This volume comprises two invited talks and fifteen selected papers, chosen from over 200 submissions to the 15th International Conference on the History of Language Sciences (ICHoLS XV). Originally scheduled to be held in Milan in 2020, the conference was postponed and moved online due to the COVID-19 pandemic. Held from August 23-27, 2021, it connected scholars from 30 countries across various time zones. The volume is divided into three parts. The first part, devoted to General and Particular Issues in the History of Linguistics, recalls classical authors in relation to contemporary ones as well as newly established disciplines and subtle epistemological inquiries. The second part, Antiquity, mainly investigates the Sanskrit language and various descriptive and didactic studies, approached from both ancient and contemporary metalinguistic frameworks. The third part deals with Sixteenth to Twentieth Century Works, ranging from the Tamil language to American archives, and from experimental phonostylistics to the history of monosemy.
The neo-avant-garde of the 1950s, 60s and 70s, is due for a thoroughgoing reassessment. This collection of essays represents the first full-scale attempt to deal with the concept from an interdisciplinary standpoint. A number of essays in this book concentrate on fine art, particularly painting and sculpture, thereby adding significantly to the growing art historical literature in the field, but a number of the contributions also focus on poetry, performance, theatre, film, architecture and music. Given that there are also major essays here dealing with geographical blindspots in current neo-avant-garde studies, with thematic issues such as art’s entanglement with gender, mass culture and politics, with key neo-avant-garde publications, and with the purely theoretical problems attaching to the theorisation of the topic, this collection offers a multi-dimensional approach to the subject which is noticeably lacking elsewhere. Taken together these essays represent a consolidated attempt at re-thinking the ‘cultural logic’ of the immediate post-World War II period.
A landmark collection, spanning ninety years of U.S. history, of the never-before-published diaries of George F. Kennan, America’s most famous diplomat. On a hot July afternoon in 1953, George F. Kennan descended the steps of the State Department building as a newly retired man. His career had been tumultuous: early postings in eastern Europe followed by Berlin in 1940–41 and Moscow in the last year of World War II. In 1946, the forty-two-year-old Kennan authored the “Long Telegram,” a 5,500-word indictment of the Kremlin that became mandatory reading in Washington. A year later, in an article in Foreign Affairs, he outlined “containment,” America’s guiding strategy in the Cold War. Yet what should have been the pinnacle of his career—an ambassadorship in Moscow in 1952—was sabotaged by Kennan himself, deeply frustrated at his failure to ease the Cold War that he had helped launch. Yet, if it wasn’t the pinnacle, neither was it the capstone; over the next fifty years, Kennan would become the most respected foreign policy thinker of the twentieth century, giving influential lectures, advising presidents, and authoring twenty books, winning two Pulitzer prizes and two National Book awards in the process. Through it all, Kennan kept a diary. Spanning a staggering eighty-eight years and totaling over 8,000 pages, his journals brim with keen political and moral insights, philosophical ruminations, poetry, and vivid descriptions. In these pages, we see Kennan rambling through 1920s Europe as a college student, despairing for capitalism in the midst of the Depression, agonizing over the dilemmas of sex and marriage, becoming enchanted and then horrified by Soviet Russia, and developing into America’s foremost Soviet analyst. But it is the second half of this near-century-long record—the blossoming of Kennan the gifted author, wise counselor, and biting critic of the Vietnam and Iraq wars—that showcases this remarkable man at the height of his singular analytic and expressive powers, before giving way, heartbreakingly, to some of his most human moments, as his energy, memory, and finally his ability to write fade away. Masterfully selected and annotated by historian Frank Costigliola, the result is a landmark work of profound intellectual and emotional power. These diaries tell the complete narrative of Kennan’s life in his own intimate and unflinching words and, through him, the arc of world events in the twentieth century.
