Raven Dexter chose to pursue midwifery the moment she helped a teen friend deliver her baby. Fed up with unconcerned physicians, she studied until she could open her small practice in a moderately sized town. Her practice was slowly growing until the night a strange man demanded she come with him to attend a birth. Her introduction to the paranormal society was in the venue of delivering a small goblin baby that quickly took a chunk out of her arm. The elf that took her to her first delivery moves in without even asking, taking care of everything from her appointments to making her meals, Eyleno Miz rapidly becomes indispensable and then becomes something more.
Growing up as an animal talker had been hard enough, but when Sophie goes to the HalfBlood ball at Hotel Spectre, she finds out that she had been wrong all along. Her magic isn't what she thought it was and her assigned mentor, Raffin, helps her sort it out. Becoming a Love Talker was never on her aptitude tests in school, but with Raffin coaching her, it comes naturally. Romancing an elf is not on her agenda, but as it starts to happen, Sophie must decide if the magic is worth the risk. Or is the thought of losing Raffin so all consuming that it will become the reality?
Public relations as described in this volume is, among other things, society’s solution to problems of maladjustment that plague an overcomplex world. All of us, individuals or organizations, depend for survival and growth on adjustment to our publics. Publicist Edward L. Bernays offers here the kind of advice individuals and a variety of organizations sought from him on a professional basis during more than four decades. With such knowledge, every intelligent person can carry on his or her activities more effectively. This book provides know-why as well know-how. Bernays explains the underlying philosophy of public relations and the PR methods and practices to be applied in specific cases. He presents broad approaches and solutions as they were successfully carried out in his long professional career. Public relations is not publicity, press agentry, promotion, advertising, or a bag of tricks, but a continuing process of social integration. It is a field of adjusting private and public interest. Everyone engaged in any public activity, and every student of human behavior and society, will find in this book a challenge and opportunity to further both the public interest and their own interest.
Will it be friendship or romance? What's a girl to do when she's secretly in love with a friend and he's married to someone else? She gets over it. That's what Amy Parker has done. Rather than lose her best bud Quinn Whitfield with an ill-timed, crazy confession of affection, she's taken the smart route. She's eased away from him. Just enough to get past the unrequited bits. And you know, it's working. Until the day Quinn announces he's now single. That's right. He's single. And he wants to hang out. With her. Get reconnected the way they used to be. Oh, this is so not good for Amy's equilibrium. Daily doses of Quinn remind her of everything she loves about him. But if he's free…and she's free…well, maybe the time has come for one of those crazy confessions.
In this pathbreaking book, a well-known feminist and sociologist--who is also the Founding Editor of Gender & Society--challenges our most basic assumptions about gender. Judith Lorber views gender as wholly a product of socialization subject to human agency, organization, and interpretation. In her new paradigm, gender is an institution comparable to the economy, the family, and religion in its significance and consequences. Drawing on many schools of feminist scholarship and on research from anthropology, history, sociology, social psychology, sociolinguistics, and cultural studies, Lorber explores different paradoxes of gender: --why we speak of only two "opposite sexes" when there is such a variety of sexual behaviors and relationships; --why transvestites, transsexuals, and hermaphrodites do not affect the conceptualization of two genders and two sexes in Western societies; --why most of our cultural images of women are the way men see them and not the way women see themselves; --why all women in modern society are expected to have children and be the primary caretaker; --why domestic work is almost always the sole responsibility of wives, even when they earn more than half the family income; --why there are so few women in positions of authority, when women can be found in substantial numbers in many occupations and professions; --why women have not benefited from major social revolutions. Lorber argues that the whole point of the gender system today is to maintain structured gender inequality--to produce a subordinate class (women) that can be exploited as workers, sexual partners, childbearers, and emotional nurturers. Calling into question the inevitability and necessity of gender, she envisions a society structured for equality, where no gender, racial ethnic, or social class group is allowed to monopolize economic, educational, and cultural resources or the positions of power.
In almost all critical writings on the horror film, woman is conceptualised only as victim. In The Monstrous-Feminine Barbara Creed challenges this patriarchal view by arguing that the prototype of all definitions of the monstrous is the female reproductive body.With close reference to a number of classic horror films including the Alien trilogy, T
