The Life of John Milton

The Life of John Milton

Author: David Masson

Publisher: BoD – Books on Demand

Published: 2023-03-03

Total Pages: 806

ISBN-13: 3382311275

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Reprint of the original, first published in 1859. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.


Encyclopedia of Medieval Philosophy

Encyclopedia of Medieval Philosophy

Author: Henrik Lagerlund

Publisher: Springer Science & Business Media

Published: 2010-12-07

Total Pages: 1448

ISBN-13: 140209728X

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This is the first reference ever devoted to medieval philosophy. It covers all areas of the field from 500-1500 including philosophers, philosophies, key terms and concepts. It also provides analyses of particular theories plus cultural and social contexts.


Musica Poetica: Musical-Rhetorical Figures in German Baroque Music

Musica Poetica: Musical-Rhetorical Figures in German Baroque Music

Author: Dietrich Bartel

Publisher: U of Nebraska Press

Published: 1997-07-01

Total Pages: 496

ISBN-13: 9780803235939

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Musica Poetica provides an unprecedented examination of the development of Baroque musical thought. The initial chapters, which serve as an introduction to the concept and teachings of musical-rhetorical figures, explore Martin Luther’s theology of music, the development of the Baroque concept of musica poetica, the idea of the affections in German Baroque music, and that music’s use of the principles and devices of rhetoric. Dietrich Bartel then turns to more detailed considerations of the musical-rhetorical figures that were developed in Baroque treatises and publications. After brief biographical sketches of the major theorists, Bartel examines those theorists’ interpretation and classification of the figures. The book concludes with a detailed presentation of the musical-rhetorical figures, in which each theorist’s definitions are presented in the original language and in parallel English translations. Bartel’s clear, detailed analysis of German Baroque musical-rhetorical figures, combined with his careful translations of interpretations of those figures from a wide range of sources, make this book an indispensable introduction and resource for all students of Baroque music.