The hand-puppet play starring the characters Punch and Judy was introduced from England and became extremely popular in the United States in the 1800s. This book details information on nearly 350 American Punch players. It explores the significance of the 19th-century American show as a reflection of the attitudes and conditions of its time and place. The century was a time of changing feelings about what it means to be human. There was an intensified awareness of the racial, cultural, social and economical diversity of the human species, and a corresponding concern for the experience of human oneness. The American Punch and Judy show was one of the manifestations of these conditions.
Prime Minister's Questions is the bear pit of British politics. Watched and admired around the world, it is often hated at home for bringing out the worst in our politicians. Yet despite successive leaders trying to get away from Punch and Judy politics, it's here to stay. Ayesha Hazarika and Tom Hamilton spent five years preparing Ed Miliband for the weekly joust, living through the highs and lows, tension and black humour of the political front line. In this insightful and often hilarious book, including an updated afterword discussing the key events of 2018, they lift the lid on PMQs and what it's really like to ready the leader for combat. Drawing on personal recollections from key players including Tony Blair, David Cameron, Harriet Harman, William Hague and Vince Cable alongside their unique knowledge, Hazarika and Hamilton take you behind the scenes of some of the biggest PMQs moments.
We start of with a history of the origins of Punch from Italy and then its progress through both England and America. Then we have the various acts, including: Punch and his Dog Toby, Scaramouch with Punch and his Horse, Punch, Judy and the Baby, Punch sees a Ghost, Punch and the Doctor, Punch kills Scaramouch, The Irishman tells Punch a little story, Punch and the Opera Singer, Clown troubles Mr. Punch, Punch hangs the Hangman and many many more!
Puppetry is arguably the most widespread form of performance. The artistry of puppetry includes aspects of the visual arts, theatre, music, and dance. Puppets can be traced as far back as ancient Egypt, Greece, and Rome and are found today in cultures worldwide, across the Americas, Europe, Africa, and Asia. John Bell shows how puppets have been used to relay myths, poke fun at political figures, comment on cultural events of the period, express moral stories, and entertain adults and children alike. This richly illustrated book gives a historical overview and looks at the wide variety of this traditional art form. From European and Asian puppets in modern and ancient times to the Puppet Modernism movements, the book explores the important innovators and innovations of puppetry. Brief biographies of key figures such as Tony Sarg (credited with creating the first over-life-size puppets used for parades), Paul McPharlin (creator of Punch’s Circus), and Jim Henson (world-reknowned creator of many puppets, including the Muppets) help describe the evolution of puppetry. Definitions and descriptions of a variety of puppet styles, including shadow puppets, marionettes, hand puppets, rod puppets, and many others, add to the understanding of this fascinating form of art. With over one hundred color illustrations, this book highlights the "lives" of such characters as Kermit the Frog, Punch and Judy, Jack Pumpkinhead, and the traditional Chinese puppet Te-Yung to reveal the ways that puppets have become an integral part of many cultures. Captivating and fun, this book offers valuable insight into the wonderful world of puppetry.
Women and Puppetry is the first publication dedicated to the study of women in the field of puppetry arts. It includes critical articles and personal accounts that interrogate specific historical moments, cultural contexts, and notions of "woman" on and off stage. Part I, "Critical Perspective," includes historical and contemporary analyses of women’s roles in society, gender anxiety revealed through the unmarked puppet body, and sexual expression within oppressive social contexts. Part II, "Local Contexts: Challenges and Transformations," investigates work of female practitioners within specific cultural contexts to illuminate how women are intervening in traditionally male spaces. Each chapter in Part II offers brief accounts of specific social histories, barriers, and gender biases that women have faced, and the opportunities afforded female creative leaders to appropriate, revive, and transform performance traditions. And in Part III, "Women Practitioners Speak," contemporary artists reflect on their experiences as female practitioners within the art of puppet theatre. Representing female writers and practitioners from across the globe, Women and Puppetry offers students and scholars a comprehensive interrogation of the challenges and opportunities that women face in this unique art form.
