movement of the 1960s; and finally into the modern era through the musical streams of disco, punk, grunge, hip-hop, and contemporary dance-pop. Sullivan, however, also takes critical detours by extending the coverage to genres neglected in pop music histories, from ethnic and world music, the gospel recording of both black and white artists, and lesser-known traditional folk tunes that reach back hundreds of years. This book is ideal for anyone who truly loves popular music in all of its glorious variety, and anyone wishing to learn more about the roots of virtually all the music we hear today. Popular music fans, as well as scholars of recording history and technology and students of the intersections between music and cultural history will all find this book to be informative and interesting.
This 2004 book traces the changing interpretation of troubadour and trouvere music, a repertoire of songs which have successfully maintained public interest for eight centuries, from the medieval chansonniers to contemporary rap renditions. A study of their reception therefore serves to illustrate the development of the modern concept of 'medieval music'. Important stages include sixteenth-century antiquarianism, the Enlightenment synthesis of scholarly and popular traditions and the infusion of archaeology and philology in the nineteenth century, leading to more recent theories on medieval rhythm. More often than now, writers and performers have negotiated a compromise between historical research and a more imaginative approach to envisioning the music of troubadours and trouveres. This book points not so much to a resurrection of medieval music in modern times as to a continuous tradition of interpreting these songs over eight centuries.
As a sociologist Simon Frith takes the starting point that music is the result of the play of social forces, whether as an idea, an experience or an activity. The essays in this important collection address these forces, recognising that music is an effect of a continuous process of negotiation, dispute and agreement between the individual actors who make up a music world. The emphasis is always on discourse, on the way in which people talk and write about music, and the part this plays in the social construction of musical meaning and value. The collection includes nineteen essays, some of which have had a major impact on the field, along with an autobiographical introduction.
This collection of essays, first published in 1987, provides a sociological treatment of many musical forms – rock, jazz, classical – with special emphasis on the perspective of the practising musician. Among the topics covered are the legal structures governing musical production and the question of copyright; recording and production technology; the social character of musical style; and the impact of lyrical content, considered socially and historically.
