Hundreds of examples from the author's personal collection of well-worn vintage punk shirts line the pages of bestselling author Bryan Ray's latest book. Amazing one-of-a-kind pieces including internationally famous t-shirts such as Sid Vicious' personal Sex Pistols shirt, Joe Strummer's, 'Rude Boy', hand painted red brigade Tee and Darby Crash's personal Vivian Westwood 'Boobs' seditionaries T-Shirt. Turcotte's collection also features gems such as a hand drawn Ric Clayton (RxCx) Suicidal Tendencies button-up featured on the back of the band's first LP, dozens of Malcolm McLaren / Vivienne Westwood creations and loads of very rare band tees including Misfits, The Cramps, The Clash, Sex Pistols, The Screamers, Germs, Mentors and more.
For fans of music and edgy fashion, this is the story of punk, told by the people who lived it and the shirts on their back. The punk revolution wasn't just music--it also shaped fashion, especially the ripped, often handmade T-shirts emblazoned with provocative slogans. Punk Tees captures this youthful revolt through the people who lived it and the clothing they wore. It charts the evolution of punk, T-shirt by T-shirt, from the genre's roots in the 1960s through its zenith in the mid-1970s/early 1980s, to its legacy today. Moving from the Ramones in New York, to their British counterparts the Sex Pistols, to Metal Urbain in Paris, to bands in Germany, Australia, Scandinavia, and Japan, this book illuminates what punk culture really meant. Included are original interviews with fans discussing their own customized punk T-shirts, as well as with punk's key influencers.
A visual history of counterculture music T-shirts, spanning the defining era of indie music. Ripped is the first book to document the shirts of the post-punk and indie period, after the submission of 1960s rock ‘n’ roll to mass popularity and before the onset of ironic consumerism. Carefully selected from the archives of vintage fashion collector Cesar Padilla, the 200 T-shirts in this book are classic examples of rare and extremely limited shirts created by and for the very bands who embodied the true essence of the DIY and indie movements—from The Ramones to Sonic Youth, John Cale, Talking Heads, Madonna, X, Pil, The Germs, and many others. Each shirt has been photographed in all its gritty, sweat-stained glory just as it was found—on the street, in a thrift store, or inherited from a friend. Introduced by Lydia Lunch, the book includes recollections and ruminations from musicians, fashion designers, and pop culture personalities on the enigmatic and enduring appeal of the rock band T-shirt.
Punk Style examines the dress of this incredibly diverse, long-lasting and hugely influential subculture and its impact on mainstream fashion. Taking a comprehensive approach, the book includes a historical overview, a discussion of motivations behind dress practices, and a review of fashion cycles and merchandising methods. Punk is frequently positioned as a forerunner of trends that later become commonplace, as demonstrated in the proliferation and acceptance of body modification, the repeated use of deconstruction as a design aesthetic, and the recent boom in fashion that reflects DIY style through handmade crafts. The book explores how this dominant subcultural style continues to expand via the internet, youth buying-power, and the constant re-appropriation of its distinctive styles. This accessible text brings the discussion of punk fashion up-to-date and provides a concise overview for students and scholars and general readers interested in the punk subculture.
The authors present 200 photos of the greatest rock T-shirts from three decades. The socio-fashion phenomenon, the creativity, and artistic freedom on display is matched only by the music behind the names.
One of Oprah Daily's 20 Favorite Books of 2021 • Selected as one of Pitchfork's Best Music Books of the Year “One of the best books of its kind in decades.” —The Wall Street Journal An epic achievement and a huge delight, the entire history of popular music over the past fifty years refracted through the big genres that have defined and dominated it: rock, R&B, country, punk, hip-hop, dance music, and pop Kelefa Sanneh, one of the essential voices of our time on music and culture, has made a deep study of how popular music unites and divides us, charting the way genres become communities. In Major Labels, Sanneh distills a career’s worth of knowledge about music and musicians into a brilliant and omnivorous reckoning with popular music—as an art form (actually, a bunch of art forms), as a cultural and economic force, and as a tool that we use to build our identities. He explains the history of slow jams, the genius of Shania Twain, and why rappers are always getting in trouble. Sanneh shows how these genres have been defined by the tension between mainstream and outsider, between authenticity and phoniness, between good and bad, right and wrong. Throughout, race is a powerful touchstone: just as there have always been Black audiences and white audiences, with more or less overlap depending on the moment, there has been Black music and white music, constantly mixing and separating. Sanneh debunks cherished myths, reappraises beloved heroes, and upends familiar ideas of musical greatness, arguing that sometimes, the best popular music isn’t transcendent. Songs express our grudges as well as our hopes, and they are motivated by greed as well as idealism; music is a powerful tool for human connection, but also for human antagonism. This is a book about the music everyone loves, the music everyone hates, and the decades-long argument over which is which. The opposite of a modest proposal, Major Labels pays in full.
Seminal and subversive. Iconic and experimental. Radical and underground. This collection of over 500 vintage T-shirts has them all. Symbols of rebellion – worn by skaters, punks, metalheads and surfers alike – T-shirts have dominated pop culture for decades. Featuring stunning photographs of each tee, interviews from die-hard collectors and rare treasures from celebrated designers, Cult T-Shirts is a nostalgic dive into the world of 70s and 80s rebel subcultures.
Marriage is a bond that requires hard work from two people in order to achieve happiness—find all the tips and tools to a happily-ever-after, using the guidance of a trusted relationship expert. Beloved marriage counselor Pastor Cal Roberson captivates millions of viewers with his eccentric personality and unabashed yet effective marriage advice—and Marriage Ain’t for Punks is no different. This book is a relationship game changer. It’s a straightforward and unapologetic dive into why people fail or struggle at one of the most popular and sought-after unions in society. Even though some marriages look like a hot mess, don’t give up hope, because it is transparency, honesty, and downright fearlessness that make a great marriage. A good relationship is about refusing to allow pettiness to destroy the loving connection that partners truly seek to find with each other. Those with healthy marriages are not weaklings. They are not quitters. They know that Marriage Ain’t for Punks!
Arising from the street corners and underground clubs, Rebel Music: Resistance through Hip Hop and Punk, challenges standardized schooling and argues for equity, peace, and justice. Rebel Music is an important, one-of-a-kind book that takes readers through fun, radical, educational chapters examining Hip Hop and Punk songs, with each section addressing a particular social issue. Rebel Music values the experiences found in both movements as cultural capital that is de-valued in the current oppressive, standard, test-driven, rule-bound, and corporate schooling experience, making youth “just another brick in the wall.” This collection is a “rebel yell” to administrators, teachers, parents, police, politicians, and counselors who demonize Hip Hop and Punk to listen up and respect youth culture. Finally, Rebel Music is a celebration of radical voices and an organizing tool for those who use music to challenge oppression.
