Raphael, Dürer, and Marcantonio Raimondi
Raphael, Dürer, and Marcantonio Raimondi

Author: Lisa Pon

Publisher:

Published: 2004

Total Pages: 216

ISBN-13: 9780300096804

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In early sixteenth-century Italy, works of art came to be understood as unique objects made by individuals of genius, giving rise to a new sense of the artist as the author of his images. At the same time, the practice of engraving, a medium that produced multiple printed images via collaborative processes, rapidly developed. In this book, Lisa Pon examines how images passed between artists and considers how printing techniques affected the authorship of images. Pon focuses on the encounters between the engraver Marcantonio Raimondi and three key artists: Albrecht Dürer, Raphael, and Giorgio Vasari. She reevaluates their work in light of the tensions between possessive authorship and practical collaboration in the visual arts.

Michelangelo in Print
Michelangelo in Print

Author: Bernadine Barnes

Publisher: Routledge

Published: 2017-07-05

Total Pages: 243

ISBN-13: 1351558285

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In seeing printed reproductions as a form of response to Michelangelo's work, Bernadine Barnes focuses on the choices that printmakers and publishers made as they selected which works would be reproduced and how they would be presented to various audiences. Six essays set the reproductions in historical context, and consider the challenges presented by works in various media and with varying degrees of accessibility, while a seventh considers how published verbal descriptions competed with visual reproductions. Rather than concentrating on the intentions of the artist, Barnes treats the prints as important indicators of the use of, and public reaction to, Michelangelo's works. Emphasizing reception and the construction of history, her approach adds to the growing body of scholarship on print culture in the Renaissance. The volume includes a comprehensive checklist organized by the work reproduced.

Marcantonio Raimondi, Raphael and the Image Multiplied
Marcantonio Raimondi, Raphael and the Image Multiplied

Author: Edward H. Wouk

Publisher:

Published: 2016

Total Pages: 240

ISBN-13: 9781526109569

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An in-depth collection of essays on the leading engraver and printmaker of the Italian Renaissance, accompanying the first major exhibition of his work in over three decades, at the Whitworth Gallery, Manchester.

The Renaissance Print, 1470-1550
The Renaissance Print, 1470-1550

Author: David Landau

Publisher: Yale University Press

Published: 1994-01-01

Total Pages: 453

ISBN-13: 0300068832

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Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.

Sculpture in Print, 1480–1600
Sculpture in Print, 1480–1600

Author: Anne Bloemacher

Publisher: BRILL

Published: 2021-04-19

Total Pages: 392

ISBN-13: 9004445862

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In this first in-depth study dedicated to the intriguing history of the translation of statues and reliefs into print, the essays in this volume reflect the printmakers’ various approaches and challenges of translating antique or contemporary artworks, underlining their highly creative handling.

Raphael
Raphael

Author: Catherine Whistler

Publisher: Ashmolean Museum Oxford

Published: 2017

Total Pages: 0

ISBN-13: 9781910807156

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The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.

Photography in Print
Photography in Print

Author: Vicki Goldberg

Publisher: UNM Press

Published: 1988

Total Pages: 580

ISBN-13: 9780826310910

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Essays by photographers, critics, and philosophers.

The School of Raphael
The School of Raphael

Author: Nicholas Dorigny

Publisher: Tom Richardson

Published: 2010

Total Pages: 250

ISBN-13: 0982167849

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This book of prints of the human head, showing the range of emotions and expressions, were engraved by the most skilled artists of the day from tracings and drawings made by Nicholas Dorigny from the famous cartoons that Raphael designed in the early 1500s to be made into tapestries for the Sistine Chapel.

Raphael and the Redefinition of Art in Renaissance Italy
Raphael and the Redefinition of Art in Renaissance Italy

Author: Robert Williams

Publisher: Cambridge University Press

Published: 2017-04-03

Total Pages: 976

ISBN-13: 1108146147

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Raphael was one of the most important artists of the Italian Renaissance and one of the most important and influential in the entire history of art. His practice of 'synthetic' or 'critical' imitation became a model of creative method; his engagement with the principle of decorum revealed its deeper expressive and philosophical significance and the operation of his workshop helped to redefine the nature of the work that artists do. Robert Williams draws upon the history of literature, philosophy, and religion, as well as upon economic history, to support his detailed and illuminating accounts of Raphael's major works. His analyses serve as the foundation for a set of hypotheses about the aims and aspirations of Italian Renaissance art in general and the nature of art-historical inquiry.