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Author: Anthony Graham-White
Publisher:
Published: 1995
Total Pages: 202
ISBN-13:
DOWNLOAD EBOOKThird, most Elizabethan plays survive in printed copies; playwrights usually had no involvement in their printing, and one of the printer's editorial functions was to update the punctuation. Even if we find it expressive, we can only infer that its dramatic pointing is that of the author.
Author: Norman Blake
Publisher: Bloomsbury Publishing
Published: 2017-03-14
Total Pages: 230
ISBN-13: 1350318353
DOWNLOAD EBOOKWhen you read Shakespeare or watch a performance of one of his plays, do you find yourself wondering what it was he actually meant? Do you consult modern editions of Shakespeare's plays only to find that your questions still remain unanswered? A Grammar of Shakespeare's Language, the first comprehensive grammar of Shakespeare's language for over one hundred years, will help you find out exactly what Shakespeare meant. Steering clear of linguistic jargon, Professor Blake provides a detailed analysis of Shakespeare's language. He includes accounts of the morphology and syntax of different parts of speech, as well as highlighting features such as concord, negation, repetition and ellipsis. He treats not only traditional features such as the make-up of clauses, but also how language is used in various forms of conversational exchange, such as forms of address, discourse markers, greetings and farewells. This book will help you to understand much that may have previously seemed difficult or incomprehensible, thus enhancing your enjoyment of his plays.
Author: Claire M. L. Bourne
Publisher: Oxford University Press
Published: 2020-06-05
Total Pages: 351
ISBN-13: 0192588524
DOWNLOAD EBOOKTypographies of Performance in Early Modern England is the first book-length study of early modern English playbook typography. It tells a new history of drama from the period by considering the page designs of plays by Shakespeare and others printed between the end of the fifteenth century and the beginning of the eighteenth century. It argues that typography, broadly conceived, was used creatively by printers, publishers, playwrights, and other agents of the book trade to make the effects of theatricality—from the most basic (textually articulating a change in speaker) to the more complex (registering the kinesis of bodies on stage)—intelligible on the page. The coalescence of these experiments into a uniquely dramatic typography that was constantly responsive to performance effects made it possible for 'plays' to be marketed, collected, and read in the sixteenth and seventeenth centuries as a print genre distinct from all other genres of imaginative writing. It has been said, 'If a play is a book, it is not a play.' Typographies of Performance in Early Modern England shows that 'play' and 'book' were, in fact, mutually constitutive: it was the very bookishness of plays printed in early modern England that allowed them to be recognized by their earliest readers as plays in the first place.
Author: Stanley Wells
Publisher: Cambridge University Press
Published: 2002-11-28
Total Pages: 368
ISBN-13: 9780521523882
DOWNLOAD EBOOKThe first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.
Author: Emma Depledge
Publisher: Cambridge University Press
Published: 2017-09-28
Total Pages: 283
ISBN-13: 1107154596
DOWNLOAD EBOOKThis book demonstrates how the book trade of 1640-1740 canonised Shakespeare by selling, editing and promoting his plays and poems.
Author: Margaret Jane Kidnie
Publisher: Cambridge University Press
Published: 2015-11-12
Total Pages:
ISBN-13: 1316351882
DOWNLOAD EBOOKShakespeare and Textual Studies gathers contributions from the leading specialists in the fields of manuscript and textual studies, book history, editing, and digital humanities to provide a comprehensive reassessment of how manuscript, print and digital practices have shaped the body of works that we now call 'Shakespeare'. This cutting-edge collection identifies the legacies of previous theories and places special emphasis on the most recent developments in the editing of Shakespeare since the 'turn to materialism' in the late twentieth century. Providing a wide-ranging overview of current approaches and debates, the book explores Shakespeare's poems and plays in light of new evidence, engaging scholars, editors, and book historians in conversations about the recovery of early composition and publication, and the ongoing appropriation and transmission of Shakespeare's works through new technologies.
Author: Hugh Macrae Richmond
Publisher: A&C Black
Published: 2003-01-01
Total Pages: 581
ISBN-13: 1847146112
DOWNLOAD EBOOKShakespeare's Theatre consolidates the author's forty years of experience in studying and staging Shakespeare's plays. Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins. Coverage includes the practices of Elizabethan actors and script writers: methods of characterization; gesture, blocking and choreography, including music, dance and fighting; actors' rhetorical interaction with audiences; and use of costumes, stage props, and make-up. The author makes use of scripts and scholarship about original stagings of Shakespeare and suggests how those productions related to modern staging. Much of this material has developed as a result of the recent increased interest in the significance of performance for interpreting Shakespeare, including the recovery of the archaeological evidence about the original Rose and Globe Theaters. The book contains current bibliographies for each topic and consolidates these in an overall bibliography for Shakespeare and his theaters.
Author: Ian Robinson
Publisher: Cambridge University Press
Published: 1998-12-03
Total Pages: 234
ISBN-13: 9780521480888
DOWNLOAD EBOOKTraces the history of prose and the evolution of the sentence as a literary form.
Author: Mary Braaten
Publisher: Dorrance Publishing
Published: 2016-05-09
Total Pages: 116
ISBN-13: 1480926094
DOWNLOAD EBOOKShakespeare: Helping an Actor Prepare by Mary Braaten This is a method to help actors prepare Shakespeare. Edith Skinner taught Shakespeare text analysis to the acting students in the Drama Department at Carnegie Mellon University. This book was written in order to pass on her method of teaching Shakespeare for actors. It teaches how to prepare an actor’s worksheet of Shakespeare’s monologs and sonnets. You will learn how to do a text analysis: of the sentences, phrases and meter, of adjustments to maintain meter, and of poetic devices such as sounds, figurative and rhetorical language. It describes how to work with long and complex sentences. You will organize, subordinate and build information using the pitch range of your speaking voice, inflection, phrases and pauses, and stress. It has monologs and dialogs from Shakespeare to illustrate variations in meter, variations in lines, lines that are meant to include business, and shared and overlapping lines. Each section includes examples from Shakespeare for practicing the techniques that are introduced. There is a brief discussion of Shakespeare’s punctuation and editorial practices.
Author: Brian Kulick
Publisher: Bloomsbury Publishing
Published: 2021-07-29
Total Pages: 233
ISBN-13: 1350201057
DOWNLOAD EBOOKThis book begins with a phone call. You answer it and learn that you got the job. Several months from now you're going to stage a Shakespeare play. Now ... what do you do? I mean, what do you do after that initial burst of adrenalin has passed through your body and you realize you haven't a clue as to what the play is really about, or what you might want to do with it? How exactly do you prepare for such an equally wonderful and daunting task? This is the central question of this book. It grows out of decades of preparing for Shakespeare productions and watching others do the same. It will save you some of the panic, wasted time, and fruitless paths experienced. It guides you through the crucial period of preparation and helps focus on such issues as: · What Shakespeare's life, work, and world can tell us · What patterns to look for in the text · What techniques might help unpack Shakespeare's verse · What approaches might unlock certain hidden meanings · What literary lenses might bring things into sharper focus · What secondary sources might lead to a broader contextual understanding · What thought experiments might aid in visualizing the play Ultimately, this book draws back the curtain and shows how the antique machinery of Shakespeare's theatre works. The imaginative time span begins from the moment you learn that on such and such date you will begin rehearsing such and such Shakespeare play. Our narrative clock starts ticking the moment you put down the phone and stops when you arrive at the rehearsal hall and begin your first table read. So much of what will be the success or failure of a director's project rests on this work that is done before rehearsals even begin.
