The Music of Elliott Carter

The Music of Elliott Carter

Author: David Schiff

Publisher: Cornell University Press

Published: 2018-10-18

Total Pages: 386

ISBN-13: 1501718363

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Arguably the most important American composer of the century, Elliott Carter often has been more highly regarded in Europe than in his native land. Interest in his work has grown rapidly in recent years, however, and the celebration of his ninetieth birthday in December, 1998, accompanied by numerous performances and new recordings, undoubtedly will increase the attention of his fellow citizens to this remarkable figure.Authoritative and gracefully written, The Music of Elliott Carter engages composers, performers, and critics, and speaks to concert-goers, whether attuned to or alarmed by the formidable difficulty of Carter's music. David Schiff views the music from the perspective of the composer's development and relates his compositional techniques to those nonmusical arts—contemporary American poetry in particular—with which Carter has been deeply involved. The volume benefits from Schiff's extensive discussions of Carter's works with their most noted performers, including Heinz Holliger, Oliver Knussen, and Ursula Oppens, and from the generous cooperation of the composer himself.This new edition, a thoroughly reorganized, revised, and updated version of the book published in 1983, accounts for the many new works written by Carter since 1980 and accommodates the burgeoning critical literature on his music. Its features include many musical examples and a selected discography. In addition to the new foreword, the composer has provided his listing of three-to-six note chords and a note on "Voyage."


The New Grove Schubert

The New Grove Schubert

Author: Maurice John Edwin Brown

Publisher: W. W. Norton & Company

Published: 1983

Total Pages: 212

ISBN-13: 9780393315868

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Traces the life of Franz Schubert, describes the development of his muscial career, and discusses the composition of his major works.


The Cambridge Companion to Brahms

The Cambridge Companion to Brahms

Author: Michael Musgrave

Publisher: Cambridge University Press

Published: 1999-05-27

Total Pages: 352

ISBN-13: 1139825305

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This Companion gives a comprehensive view of the German composer Johannes Brahms (1833–97). Twelve specially-commissioned chapters by leading scholars and musicians provide systematic coverage of the composer's life and works. Their essays represent recent research and reflect changing attitudes towards a composer whose public image has long been out-of-date. The first part of the book contains three chapters on Brahms's early life in Hamburg and on the middle and later years in Vienna. The central section considers the musical works in all genres, while the last part of the book offers personal accounts and responses from a conductor (Roger Norrington), a composer (Hugh Wood), and an editor of Brahms's original manuscripts (Robert Pascall). The volume as a whole is an important addition to Brahms scholarship and provides indispensable information for all students and enthusiasts of Brahms's music.


The Symphonic Repertoire, Volume II

The Symphonic Repertoire, Volume II

Author: A. Peter Brown

Publisher: Indiana University Press

Published: 2002-08-13

Total Pages: 760

ISBN-13: 9780253334879

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More than 170 symphonies from this repertoire are described and analyzed in The First Golden Age of the Viennese Symphony, the first volume of the series to appear.


Polycultural Synthesis in the Music of Chou Wen-chung

Polycultural Synthesis in the Music of Chou Wen-chung

Author: Mary I. Arlin

Publisher: Routledge

Published: 2018-04-17

Total Pages: 318

ISBN-13: 1351974041

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The displacement of Chou Wen-chung from his native China in 1948 forced him into Western-European culture. Ultimately finding his vocation as a composer, he familiarized himself with classical and contemporary techniques but interpreted these through his traditionally oriented Chinese cultural perspective. The result has been the composition of a unique body of repertoire that synthesizes the most progressive Western compositional idioms with an astonishingly traditional heritage of Asian approaches, not only from music, but also from calligraphy, landscape painting, poetry, and more. Chou’s importance rests not only in his compositions, but also in his widespread influence through his extensive teaching career at Columbia University, where his many students included Bright Sheng, Zhou Long, Tan Dun, Chen Yi, Joan Tower, and many more. During his tenure at Columbia, he also founded the U.S.-China Arts Exchange, which continues to this day to be a vital stimulus for multicultural interaction. The volume will include an inventory of the Chou collection in the Paul Sacher Stiftung in Basel, Switzerland.