This comprehensive study deals with the major critical problems of one of the most difficult authors of Latin literature. It examines in a systematic fashion the two major factors which have been assumed to be responsible for the state of the transmitted text of Propertius: dislocation and interpolation. It also covers a large number of notorious cases of verbal corruption and discusses problems of the manuscript tradition on the basis of the most recent research. Beyond questions of textual criticism and history in the narrow sense the book provides also important exegetical remarks on many Propertian passages and deals in a separate chapter with problems of book and poem structure.
Vol. 1 includes reprints of the "Memoranda" issued by the Society 1872-79; also "Officers of the ... Society from the commencement to the year 1879" and "Earliest list of members, 1872".
Surveying a large body of Greek (and occasionally Roman) literature, as well as material remains, this volume offers the first systematic study of a central motif in the praise of humans in antiquity, and explores when, how, why, and to what effect humans are compared to gods in the poetry of archaic and classical Greece.
This book performs for the "Academici Libri" what P.L. Schmidt achieved for the "De legibus" - it studies the entire tradition of the work, including its original publication, its influence in Antiquity, the Middle Ages and Renaissance, manuscripts and printed editions.
The establishment of the Augustan regime presents itself as the assertion of order and rationality in the political, ideological, and artistic spheres, after the disorder and madness of the civil wars of the late Republic. But the classical, Apollonian poetry of the Augustan period is fascinated by the irrational in both the public and private spheres. There is a vivid memory of the political and military furor that destroyed the Republic, and also an anxiety that furor may resurface, that the repressed may return. Epic and elegy are both obsessed with erotic madness: Dido experiences in her very public role the disabling effects of love that are both lamented and celebrated by the love elegists. Didactic (especially the Georgics) and the related Horatian exercises in satire and epistle, offer programmes for constructing rational order in the natural, political, and psychological worlds, but at best contain uneasily an ever-present threat of confusion and backsliding, and for the most part fall short of the austere standards of rational exposition set by Lucretius. Dionysus and the Dionysiac enjoy a prominence in Augustan poetry and art that goes well beyond the merely ornamental. The person of the emperor Augustus himself tests the limits of rational categorization. Augustan Poetry and the Irrational contains contributions by some of the leading experts of the Augustan period as well as a number of younger scholars. An introduction which surveys the field as a whole is followed by chapters that examine the manifestations of the irrational in a range of Augustan poets, including Virgil, Horace, Ovid, and the love elegists, and also explore elements of post-classical reception.
The present book presents for the first time a detailed study of selected passages of the most important Georgian translation of a text of Greek philosophy: the translation of Proklos' Elementatio Theologica by the most eminent philosopher of the Georgian middle ages, Ioane Petrizi, who not only translated Proklos' text, but also provided it with an extensive commentary. The book discusses the paragraphs which are also extant in an Arabic translation of the early 9th century. The main scope of the book is to establish the relevance of the Georgian and Arabic translations for the history of the constitution of the text, but it provides also important insights in Petrizi's method of translation and the philosophical significance of his commentary.
This volume is the first comprehensive commentary on the fourth book of Martial's epigrams. The introduction discusses its date of publication, major themes (Domitian, literature, death), the arrangement and form of the epigrams, and some issues concerning the transmission of the text. Of special note is the author’s study of the structure of the book. The commentary, preceded by the Latin critical text and an English translation, aims to provide readers with as much pertinent information as possible to enable them to fully comprehend the epigrams. Attention is paid to style and literary tradition, as well as to realia. Both each individual epigram and the book as a whole are studied as finely accomplished works of art.
This volume is a companion to the author's new Loeb edition of Seneca's tragedies (vol. 1, 2002; vol. 2, 2004). It offers reasons for his editorial choices, and explains his interpretations of the text as reflected in his translation. Hercules Oetanus and Octavia, now generally regarded as imitations of Senecan drama, are both included. The volume is intended to be read alongside Otto Zwierlein's Kritische Kommentar, published in 1986. In the intervening years there has been much new work pertaining to Seneca's text, including full-scale editions with commentary on individual plays, such as Keulen's Troades, Töchterle's Oedipus and Ferri's Octavia. Annaeana Tragica seeks to supplement and advance Zwierlein's work in the light of this new material. An appendix reviews the scholarly controversy concerning the anapaestic odes of these plays, and offers fresh evidence relevant to the issue.
