Retells the author's experiences being bitten by a rattlesnake and observing the snakes in the wild, describes the Hopi rattlesnake dance, and covers rattlesnake anatomy and behavior
Because Rattlesnake has taken over the road and will not let any of the people or animals in the village use it, Desert Woman enlists the aid of the other animals to create a strange new creature with the necessary tools to overcome Rattlesnake.
This virtual encyclopedia of the rattlesnake became a natural history sensation when it was first published in 1956. The republication of the Second Edition, with a new foreword by Harry W. Greene, will give amateur and professional herpetologists alike reason to rejoice. Volume 1 covers taxonomy, physiology, and behavior; Volume 2 concentrates on the rattlesnake's interactions with other organisms, including humans. Klauber's detailed and thorough study is still one of the most complete rattlesnake references ever published.Greene's Foreword discusses the initial impact and continuing value of Klauber's work and recounts some of the advances in knowledge of rattlesnake biology during the past 25 years. Also included is an update of rattlesnake taxonomy.
A rattlesnake slithers into a cave and shakes and wriggles in a rattlesnake dance of pure bliss, while other hissing snakes join the underground ball. Full-color illustrations.
A beautifully produced and illustrated (bandw) reference that offers complete descriptions and cultural contexts of the dress and ornamentation of the North American Indian tribes. The volume is divided into ten cultural regions, with each chapter giving an overview of the regional clothing. Individual tribes of the area follow in alphabetical order. Tribal information includes men's basic dress, women's basic dress, footwear, outer wear, hair styles, headgear, accessories, jewelry, armor, special costumes, garment decoration, face and body embellishment, transitional dress after European contact, and bibliographic references. Appendices include a description of clothing arts and a glossary. Annotation copyright by Book News, Inc., Portland, OR
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Despite several decades of scholarship on African diasporic religion, Voodoo remains underexamined, and the few books published on the topic contain inaccuracies and outmoded arguments. In Voodoo: An African American Religion, Jeffrey E. Anderson presents a much-needed modern account of the faith as it existed in the Mississippi River valley from colonial times to the mid-twentieth century, when, he argues, it ceased to thrive as a living tradition. Anderson provides a solid scholarly foundation for future work by systematizing the extant information on a religion that has long captured the popular imagination as it has simultaneously engendered fear and ridicule. His book stands as the most complete study of the faith yet produced and rests on more than two decades of research, utilizing primary source material alongside the author’s own field studies in New Orleans, Haiti, Cuba, Senegal, Benin, Togo, and the Republic of Congo. The result serves as an enduring resource on Mississippi River valley Voodoo, Louisiana, and the greater African Diaspora.