French and British Paintings from 1600 to 1800 in the Art Institute of Chicago
French and British Paintings from 1600 to 1800 in the Art Institute of Chicago

Author: Art Institute of Chicago

Publisher: Princeton University Press

Published: 1996

Total Pages: 336

ISBN-13:

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The second in a series of scholarly catalogs on the permanent collections of The Art Institute of Chicago, this volume focuses on the museum's important holdings of French and British paintings of the seventeenth and eighteenth centuries. The catalog contains comprehensive entries on close to one hundred paintings, representing the full range of artistic production (portraiture, landscape, still life, genre, and history painting) in France and Britain during this period. Featured are major works by some of the most significant artists of the time: Jacques Louis David, Jean Honor Fragonard, Claude Lorrain, Nicolas Poussin, and Jean Antoine Watteau among the French; Henry Fuseli, Thomas Gainsborough, Sir Joshua Reynolds, and Benjamin West among the British. Each painting in the catalog is accompanied by complete and up-to-date documentation, including a detailed description of physical condition, a fully documented provenance, and a critical discussion of attribution, date, subject, and function, as well as a summary of earlier scholarship. Many of these works are little published and some are published here for the first time. Forty-one works are reproduced in color, the rest in duotone; there are also 101 comparative illustrations.

The Cartulary of Prémontré
The Cartulary of Prémontré

Author: Yvonne Seale

Publisher: University of Toronto Press

Published: 2023-06-26

Total Pages: 900

ISBN-13: 1487545428

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The Cartulary of Prémontré offers a full critical edition, consisting of a transcription of the cartulary’s 509 charters together with historical notes and apparatus. The thirteenth-century cartulary of the abbey of Saint-Jean-Baptiste de Prémontré is one of the few manuscripts to survive from this monastery. Offering a window into daily life in medieval France and to contemporary documentary practices, the cartulary of Prémontré is a rich source for the socio-economic and religious history of the Picardy and Champagne regions during the twelfth and thirteenth centuries. The charters contained in the cartulary illuminate how this major northern French abbey functioned as a mother house for the Premonstratensian Order, and how it interacted with people – both elite and non-elite as well as secular and ecclesiastical. It also reveals the complexities of cartulary production within a larger institutional and archival context. In an introductory essay, Heather Wacha and Yvonne Seale consider not only the history of the manuscript and of the abbey of Prémontré, but also the cartulary’s materiality, its place within the broader field of cartulary studies, and what it shows us about women’s roles in contemporary society. In doing so, this volume offers new connections between the field of cartulary studies and feminist studies.