The Life of John Milton: Narrated in Connexion with the Political, Ecclesiastical and Literary History of His Time
Author: David Masson
Publisher:
Published: 1859
Total Pages: 838
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
Author: David Masson
Publisher:
Published: 1859
Total Pages: 838
ISBN-13:
DOWNLOAD EBOOKAuthor: David Masson
Publisher:
Published: 1859
Total Pages: 814
ISBN-13:
DOWNLOAD EBOOKAuthor: David Masson
Publisher: BoD – Books on Demand
Published: 2023-03-03
Total Pages: 806
ISBN-13: 3382311275
DOWNLOAD EBOOKReprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: Antony Francis Allison
Publisher:
Published: 1976
Total Pages: 216
ISBN-13:
DOWNLOAD EBOOKAuthor: David Masson
Publisher:
Published: 1965
Total Pages: 892
ISBN-13:
DOWNLOAD EBOOKAuthor: Arthur Mayger Hind
Publisher:
Published: 1952
Total Pages: 640
ISBN-13:
DOWNLOAD EBOOKAuthor: David Burr
Publisher:
Published: 1976
Total Pages: 102
ISBN-13:
DOWNLOAD EBOOKAuthor: Muḥammad ibn Mūsá Khuwārizmī
Publisher:
Published: 1915
Total Pages: 206
ISBN-13:
DOWNLOAD EBOOKAuthor: Henrik Lagerlund
Publisher: Springer Science & Business Media
Published: 2010-12-07
Total Pages: 1448
ISBN-13: 140209728X
DOWNLOAD EBOOKThis is the first reference ever devoted to medieval philosophy. It covers all areas of the field from 500-1500 including philosophers, philosophies, key terms and concepts. It also provides analyses of particular theories plus cultural and social contexts.
Author: Dietrich Bartel
Publisher: U of Nebraska Press
Published: 1997-07-01
Total Pages: 496
ISBN-13: 9780803235939
DOWNLOAD EBOOKMusica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther’s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music’s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists’ interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist’s definitions are presented in the original language and in parallel English translations. Bartel’s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music.