Saba’s passion kept her allies alive. Now it may destroy them all in the gut-wrenching third book in the highly praised Dust Lands trilogy, which MTV’s Hollywood Crush blog called “better than The Hunger Games.” Saba is ready to seize her destiny and defeat DeMalo...until she meets him and he confounds all her expectations with his seductive vision of a healed earth, a New Eden. DeMalo wants Saba to join him, in life and work, to create and build a healthy, stable, sustainable world…for the chosen few. The young and healthy. Under his control. Jack’s choice is clear: to fight DeMalo and try to stop New Eden. Presumed dead, he’s gone undercover, feeding Saba crucial information in secret meetings. Saba commits herself to the fight—and hides her connection with DeMalo. Joined by her brother, Lugh, and her sister, Emmi, Saba leads a small guerilla band against the settlers and the Tonton militia. But the odds are overwhelming. Saba knows how to fight—she’s not called the Angel of Death for nothing. But what if the fight cannot be won? Then DeMalo offers her a seductive chance she may not be able to refuse. How much will she sacrifice to save the people she loves? Betrayal lurks in unexpected places in the breathtaking conclusion to the Dust Lands Trilogy.
Nothing is certain and no one is safe in the second book in the highly praised Dust Lands trilogy, which MTV's Hollywood Crush blog called "better than The Hunger Games." It seemed so simple: Defeat the Tonton, rescue her kidnapped brother, Lugh, and then order would be restored to Saba's world. Simplicity, however, has proved to be elusive. Now, Saba and her family travel west, headed for a better life and a longed-for reunion with Jack. But the fight for Lugh's freedom has unleashed a new power in the dust lands, and a formidable new enemy is on the rise. What is the truth about Jack? And how far will Saba go to get what she wants? In this much-anticipated follow-up to the riveting Blood Red Road, a fierce heroine finds herself at the crossroads of danger and destiny, betrayal and passion.
“A funny, heartwrenching, and soulful” debut novel about family, friends, and first love from the acclaimed author of Mayhem and But Then I Came Back (Bustle). Lucille Bennett is pushed into adulthood after her mom decides to take a break from parenting, from responsibility, from Lucille and her little sister, Wren. Left to cover for her absentee parents, Lucille thinks, “Wren and Lucille. Lucille and Wren. I will do whatever I have to. No one will pull us apart.” Now is not the time for level-headed Lucille to fall in love. But love—messy, inconvenient love—is what she’s about to experience when she falls for Digby Jones, her best friend’s brother. With blazing longing that builds to a fever pitch, Estelle Laure’s soulful debut will keep readers hooked and hoping until the very last page. “I loved this book. I was torn between wanting to devour it in one breathless read and needing to stop and savor each gorgeous turn of phrase. This is a remarkable debut.”—Morgan Matson, New York Times-bestselling author of The Unexpected Everything “Estelle Laure’s This Raging Light might be YA, but it’s got plenty of grown-up appeal.”—Entertainment Weekly “A funny, poetic, big-hearted reminder that life can—and will—take us all by surprise.”—Jennifer E. Smith, bestselling author of Field Notes on Love “Lucille may not take down a beast or assassinate any super bads, but she’s what heroines look like and love like in real life.”—Justine Magazine “Heartbreakingly hopeful, lyrically told.”—Kirkus Reviews
This fast-paced YA debut novel has it all: smart, savvy characters making their way through an eerily dystopian society, with all the requisite action, adventure and romance characteristic of the genre vividly and at times, chillingly, portrayed. In a wild and lawless future, where life is cheap and survival is hard, eighteen-year-old Saba lives with her father, her twin brother Lugh, her young sister Emmi and her pet crow Nero. Theirs is a hard and lonely life. The family resides in a secluded shed, their nearest neighbour living many miles away and the lake, their only source of water and main provider of food, gradually dying from the lack of rain. But Saba's father refuses to leave the place where he buried his beloved wife, Allis, nine years ago. Allis died giving birth to Emmi, and Saba has never forgiven her sister for their mother's death. But while she despises Emmi, Saba adores her twin brother Lugh. Golden-haired and blue-eyed, loving and good, he seems the complete opposite to dark-haired Saba, who is full of anger and driven by a ruthless survival instinct. To Saba, Lugh is her light and she is his shadow, he is the day, she is the nighttime, he is beautiful, she is ugly, he is good, she is bad. So Saba's small world is brutally torn apart, when a group of armed riders arrives five day's after the twin's eighteenth birthday snatch Lugh away. Saba's rage is so wild, that she manages to drive the men away, but not before they have captured Lugh and killed their father. And here begins Saba's epic quest to rescue Lugh, during which she is tested by trials she could not have imagined, and one that takes the reader on breathtaking ride full or romance, physical adventure and unforgettably vivid characters, making this a truly sensational YA debut novel.
