For four teenagers, the Ramayana is not just a tale. It is their fate! In every life they have ever lived, Vikram, Amanjit, Rasita and Deepika have been persecuted and killed by Ravindra, who aspires to the throne of Ravana the Demon-King. Now Rasita is a captive of Ravindra, and demonic beings thought to be mythical are rallying to him. His triumph seems inevitable. Vikram and Amanjit must rescue her. This time, failure is not an option. This time, if Ravindra wins, it will be forever. But slowly, pieces are falling into place. Why are they reliving the Ramayana? Who was Ravana? Where is the real Lanka? Age-old mysteries are uncovered and forgotten powers regained, as the quest to end the tyranny of Ravindra moves towards a finale that is as startling as it is electrifying.
The epic tale of victory and defeat... The story of the Ramayana had been told innumerable times. The enthralling story of Rama, the incarnation of God, who slew Ravana, the evil demon of darkness, is known to every Indian. And in the pages of history, as always, it is the version told by the victors, that lives on. The voice of the vanquished remains lost in silence. But what if Ravana and his people had a different story to tell? The story of the Ravanayana had never been told. Asura is the epic tale of the vanquished Asura people, a story that has been cherished by the oppressed outcastes of India for 3000 years. Until now, no Asura has dared to tell the tale. But perhaps the time has come for the dead and the defeated to speak. "For thousands of years, I have been vilified and my death is celebrated year after year in every corner of India. Why? Was it because I challenged the Gods for the sake of my daughter? Was it because I freed a race from the yoke of caste-based Deva rule? You have heard the victor's tale, the Ramayana. Now hear the Ravanayana, for I am Ravana, the Asura, and my story is the tale of the vanquished." "I am a non-entity-invisible, powerless and negligible. No epics will ever be written about me. I have suffered both Ravana and Rama - the hero and the villain or the villain and the hero. When the stories of great men are told, my voice maybe too feeble to be heard. Yet, spare me a moment and hear my story, for I am Bhadra, the Asura, and my life is the tale of the loser." The ancient Asura empire lay shattered into many warring petty kingdoms reeling under the heel of the Devas. In desperation, the Asuras look up to a young saviour-Ravana. Believing that a better world awaits them under Ravana, common men like Bhadra decide to follow the young leader. With a will of iron and a fiery ambition to succeed, Ravana leads his people from victory to victory and carves out a vast empire from the Devas. But even when Ravana succeeds spectacularly, the poor Asuras find that nothing much has changed for them. It is when that Ravana, by one action, changes the history of the world.
The demon-king Ravana, born of a union between the holiest of mortals and a demon princess, has risen from an obscure beginning at a hermitage to conquer not just hell but heaven too. No less than a god to his own people, he is the sheer embodiment of evil to his enemies. This arrogant demon brooks no hindrance to snatching his heart's desire, and his terror seems unstoppable to gods and humans alike. But he makes a mistake when he abducts the wife of Lord Rama, the exiled divine ruler of Ayodhya. Ravana is a story of a demon, who dared to challenge the gods, and almost got away with it. Ravana's tale is one that will incite awe and fear simultaneously. Whose side was this enigma on, good or evil? The obvious answer seems to be but one: his own. Or was he really? This graphic novel seeks to explore that question, and others.
From all Vedas, we have to know Krishna, the Supreme Personality of Godhead. The author,"Aditya Satsangi", is the inventor and the copyright owner of the term 'SATTOLOGY'. Sat means truth, Myth means untruth. So, Sattology is the exact antonym of Mythology.All Vedic or Dharmic Scriptures are referred to as Mythology by most residents of Western, and Middle-Eastern countries. This book removes that doubt through a series of articles and is also a political commentary on many current happenings in the world. The reader will generate love and faith in Vedic Literatures as the original thought process of humanity. This book is dedicated to all Hindus, Buddhists, Sikhs, Jains, Ex Muslims, Dharmic Muslims, and any person who has respect for Dharma. My book is dedicated to great people of Syria, Lebanon, Pakistan, Afghanistan, Iran, Iraq, India, Bangladesh, Nepal, Sri Lanka, Thailand, Indonesia, Cambodia, CIS States, China, Mongolia, Japan, Vietnam, Singapore, Malaysia, Indonesia, Polynesian Countries, Fiji, Barbados, Trinidad & Tobago, Canada, USA and to many other countries where Dharmic people live.Hinduism, Hindutva, Buddhism, Chinese Buddhism, Tibetan Buddhism, Taoism, Confucianism, Shinto, Jainism, Sikhism are eternally tied together as pearls of Sanatana Dharma. Sanatana Dharma is the common thread of all these faiths. Dharma is the largest faith of the planet with almost 5 Billion people on the planet. More and more people are joining he Dharma Revolution. Any logical and reasonable brain is a Dharmic brain on the planet.Western historians dismissed the history of their colonies as mythology while upholding their fake histories. Now, the colonies have risen and are claiming their respect and recognition. The first step is to Debunk all Mythology tag. Histories have to be re-written because the facts are now screaming against the tyranny of colonialists. In the series of 10 articles, the author has presented a a thought process which present Dharmic commentary on current happenings. The reader will get hooked on to the contents and the book will invigorate the mind of the reader to demand more. If this books suceeds in invigorating the thought process of intellectual mind in questioning the current history, then author considers himself a success.Current history of the world is written by colonialists, who wanted to suppress the thought process of natives. This book will give renewed confidence in 'Sattology'.
