The painting Qingming Shang He Tu ("Scenes along the River during the Qingming Festival"),an over 16-foot panorama running from right to left, is considered to be one of the most brilliant works in Chinese art history. It is a masterpiece of realism, recording the pulse of a thriving, historical town and showing extraordinary detail.
In the 1100s China was arguably the richest country in the world, having experienced several centuries of sustained economic growth. A key factor in this prosperity was a commercial revolution that greatly expanded trade across the region.
LITERARY WONDERS With Qing Ming Shanghe Tu: The River of Wisdom, Books for Growing Minds introduces the writing duo of J'miah Nabawi and Chunzie "Evie" Zhang. Also known as Along the River During the Qingming Festival, the cover image is a painting by the Song dynasty artist Zhang Zeduan. It captures the daily life of people and the landscape of the capital, Bianjing, today's Kaifeng, from the Northern Song period. The theme is often said to celebrate the festive spirit and worldly commotion at the Qingming Festival, rather than the holiday's ceremonial aspects, such as tomb sweeping and prayers. Successive scenes reveal the lifestyle of all levels of the society from rich to poor as well as different economic activities in rural areas and the city, and offer glimpses of period clothing and architecture. The painting is considered to be the most renowned work among all Chinese paintings, and it has been called "China's Mona Lisa." Chunzi Zhang and J'miah Nabawi present and weave into a tapestry of storytelling based upon Chinese history, the arts and family life centered around the painting. An interested read and preservation of cultural artifacts and social interaction."
"Traditional Chinese medicine has been practiced in various forms for more than a thousand years. Practitioners may heal patients with herbal remedies, acupuncture, massage, exercise, and modified diets. Even today, herbal medicines are of particular importance; Chinese pharmacies containing a vast array of remedies can be found in cities and towns the world over. This book is an interdisciplinary and cultural history of the concept of "pharmacy," both the drugs themselves and the trade in medicine, during the Ming and Qing dynasties of early modern China. This was a time of change for traditional Chinese medicine and for Chinese science as a whole. Many historians have argued that sixteenth-century China was a high point of scientific inquiry, followed by a period of intellectual decline. Though political and intellectual shifts led to a crisis of authority over pharmaceutical knowledge in the sixteenth through eighteenth centuries, Bian argues that this period of supposed intellectual decline was in fact characterized by numerous efforts to further refine and spread the pharmacological knowledge amassed in the Ming dynasty. She draws on a wide range of primary sources, but particularly through the study of bencao (pronounced "pen ts'ao"), a genre of encyclopaedic works, often called matteria medica or pharmacopoeia in the West, that collect information on medicinal substances. As the early modern Chinese Empire expanded and print culture became more widespread, the pursuit of medical remedies became a significant commercial enterprise. The author connects theory and practice of pharmacy during the Ming and Qing dynasties to broader developments in intellectual history, book culture, commerce, and taxation"--
At the entrance of The Field Museum’s Cyrus Tang Hall of China, two Chinese stone guardian lions stand tall, gazing down intently at approaching visitors. One lion’s paw rests upon a decorated ball symbolizing power, while the other lion cradles a cub. Traditionally believed to possess attributes of strength and protection, statues such as these once stood guard outside imperial buildings, temples, and wealthy homes in China. Now, centuries later, they guard this incredible permanent exhibition. China’s long history is one of the richest and most complex in the known world, and the Cyrus Tang Hall of China offers visitors a wonderful, comprehensive survey of it through some 350 artifacts on display, spanning from the Paleolithic period to present day. Now, with China: Visions through the Ages, anyone can experience the marvels of this exhibition through the book’s beautifully designed and detailed pages. Readers will gain deeper insight into The Field Museum’s important East Asian collections, the exhibition development process, and research on key aspects of China’s fascinating history. This companion book, edited by the exhibition’s own curatorial team, takes readers even deeper into the wonders of the Cyrus Tang Hall of China and enables them to study more closely the objects and themes featured in the show. Mirroring the exhibition’s layout of five galleries, the volume is divided into five sections. The first section focuses on the Paleolithic and Neolithic periods; the second, the Bronze Age, the first dynasties, and early writing; the third, the imperial system and power; the fourth, religion and performance; and the fifth, interregional trade and the Silk Routes. Each section also includes highlights containing brief stories on objects or themes in the hall, such as the famous Lanting Xu rubbing. With chapters from a diverse set of international authors providing greater context and historical background, China: Visions through the Ages is a richly illustrated volume that allows visitors, curious readers, and China scholars alike a chance to have an enduring exchange with the objects featured in the exhibition and with their multifaceted histories.
A remarkable journey through Chinese medical illustrations from the earliest illustrated manuscripts to advertising and comic books. Senior and emerging scholars from Asia, Europe and the Americas rethink the history of medicine, its epistemologies and materialities, challenging Eurocentric narratives.
Bestselling Chinese American author Adeline Yen Mah weaves her authentic accounts of life in China into an absorbing novel about a Chinese girl and her vision of a previous life. After a fall, CC is whisked away to a hospital. As she drifts in and out of consciousness, she is haunted by vivid dreams that seem strange—yet somehow familiar. Thus begins CC’s emotional journey back to a privileged life lived eight hundred years ago during the Song dynasty. CC is the daughter of a wealthy and influential man, but she finds herself drawn to a poor orphan boy with a startling ability to capture the beauty of the natural world. As the relationship between these two young people deepens, the transforming power of art and romantic love comes into conflict with the immovable rules of Chinese society. This stunning fantasy adventure novel, inspired by China’s most famous painting, Along the River at the Qing Ming Festival, tells the story of a friendship both tender and bold. CC’s remarkable journey reminds readers that though time moves on, art and love endure.
