"In this tenth volume in the Publich Sculpture of Britain series, the varied and important, though often little-known, public sculpture of the Boroughs of Wandsworth, Lambeth, Southwark and Lewsham is illustrated and catalogued in detail."--BOOK JACKET.
The "Black Country" is an area historically known as the cradle of the Industrial Revolution—a thriving regioin built around deep coal seams, conjuring up images of fiery red furnaces by night and black, sooty citadels by day. Yet today the resource-rich region also features many striking public sculptures. This volume provides a comprehensive catalog to all of the historic sculptures and public monuments in Staffordshire and the Black Country. George Noszlopy and Fiona Waterhouse catalog each individual sculpture in detail, including information about the sculptor, the sculpture's historical and artistic significance, the commissioning agent, and the date of installation. The volume also features 350 black-and-white photographs that document the diverse and rich beauty of the region's public monuments. The ninth volume in the widely acclaimed, award-winning Public Sculpture of Britain series, Public Sculpture of Staffordshire and the Black Country is an invaluable resource for British historians, art scholars, and travelers alike.
Public Sculpture of Greater Manchester is a complete catalog and illustrated guide to all of Greater Manchester's public sculptures and monuments. Manchester historian Terry Wyke provides detailed individual entries for each sculpture featured, including information about the artist and the commissioning agent, date of installation, and the sculpture's historical and artistic significance. More than 350 black-and-white photographs reveal the diversity and beauty of Manchester's many public monuments. The eighth volume in Liverpool University Press's highly acclaimed and prize-winning Public Sculpture of Britain series, Public Sculpture of Greater Manchester will be an incomparable resource for both armchair and actual travelers, as well as for English historians and art scholars alike. "These are excellent volumes in an outstanding and continuing series, one of the most original and important such projects under way. They set an international standard for the recording and publication of public sculpture."—Judging panel, 2003 William MB Berger Prize for British Art History, on the Public Sculpture of Britain series
The Westminster Borough of London, which includes much of the city's fashionable West End, boasts a large concentration of public sculptures, including war memorials, commemorative monuments, fountains, and other prominent works of art. Public Sculpture of Historic Westminster: Volume I documents nearly three hundred of these works, with illustrations and details of construction, selections of artists and sites, and conservation history. In the case of statues commemorating public figures, a brief biography is also provided focusing on the achievements celebrated. Additional sections discuss the use of Parliament Square, Trafalgar Square, and the Victoria Embankment as sites for commemoration.
The streets and public spaces of London are rich with statues and monuments commemorating the city's great figures and events – from Nelson's Column in Trafalgar Square and Sir Christopher Wren's Great Fire Monument to the charming Peter Pan statue in Kensington Gardens, the range is glorious. Some commemorate events, while others celebrate people real or fictional; some take the form of small reliefs, while others are huge bronzes on pedestals, larger than life-size. Executed in stone, bronze and a range of other materials, London's statues and monuments include work by some of the world's greatest sculptors, and this book is a fully illustrated guide to the pieces and their stories: sometimes surprising and occasionally controversial, but always fascinating.
As the financial capital of the British Empire, the City commissioned imposing statues of those who had made it what it was. More surprising is the wealth of architectural sculpture, including the friezes of the Institute of Chartered Accountants, the most important of the 'New Sculpture'.
Although the integration of sculpture in gardens is part of a long tradition dating back at least to antiquity, the sculptures themselves are often overlooked, both in the history of art and in the history of the garden. This collection of essays considers the changing relationship between sculpture and gardens over the last three centuries, focusing on four British archetypes: the Georgian landscape garden, the Victorian urban park, the outdoor spaces of twentieth-century modernism and the late-twentieth-century sculpture park. Through a series of case studies exploring the contemporaneous audiences of gardens, the book uncovers the social, political and gendered messages revealed by sculpture's placement and suggests that the garden can itself be read as a sculptural landscape.
A guide to sculpture from around the world, including chapters on New York 1880-1902, the thirty years war, the tomb of Oscar Wilde, the Hudson memorial and much more. Sir Jacob Epstein, (1880-1959) was an American-born British sculptor who helped pioneer modern sculpture. He was born in the States, and moved over to Europe in 1902, and became a British citizen in 1911. He regularly produced controversial works which challenged taboos on what was appropriate subject matter for public art.
This book introduces the reader to the statues, busts, and memorial plaques of scientists, explorers, medicine men and women, and inventors found in the bustling capital of the United Kingdom, London. The former capital of the British Empire, London remains a world center of trade, navigation, finance and many more. It is also a hub of science, the seat of the Royal Society, Royal Institution, Science Museum, British Museum, Natural History Museum, and of great institutions of higher education. The historical figures depicted in these memorials are responsible for creating great institutions, milestone discoveries, contributions to the scientific and technological revolutions, fighting against epidemics, advancing medicine, and contributing to the progress seen during the past four hundred years. This is a guidebook for the visitor and the Londoner alike. It presents memorials that everybody is familiar with and others that the authors discovered during their years of painstaking research. The 750 images and the text, interlarded with anecdotes, is both informative and entertaining.
There are over thirty public art galleries in north-west England with substantial permanent collections. The superb collections in Liverpool at the Walker Art Gallery and in Manchester at the City Art Gallery and at the Whitworth Art Gallery are well known, while Lord Leverhulme’s splendid British paintings and sculptures preserved at the Lady Lever Art Gallery in Port Sunlight have an international reputation. For Pre-Raphaelite, Classical, Aesthetic and Impressionist British art and much else, north-west England cumulatively has public collections unmatched even in London. This book is both a guide and a history to these collections as well as other less famous public collections containing little-known masterpieces.