RAVANA The Great King of Lanka BY M S PURNALINGAM PILLAI first published in 1923. If the hasty Reader, who has professed himself to be a highly discerning critic and to be endowed with the indispensable technique of the proverbial Indian 'annam' or swan, should chance to come across this little book, he would certainly play to the gallery with the blazing head-line Rakshas ! Excelsior ! It is hard to expect that men who have moved in particular grooves for years will ever easily get out of them or that the deep-rooted prejudices consecrated by time and circumstances will die an easy death. The much-maligned Ravana of the earliest Aryan Chronicler and purana writer and of the thoughtless Dravidian echoer of subsequent times cannot have his merits-and virtues duly recognized until English education, now pursued merely as bread-study, broadens and liberalizes the cramped and idea-obsessed Indian mind and wipes out his slave mentality altogether. If this booklet will provoke thought on the subject, its author will feel amply repaid for his labours.
Mandore, Rajasthan, 769 AD: Ravindra-Raj, the evil sorcerer-king, devises a deadly secret ritual, where he and his seven queens will burn on his pyre, and he will rise again with the powers of Ravana, demon-king of the epic Ramayana. But things go wrong when one queen, the beautiful, spirited Darya, escapes with the help of Aram Dhoop, the court poet. Jodhpur, Rajasthan, 2010: At the site of ancient Mandore, teenagers Vikram, Amanjit, Deepika and Rasita meet and realize that the deathless king and his ghostly brides are hunting them down. As vicious forces from the past come alive, they need to unlock truths that have been hidden for centuries, and fight an ancient battle . . . one more time.
Borrowing from Sanghadasa's Jaina version of the Ramayana, Mandodari-one of the least known characters of the Hindu epic-is finally given a voice. Considered to be one of the most beautiful apsaras, she was married off to the mighty Ravana, the legendary king of Lanka. In her story, she speaks about her struggles after her marriage, her insecurities and her pious nature that challenged her husband's growing aspirations. She narrates the rise of Ravana's power and the blunders he made that ultimately caused the downfall of Lanka. Despite her husband's faults, Mandodari loved him and advised him to follow the path of righteousness. Ravana's defeat in a thirteen-day war turned him into a villain. But what if he were the real hero on his side of the war? What if his downfall was a result of scheming to push him out of power? This is Mandodari's story.
The Original Ramayana Was Written Three Thousand Years Ago. Now, With Breathtaking Imagination And Brilliant Storytelling, Ashok K. Banker Has Recreated This Epic Tale For Modern Readers Everywhere. Sita Has Been Abducted By The Demonlord Ravana And Held Captive In The Island-Kingdom Of Lanka. Rama Is Now Faced With The Bitter Prospect Of A Final, Terrible War Against Ravana And His Rakshasa Hordes. Sita S Fate Hangs In The Balance While Rama S Armies Assemble On The Very Edge Of The Ocean. Using Only Their Wits And Bare Hands They Begin To Build A Bridge To The Island-Kingdom. But Time Is Rapidly Running Out, And The Journey To Lanka Appears Near-Impossible& At This Critical Moment Hanuman Attains A Magnificent Apotheosis. Transformed Into A Being With A Single-Minded Mission, He Prepares For A Terrifying Face-Off With Ravana, And Makes His Awesome Leap Across The Ocean To Rescue Sita. Will He Succeed In Saving Her Life And Averting The Final Battle? Surely A Lone Vanar Cannot Face The Crushing Might Of Lanka And Survive? But Then Hanuman Is No Ordinary Vanar...
Combining the results from multifold approach with that from flora and fauna, primitive tribes, and a critical study of the Ramayana he came to the conclusion that the Ramayana as it exists today is not old as popularly believed, but also is largely mythical. Ravana was an ordinary human being, as the epic expressly says so. And Lanka was situated in the Vidhyas. Thus Rama had not crossed the Narbada. These old views have now been corroborated archaeologically.
Throughout Indian history, many authors and performers have produced, and many patrons have supported, diverse tellings of the story of the exiled prince Rama, who rescues his abducted wife by battling the demon king who has imprisoned her. The contributors to this volume focus on these "many" Ramayanas. While most scholars continue to rely on Valmiki's Sanskrit Ramayana as the authoritative version of the tale, the contributors to this volume do not. Their essays demonstrate the multivocal nature of the Ramayana by highlighting its variations according to historical period, political context, regional literary tradition, religious affiliation, intended audience, and genre. Socially marginal groups in Indian society—Telugu women, for example, or Untouchables from Madhya Pradesh—have recast the Rama story to reflect their own views of the world, while in other hands the epic has become the basis for teachings about spiritual liberation or the demand for political separatism. Historians of religion, scholars of South Asia, folklorists, cultural anthropologists—all will find here refreshing perspectives on this tale.