In 1969, a low-budget biker movie, Easy Rider, shocked Hollywood with its stunning success. An unabashed celebration of sex, drugs, and rock 'n' roll (onscreen and off), Easy Rider heralded a heady decade in which a rebellious wave of talented young filmmakers invigorated the movie industry. In Easy Riders, Raging Bulls, Peter Biskind takes us on the wild ride that was Hollywood in the '70s, an era that produced such modern classics as The Godfather, Chinatown, Shampoo, Nashville, Taxi Driver, and Jaws. Easy Riders, Raging Bulls vividly chronicles the exuberance and excess of the times: the startling success of Easy Rider and the equally alarming circumstances under which it was made, with drugs, booze, and violent rivalry between costars Dennis Hopper and Peter Fonda dominating the set; how a small production company named BBS became the guiding spirit of the youth rebellion in Hollywood and how, along the way, some of its executives helped smuggle Huey Newton out of the country; how director Hal Ashby was busted for drugs and thrown in jail in Toronto; why Martin Scorsese attended the Academy Awards with an FBI escort when Taxi Driver was nominated; how George Lucas, gripped by anxiety, compulsively cut off his own hair while writing Star Wars, how a modest house on Nicholas Beach occupied by actresses Margot Kidder and Jennifer Salt became the unofficial headquarters for the New Hollywood; how Billy Friedkin tried to humiliate Paramount boss Barry Diller; and how screenwriter/director Paul Schrader played Russian roulette in his hot tub. It was a time when an "anything goes" experimentation prevailed both on the screen and off. After the success of Easy Rider, young film-school graduates suddenly found themselves in demand, and directors such as Francis Coppola, Peter Bogdanovich, George Lucas, and Martin Scorsese became powerful figures. Even the new generation of film stars -- Nicholson, De Niro, Hoffman, Pacino, and Dunaway -- seemed a breed apart from the traditional Hollywood actors. Ironically, the renaissance would come to an end with Jaws and Star Wars, hugely successful films that would create a blockbuster mentality and crush innovation. Based on hundreds of interviews with the directors themselves, producers, stars, agents, writers, studio executives, spouses, and ex-spouses, this is the full, candid story of Hollywood's last golden age. Never before have so many celebrities talked so frankly about one another and about the drugs, sex, and money that made so many of them crash and burn. By turns hilarious and shocking, Easy Riders, Raging Bulls is the ultimate behind-the-scenes account of Hollywood at work and play.
"A Star is Bored is an absolute knockout. Riotously funny and wickedly tender." — Taylor Jenkins Reid, New York Times bestselling author of Daisy Jones and the Six "Wildly funny and irreverent... Lane’s writing lifts the novel far above its gossamer Hollywood setting, suffusing [the novel] with a complex sensitivity." - The New York Times Book Review A hilariously heartfelt novel influenced in part by the author’s time assisting Carrie Fisher. People Magazine Best Book of Summer 2020 - Named a Must-Read Summer book by Town & Country - Named One of the 14 Best Books of Summer 2020 by Harper's Bazaar - One of Library Journal's 2020 "Titles to Watch" - One of the 30 Best Beach Reads According to Parade Magazine She needs an assistant. He needs a hero. Charlie Besson is tense and sweating as he prepares for a wild job interview. His car is idling, like his life, outside the Hollywood mansion of Kathi Kannon, star of stage and screen and People magazine’s Worst Dressed list. She's an actress in need of assistance, and he's adrift and in need of a lifeline. Kathi is an icon, bestselling author, and award-winning movie star, most known for her role as Priestess Talara in a blockbuster sci-fi film. She’s also known in another role: Outrageous Hollywood royalty. Admittedly so. Famously so. Chaotically so, as Charlie quickly discovers. Charlie gets the job, and his three-year odyssey is filled with late-night shopping sprees, last-minute trips to see the aurora borealis, and an initiation to that most sacred of Hollywood tribes: the personal assistant. But Kathi becomes much more than a boss, and as their friendship grows Charlie must make a choice. Will he always be on the sidelines of life, assisting the great forces that be, or can he step into his own life's leading role? Laugh-out-loud funny, and searingly poignant, Byron Lane's A Star is Bored is a novel that, like the star at its center, is enchanting and joyous, heartbreaking and hopeful.
