Sci-fi luminary Stanley G. Weinbaum first broke through with the hugely influential story "A Martian Odyssey," one of the first to depict an alien being in a somewhat sympathetic light. Written in 1935, the short tale "Pygmalion's Spectacles" is no less innovative: it centers around the implications of a technology that's surprisingly close to what we now call virtual reality.
Here is the story that presented virtual reality to the world. Dan Berk meets an Elfin professor who has invented a pair of goggles that allow the wearer to enter completely into the action of a story. Sometimes it can be hard to remember that it isn't real, or is it?
Pygmalion's Spectacles is a science fiction tale by the American writer Stanley G. Weinbaum (1935). The story starts from subjective idealism or immaterialism. The tale tells us about the invention of Professor Albert Ludwig, which allows the user to experiment with the world through glasses; a world with smell, taste and touch. The story does not develop linearly, independent of the viewer, but around it, interactively and represents the first literary record of what is now known as Virtual Reality.
Pygmalion's Spectacles by Stanley G. Weinbaum Dan Burke steps out of a stuffy New York City party hoping to get some air and peace in Central Park, but instead he meets a gnomelike man who asks him, "But what is reality?." Sci-fi luminary Stanley G. Weinbaum first broke through with the hugely influential story A Martian Odyssey, one of the first to depict an alien being in a somewhat sympathetic light. The short tale Pygmalion's Spectacles is no less innovative: it centers around the implications of a technology that's surprisingly close to what we now call virtual reality. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
Cosmetic surgery is everywhere: we are surrounded by altered, enhanced, skinny and stretched celebrities, in a hyped media culture that focuses increasingly on the body beautiful. Once only associated with the rich and famous, cosmetic surgery is now widely available, advertised in magazines, doctors' surgeries, and even on television. In some parts of the world it has become an aesthetic and cultural norm, yet remains deeply troubling for many. Skintight argues that cosmetic surgery is the most provocative and controversial aspect of a new 'makeover culture'. Shows such as Ten Years Younger and Extreme Makeover demonstrate that 'fixing' the body is a way to improve lifestyle and uncover true identity. Meanwhile, celebrities such as Michael Jackson and Jocelyn Wildenstein demonstrate the horrors of extreme surgical alteration. Presenting a multidisciplinary approach, and examining a wide range of popular culture case studies from women's magazines, television, architecture and the Internet amongst others, Skintight dissects the realities of cosmetic surgery and culture.
If there were a mountain a thousand miles high and every thousand years a bird flew over it, just brushing the peak with the tip of its wing, in the course of inconceivable eons the mountain would be worn away. Yet all those ages would not be one second to the length of eternity.