NEW YORK TIMES BESTSELLER • Pierce Brown’s relentlessly entertaining debut channels the excitement of The Hunger Games by Suzanne Collins and Ender’s Game by Orson Scott Card. “Red Rising ascends above a crowded dystopian field.”—USA Today ONE OF THE BEST BOOKS OF THE YEAR—Entertainment Weekly, BuzzFeed, Shelf Awareness “I live for the dream that my children will be born free,” she says. “That they will be what they like. That they will own the land their father gave them.” “I live for you,” I say sadly. Eo kisses my cheek. “Then you must live for more.” Darrow is a Red, a member of the lowest caste in the color-coded society of the future. Like his fellow Reds, he works all day, believing that he and his people are making the surface of Mars livable for future generations. Yet he toils willingly, trusting that his blood and sweat will one day result in a better world for his children. But Darrow and his kind have been betrayed. Soon he discovers that humanity reached the surface generations ago. Vast cities and lush wilds spread across the planet. Darrow—and Reds like him—are nothing more than slaves to a decadent ruling class. Inspired by a longing for justice, and driven by the memory of lost love, Darrow sacrifices everything to infiltrate the legendary Institute, a proving ground for the dominant Gold caste, where the next generation of humanity’s overlords struggle for power. He will be forced to compete for his life and the very future of civilization against the best and most brutal of Society’s ruling class. There, he will stop at nothing to bring down his enemies . . . even if it means he has to become one of them to do so. Praise for Red Rising “[A] spectacular adventure . . . one heart-pounding ride . . . Pierce Brown’s dizzyingly good debut novel evokes The Hunger Games, Lord of the Flies, and Ender’s Game. . . . [Red Rising] has everything it needs to become meteoric.”—Entertainment Weekly “Ender, Katniss, and now Darrow.”—Scott Sigler “Red Rising is a sophisticated vision. . . . Brown will find a devoted audience.”—Richmond Times-Dispatch Don’t miss any of Pierce Brown’s Red Rising Saga: RED RISING • GOLDEN SON • MORNING STAR • IRON GOLD • DARK AGE • LIGHT BRINGER
When Donald Justice wrote in "On a Picture by Burchfield" that "art keeps long hours," he might have been describing his own life. Although he early on struggled to find a balance between his life and art, the latter became a way of experiencing his life more deeply. He found meaning in human experience by applying traditional religious language to his artistic vocation. Central to his work was the translation of the language of devotion to a learned American vernacular. Art not only provided him with a wealth of intrinsically worthwhile experiences but also granted rich and nuanced ways of experiencing, understanding, and being in the world. For Donald Justice--recipient of some of poetry's highest laurels, including the Pulitzer Prize, the Bollingen Prize, and the Lannan Literary Award for Poetry--art was a way of life. Because Jerry Harp was Justice's student, his personal knowledge of his subject--combined with his deep understanding of Justice's oeuvre--works to remarkable advantage in For Us, What Music? Harp reads with keen intelligence, placing each poem within the precise historical moment it was written and locating it in the context of the literary tradition within which Justice worked. Throughout the text runs the narrative of Justice's life, tying together the poems and informing Harp's interpretation of them. For Us, What Music? grants readers a remarkable understanding of one of America's greatest poets.
Suspicious of sixteen-year-old Marnie, a newcomer to their village, the residents accuse her of witchcraft when she discovers that the village madman is not crazy but deaf, and she begins to communicate with him through hand gestures.
